Anime review: "Hyouka"

Few weeks ago AnimeReactor Community Awards were finally out. Most of the anime I watch I find and pick by myself, but I always check this yearly selection in case I miss some (I usually do). For last year, "Hyouka" won in three categories: Character Development, Male Lead and Slice-of-Life. I noticed "Hyouka" before, but I looked like a typical school comedy, probably based on some dating-sim or video-game, so I decided to skip it. But winning three categories made me change my mind, especially in these few weeks without any expected anime out.

"Hyouka" had a pretty uninformative and general description. Oreki Hotarou has just entered high-school. He is almost typical boy, except for his philosophy - he is an "energy-saving boy" and his motto is: "If I don't have to do something, I won't, but if I have to, I'll do it quickly.". Meaning, he avoid any unnecessary effort and obligation, even though he is not lazy. According to his life-style, he would avoid joining any high-school clubs, because it would ask for additional effort, but he is forced by his older sister to join Classic Literature Club. There he meets Chitanda Eru, also from his year, who is a very curious and dynamic girl - his complete opposite. Later they are joined by Fukube Satoshi, Oreki's best-friend, and Ibara Mayaka, a friend from their junior-high school.

Plot of "Hyouka" stems from Chitanda's curiosity (her phrase is "I can't stop thinking about it") and Oreki's uncanny ability to connect seemingly uncorrelated facts into a theory or explanation. It turns out that Oreki is a natural born detective - when he can be coerced to leave his usual low-energy state. There is no overall plot in this anime, only a bunch of standalone episodes and three mini-arcs made of two or three episode. At the beginning, I was wondering why this anime got an award in Slice-of-Life category when it was clearly a detective anime, but toward end focus shifts more to characters and their daily life than to plot.

Also, a word of advice. This anime has a pretty slow introduction, so give it some time to really start. It you like it when it reaches Seikitani Jun arc, things go only better from that point on.

From my description, you probably understand that I liked this anime, although it doesn't sound like anything extraordinary. And this is true, this anime is not extraordinary - but it is very, very good in every aspect. There is no big story here, but each episode and few arcs are very interesting, even if you don't like detective stories (I don't, really). Characters don't stand out, especially at the beginning, but they grow more complex and life-like whole time during this show. Animation and design also don't look anything special at first glance, but as you watch it, you will realize that a major effort is put in details and that everything fits right. There is also some romance, some comedy and much of light humor. Looking back now, this anime is like normalized (in sense that both high and low extremes are flatted out) "Haruhi Suzumiya" show. And I think that fans of it will also like "Hyouka". Despite slow and unimpressive start, this show ends as one really good anime.

The show doesn't have many characters. Except four main, there are only some recurring supporting characters, but they are all made good. Again, I stress that this anime really deservedly won first place in Character Development category (as both jury and community pick). This is most evident in Oreki, who quite grows in self-confidence and gradually changes his life-style.

There are some unexpected quirks in this anime. First, you rarely see a minor getting drunk in anime (even when it is accidentally). Secondly, it is not common that boy is attracted to girl only psychically (at least at first), except in ecchi anime. It usually involves unrealistic romance (e.g. Harima and Tenma from "School Rumble").

The show has 22 episodes, and there is one OVA which is actually a normal standalone episode. As I said, visually anime doesn't look much, but quality is actually pretty high and it stays that way whole time. There is really much care put into details: clothes, furniture, surroundings... It is obvious that anime had pretty good production.

All in all, even not extraordinary, "Hyouka" is quietly great anime and I would recommend it to anybody who doesn't require action from anime their watch. It is interesting, sometimes mysterious, lively and fun all the way.

Movie reviews: "Jack Reacher" and "Iron Man 3"

This week I have watched two movies.

First I watched at my friend's place, "Jack Reacher". Before watching, I knew that it starred Tom Cruise and I didn't have any expectations from it.

After a former US sniper-specialist James Barr gets framed for murdering of 6 innocent people in broad-daylight, his only chance is Jack Reacher, an ex-military policeman and investigator. Together with his defender Helen, he tries to find how and why did Barr get framed. What they discover will endanger their lives...

"The law has limits. He does not." This writes on the movie poster and describes the movie perfectly. The movie starts as a thriller and ends as a action movie with big gun-showdown. And throughout the movie, Tom Cruise is best in anything he does: he is a brilliant investigator with photographic memory, a confident ladies-man, a skilled martial-artist and of course the impeccable marksman.

If Tom Cruise's character was replaced with a team of three or four people that shared his skills, this would be very believable movie. But even so, "Jack Reacher" is not a bad movie. It has a nice and intriguing plot that keeps you guessing what will happen next, few comic scenes and nice action. If you don't have big expectations, you could have a nice time with this film, as I did.

And this weekend I went to the movies to watch the new "Iron Man 3". I am not very versed in "Iron Man" setting, but when I learned that this movie features Mandarin, his arch-enemy, it made me have big expectations.

The "Iron Man 3" is set after the last (and first) "The Avengers" movie. Tony Stark is without any real occupation, wasting time in his basement and suffering from anxiety attacks that are the consequence of events from "The Avengers". But now USA is threatened by a new villain, a terrorist known as Mandarin, who is somewhat connected with the group called AIM and biologist Maya Hanses, one of Stark's ex-conquests.

Well, without wading into spoilers, let's just say that Mandarin was a the same time a disappointment and hilarious surprise. My girlfriend, who had no expectations, found it (and the movie itself) great, while I was mildly dissatisfied.

The movie is fun, fun, fun with occasional action. Robert Downey Jr. really goes well with Iron Man role and is very funny in it. I also expected more focus on Iron Man suits, but the movie goes, let's say, back to the roots.

Of course, the movie is technologically ridiculous: there was something about "recalibrating the ISDN servers on van's roof". Also, the whole idea a mechanic can make and repair a suit is nonsensical, but you just have to accept it.

From some scenes at the end of the movie, it can be implied that this is the last movie in this sequence. But I just checked on Wikipedia and it says that we can expect at least one more movie with Downey Jr. as Iron Man (although it is not confirmed).

But all in all, "Iron Man 3" is a funny and exciting movie and I would recommend it to anybody who wants to enjoy an evening in nice action, humor and special effects.

Book of review: "God of Clocks" by Alan Campbell

This weekend I finished "God of Clocks" by Allan Campbell, the last book in his "Deepgate Codex" trilogy. I really liked his first book, "Scar Night" and found it very gritty and full of epic action. The second one, "Iron Angel" took the series to an unexpected expansion, making it very different from the first one, but I liked it very much also. So I had some expectation from this last one.

In last book, things weren't going were well for our main heroes (although this is maybe a wrong word). Even though they managed to save Dill from Hell's King Menoa, Menoa had used them to deliver twelve unstoppable arconites to the world of living. To thwart him, they devise a desperate plan: former Spine assassin Rachel Heal, thaumaturgist Mina Green, god places in glass body Hasp will lead arconite Dill to the God of Time Sabor, where they will attack the Heaven in hope that this will anger Ayen, mother of all creation, enough that she will destroy all arconites. At the same time, the god Cospinol and his servant John Archer, with former Mesmerist Alice Harper serving as they guide, will try to make a distraction and attack Menoa's stronghold in Hell...

At first, I had some trouble adapting to "God of Clocks" because I forgot a lot what happened at the end of its prequel, "Iron Angel". But I overcome this fast, especially because this book feel almost like a continuation of the last part of "Iron Angel": the Pandermia, the Mesmerists, Hell, arconites, war between gods... Of course, it is hard to add new elements in last book of series, but after a tremendous change between "Scar Night" and its sequel, I expected some surprise.

There are two big flaws in this book in my opinion. First is the constant action. From the page one till the end, you don't get any rest. It's action, action, action. I know that this sound strange, because action equals interesting. But you don't get any time to absorb what is happening and you are just constantly jumping from one scene to another, without really getting an attachment to plot and characters. It all leaves you tired from reading.

I admit that plot is interesting and really unpredictable, but here is the second, more important flaw: the ending. This book looks like Campbell wrote half of it and then decided that he doesn't feel like writing it any more. But since he was obligate to finish it, he wrote up the plot-line that gives ending, rearanged chapter and left everything else at cliffhanger. Sure, book had an ending, even a satisfactory one, but there is just too much question left unanswered. Too much...

Campbell's characters in last two books were superb. Here they retain most of their quality, the old ones. Several new characters are good, although not exceptional. But again, the abrupt ending leaves both heir history and future unresolved and unfinished. The bright point was reappearance of Carnival as a character, but even though she got some pages, they can be compressed to few words: anger, violence, unbending. This would be all right I she got some resolution at the end, but that nonsensical two pages just don't cut it.

All in all, "God of Clocks" was a big disappointment for me. It had a big potential, with really unique setting, great characters and very gritty and dark atmosphere. But sudden ending ruined the experience for me. Not sure if I would recommend this book even the fans of the series.

Anime review: "Hyouge Mono"

I don't really remember how or when it started, but I know that I have been eagerly waiting for this show to be subbed for months, maybe even more than a year. I always had a liking for historical-based items (be it books, movies or anime) and "Hyouge Mono" looked like one. On the other hand, I had some similar expectations from "Sengoku Basara" (which disappointed me very, very much) and even more so from "Souten Kouro" (which took a completely different direction than I expected). But "Hyouge Mono" fitted those expectations perfectly: a complex and deeply historical anime with a bunch of characters and realistic details.

"Hyouge Mono" is set on the eve of Sengoku period in Japan, starting somewhere in last years of rule of Oda Nobunaga. In the anime we follow the important events in Japan's history for next ten years, including the wars, politics and cultural life. This is seen primary from the eyes of Furuta Sasuke, who starts as a lowly vassal to Oda Nobunaga. What differentiates Furuta from bunch of other warriors and vassals is that he is actually more of an aesthete than a warrior. But to enjoy life of an aesthete, one needs to have money. Luckily for him, aesthetes, especially those interested in the way of tea, are on the rise in this time...

Sengoku period is a very turbulent time for Japan, a time of constant warring before final unification of Japan. Of course, such times gave rise to many popular warriors and leaders, like Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu (to name the most prominent). And as such, it is a ripe pool of ideas for anime.

There are several obvious and important aspects that make this anime different from your usual one. First one is that Furuta is in no way the main character - the show doesn't actually have one. Furuta is only the means through which we follow the events, plot and other characters. He is not even an important man, especially at the beginning of the show, and he has to bend toward the will of others. In the end, he is just a conveniently placed close to important people with small influence on the events. This is a somewhat common occurrence in books (let's only mention Guy Gavriel Kay, who use it all the time), but I don't remember seeing it in anime much (maybe in few josei anime). Actually, there is even less focus of Furuta in later parts of anime.

Secondly, it cannot be said that this anime has a plot in classical sense. We are suddenly immersed in an ongoing world full of events, we follow it for some time (10 years and 39 episodes) and then we leave it without the feel on conclusion you have when some show is finished. At one time, somewhere around 25th episode, I have made a note "totally don't know where the plot is going", because I expected first part to be the introduction and second the real revelation of the story, but I was wrong.

And third, the biggest difference is the level of historical accuracy and details. In my 200+ anime that I have watched, I don't remember ever watching such anime. I can't say that I am a student of Japanese history, since most that I know about it came from common knowledge, anime, Wikipedia and articles on Internet and magazines. There is even a warning at the start of every episode that this is a work of fiction. But on the other hand, every character, important event and even things and concepts can be found on Wikipedia or other online encyclopedia. Yes, a lots of events, or better said, reasons behind events are made more dramatic or romantic (not in sense of love), but nevertheless, the amount of accurate historical details is astounding. Interesting, characters even speak with slightly archaic speech, and subtitles that I had reflected that.

Of course, the theme of anime is strange also: the Japanese tea ceremony. I never encountered this before, and I thought it to be completely fabricated. I was very surprised when I went to Wikipedia and found out that it isn't. This gives the anime a somewhat slow and serious, but at the same time funny aspect. Furuta's tea-obsession looks ridiculous from our perspective, but I see it was a serious business at the time. There is a lot of details about tea ceremonies and talk about elegance and aesthetics. If there is a message that this anime wants to convey, then it is something like: "Always do your best in everything, but never fret about it - be elegant and relaxed". This is evident for Furuta's character that is, as I said, obsessed, pretentious and overeager to become famous as aesthete, even contrary to his sincere liking of the way of tea. Later he grows much and becomes more relaxed and enjoys the tea and beauty for itself.

This brings us to another topic: characters. There is really a bunch of them and it takes time to become familiar with them (especially since lot of them change - this is war, after all). It helps if you are familiar with the Sengoku period. They change appearance, clothes, hairstyles. But more important, they really change during the anime. Furuta, Rikyu, Hashiba - at the end, they are very different people from those who they were when we met them. I even like them more in the second part of the show, when they are more mature and relaxed...

Even though "Hyouge Mono" is a serious and historical anime, there is really a lot of humor. A lots of it steam from Furuta's obsession for art pieces, and the faces he makes (I was delightful to see that Troll-face in episode 16, during the shrimp-mongering dance). Also, it is funny when someone pricks his bubble of self-importance. But it is interesting that there is some humor that is not intended toward viewer (so that we laugh at characters), but it is more the humor between the characters so the viewer can laugh with them (like when Furuta steals the tea-jar lid). On the other hand, it is easily to forget that this funny little man is actually a warrior and veteran but we are reminded of that on few occasions.

The ending was really something. It was a slow rise during few episodes to a glorious culmination - a powerful and emotional ending. It was delighted to see that mange that anime is based upon is still ongoing - which means I can hope for eventual sequel.

I was a bit disappointed by Date Masamune's appearance and mannerism, who looks like he escaped from "Sengoku Basara". On the other hand, he was very funny, and in the end did fit with the rest of characters.

Animation and colors in nothing over the top, but it is very good. Design of characters and care for details (I mention clothes and hairstyles) are on the other hand superb. As is the voice-acting.

It's been a long time since I gave some anime 10 on AniDB (I gave them all around when I was younger), but "Hyouge Mono" definitely deserves it: complex and detailed, historically based with realistic characters, no good guys, no main character, almost a slice-of-life in turbulent times - this really an unique seinen anime. Unfortunately, I don't think it will be deservedly appreciated because it will be too hard for majority of viewers. But if you consider yourself a fan of seinen or historical anime, give this a try.

Book review: "The Half-Made World" by Felix Gilman

As can be seen on this blog, I am mostly dedicated to fantasy series, the longer the better. But I've been tried to broaden my horizon, so I occasionally buy some stand-alone novel, or even SF or something borderline. I first noticed "The Half-Made World" by Felix Gilman on Tor.com, the main fantasy and SF blog that I follow. It sounded interesting, so I put it on my wishlist and bought it few months ago, but read it only last week. My idea about it was as some blend between steam-punk and western.

"The Half-Made World" is set in a very interesting setting. In history and technology level it is akin to 19th century America, but geographically is very different. The East ("the Old East", I think it is referenced somewhere) is more similar to England: a land of peaceful prosperity, colleges and law. The West, divided from East by a large mounting range, has been "discovered" few centuries ago. Before, it was "uncreated" land, a chaos. Now the line of creation is traveling further west, so land between is being settled. It is full of small towns and coalitions, except the two major forces. The Line is ruled by Engines, strong "spirits" embodied in train-like machines, that rule its vast land and people as a perfect machine or bureaucracy: every part of it is replaceable and only a number on paper. The Gun is its complete opposite. It is also ruled by spirits, but these are wild spirits than possess a body of a gun. These guns are carried by the Agents of the Gun, and they give them superhuman abilities like vision in dark, superb sense of smell, great strength, endurance, and healing abilities. But there is a catch - Gun can force Agent to do his will, and since most of the Agents are individualist (meaning criminals, gamblers and other shady men and women), inevitably there comes a conflict between the Agent and Gun that rides him. Usual Agent's activities are kidnapping  blackmail and often murdering of innocent people (not mentioning killing the Linesmen), this chafes to even hardened criminal sooner or later. Just for a record, the Line and the Gun has been in state of constant war almost since Founding of first colonies in West.

In such world, we follow three main characters. Liv, or formally Dr. Lysvet Alverhuysen, is a professor on celebrated Koenigswald Academy in East, after recent death of her (much older) husband, embarks on a journey to West, to work in the House of Dolorous, a mental hospital for victims of war in West. John Creedmore is aged agent of the Gun, inactive for few years, spending his time with gambling and seducing young women (his specialty). Lowry, a relatively high-positioned member on army of the Line (meaning he is placed on top floor, in a small room with no windows - no distraction for his important work) is an ambitious Linesman (which he has to hide, because the system don't allow ambition), almost fanatical in his fight against the Gun. Creedmore and and Lowry are tasked with the same mission: to retrieve the supposedly death General Enver, founder of the Red Republic, the only entity that ever had some success in resisting both the Gun and the Line, who possibly has the weapon capable of destroying both the Line and the Gun. His current occupation and location: a patient in the House of Dolorous.

The book has a very interesting start and you are immediately drawn into its setting. At first, I was reminded to Susanna Clarke's "Jonathan Strange & Mr. Norrell", because of initial Liv's POV, but later I realized it is much more similar to China Miéville's New Crobuzon setting. Far from being its plagiarism, but it has the same feel. It is needless to say that I got hooked up after first three chapters.

Gilman makes his main characters also very interesting. You first feel for them, but as you read you start realizing that they are far from perfect. Lowry is conformist and fanatic, Liv is too-innocent and too above-all (pretentious even), while Creedmore is nice, but actually without conscience. Also, I was very surprised with death of one of the characters toward end of the book.

There is one part of setting that I forgot to mention in introduction: the Hillfolk. They are people of the unmade world, something like very thin Neanderthals. They are enslaved by people in West who use them for menial work. I found the part when Creedmore meets one of their shamans very interesting. For several reasons (connection with the dessert, the river, the old history), they reminded me much on Steven Erikson and his Eres'al.

The plot is interesting, but in some parts it is a bit predictable. For example, I found their first journey into unmade lands exactly as I expected. But in general, the book is interesting and I hope to learn more of its setting and character. Which I will be able, since there is sort of sequel, "The Rise of Ransom City".

All in all, "The Half-Made World" was a very interesting and exciting read. It was nice plot, very good characters and really excellent and original setting. I would recommend it to anybody, but especially to fans of China Miéville.

Anime review: "Minami-ke Tadaima"

Last weekend I finished watching "Minami-ke Tadaima". That is one of my favorite (well, favorite in its category) shows and I've been waiting fourth season from 2009. There has been one or two OVA's in the meantime, but this is a full 13-episodes season.

"Minami-ke" belongs to "cute girls do cute things" category, which means that you are either into this kind of anime or you probably hate it. It is not an extreme case like "Ichigo Mashimaro", but more toward "Azumanga Daioh" or "Lucky Star". This kinds of shows commonly have dominantly female cast, usually have light or slapstick humor, there is lots of talking and not much actions, and are definitely not to be confused with ecchi anime. "Minami-ke" is a typical example, depicting life of three Minami sister: Chiaki (in elementary school), Kana (in middle school) and Haruka (in high school), interacting between themselves and their numerous friends (mostly female). As is also common, they live alone, and there is not one single adult is this series. Haruka is motherly type, taking care of her younger sisters, an excelent cook, but with some secret flaws. Kana is usually the primary source of all troubles in the show; not that she is mean, but she is too curious, too impulsive and too outspoken for anybody's good. Chiaki is the youngest: phlegmatic and solemn, always at war with Kana and in awe of Haruka. It would be too much to describe the rest of the cast, which has grown quite large. Thankfully, there were no new additions in this season or it would become hard to follow who is who.

Since there is no plot here, "Minami-ke Tadaima" is just another round of the same - which doesn't mean that it is dull. Those who don't know anything about this series should try watching the first season, which is the best of the lot. Other seasons, including this one, are quite good, but as is usual, not as good as the original. On the other hand, I think that every fan of previous seasons will be very satisfied with this one.

As was in first season, each episode consists of four loosely connected stories, dealing with various subjects: vegetables, beach, Japanese folklore... And as usual, even though the show's main characters are girls, rare male characters bring the most fun: Hosaka, Fujioka, Makoto. Addition from last season, the other Minami family also has a good one, Natsuki. But Hosaka (and his unknown arch-enemy Hayami) is the king. I think that I laughed every time at him, sometimes even out loud. But Fujioka and Makoto come close, also.

The largest difference from previous seasons (at least as I remember them, which can be wrong) is that there are some fanservice scenes. It is nothing over the top (some cleavage or provocative clothes), but in show that had zero fanservice, few scenes are noticeable.

There is one thing that bothered me: this is the fourth season and everybody is still in the same class. Even though aging would mean the end of this series, I would nevertheless appreciate some time-continuity. In other case, show risks to become repetitive and tepid.

As usual, the show has very good design of characters and every detail is taken care of. Voice-acting is at the top, and of course, Hosaka's song is great.

But as it is, "Minami-ke Tadaima" is a worthy representative of franchise and I had a lot of fun with it. And I believe that this will be the case for most fans. If you like this kind of anime, then "Minami-ke" is your first choice.

Book review: "Red Country" by Joe Abercrombie

This weekend I finished reading "Red Country" by Joe Abercrombie. It took me only three days - not that the book was short, but it was so good I just couldn't leave it. I was really into "The First Law" trilogy, but its sequels "Best Served Cold" and "The Heroes" were not as good, so I had fears that all future books will be each a bit worse than one before. Because of that, I wasn't really following the hype around "Red Country" and didn't know much about it, which turned out a great thing because there is one big surprise in here!

"Red Country" has two main characters, which has most of the POVs. Shy South, a young woman with dark past, lives at a farm with his brother Pit and sister Ro, and their stepfather Lamb, in a region called the Near Country. After Shy and Lamp come back from bartering one day, they find out that somebody burned their farm and kidnapped Pit and Ro. There is nothing left for them but to follow the trail that will ultimately lead them to the Far Country, a place with no laws and under gold-rush. Shy is at first fearful that her violent past will surface, but the somewhat fall in background as she slowly realizes that her stepfather, quiet and cowardly Lamb, has a violent and bloody past of his own, none bloodier... Unknown to them, the Near and the Far Country are soon to be visited by famous and notorious mercenary Nicomo Costa, and his even more notorious Company of the Gracious Hand. Important member of this company is Temple (the second main character), their lawyer, a man who always takes the easier path. But even he is slowly realizing that sometimes you can't take the easy path, as the Company plow through the Countries in search for gold, spoils and rebels...

I somewhere read that Abercrombie models his books to different style every time: "The First Law" trilogy was classical epic fantasy, "Best Served Cold" was film noir/thriller, "The Heroes" was (anti) war book. Following this pattern, "Red Country" is a western, but placed in Abercrombie's fantasy setting. We have the almost desolate Far Country made of far-stretching planes (Wild West), nomadic savages Ghosts (Indians), trappers, lawless city full of saloons and whorehouses... I am not really a fan of westerns (not that I dislike them, though), so I had some second-thoughts about this book, but Abercrombie colors everything with his gritty style so everything ends well (or bad, if you are a character in his book).

In my post reviewing "The Heroes", I wrote that Abercrombie is not so good with plots, but that he is great with characters. Well, here he is still great with characters, but he is also very good with the plot. I wasn't able to guess where the plot will take us next during whole book, which is a very good thing. This gets especially interesting somewhere after the middle of the book - you have a big fight that fills like a finally, but there is still another half of the book and you have no idea what you can expect.

Both new and old characters are very good. Shy and Temple are very complex, expressing doubt at their every action, never sure in anything. Abercrombie really makes you feel like you are in their heads. And occasional POV from supporting characters are very interesting. Especially that little stream of POVs before the battle with Ghosts on the plains.

But the biggest news is that this book features HIM!!! And by him I mean one of your favorite characters from "The First Law" trilogy, whose name I will not mention to avoid spoilers. I was completely unprepared for this fact, so it came as a big surprise. Even more so, Abercrombie plays with his old readers by giving hints to whether it is him or not. But when he reveals him completely, there is really no doubt about it - it is him in all his vileness and complexity.

"Red Country" is as gritty as Abercrombie's books usually are: blood, sex, violence, cursing, general evilness of the world... All is here. I was surprised though with how this book reminds me of "The Black Company" books, with its sentiment of melancholy, how things are never going be the same. There are a lot of older characters here, characters that are out of their prime, but still have to give everything because there is no one else... Also, as usual, there is a minimal use of magic - actually, except brief showing of Magi Zacharus, there is no magic even in mention.

In conclusion, I was surprised with how good "Red Country" is, if you are into darker and grittier fantasy. Wonderful characters, very interesting plot and style, and of course, one of your favorite characters. This is recommendation for both fans and non-fans (even though they should better start with previous book than here). I will expect the next book with big hopes this time.