Anime review: "Monogatari Series: Second Season"

I've been eagerly waiting for next season of "Monogatari" series since first seeing early announcement for it. I like a lot of anime and genre, but if I had to pick, this kind of weird-humor series would be my first choice (like "Durarara!!", "Baccano!", "Tatami Galaxy", "Sayonara Zetsubou Sensei"). So I felt unreasonable joy and expectation before watching the last season!

I first waited for all episodes to come out - I didn't want to be forced to wait. And before watching "Monogatari Series: Second Season", I did a rewatch of all previous shows, in order they came out: "Bakemonogatari", "Nisemonogatari", "Nekomonogatari (Kuro)". First, it was a good thing I did it, because I really did miss two episodes in first season, because they were released as specials. And second, it really put me in the mood for fresh season.

The new season, "Monogatari Series: Second Season" consist of five arcs. Surprisingly, all these arcs deal with previous girls, while I expected introduction of new characters. But don't take me wrong - this is a superb show and there is no feel of recycling old themes. It's hard to write a one-paragraph blurb since all arcs are very different, but if you liked old seasons (especially if you like original "Bakemonogatari") you will love this one!

First arc came as a surprise. First, there is no Araragi - he is absent and is only mentioned. This means that we see story first time from other people's eyes and it give us a different perspective, especially on Senjougahara and Hanekawa. And Senjougahara is very funny here.

I was again reminded how this show greatly uses nonlinear storytelling. We see (or they are mentioned) a bunch of new characters and previous events that we know nothing about, but everybody talks about them as they were shown. And later when they really are displayed, they came out completely different that we expected. Like constant mentions of first meeting between Araragi and Shinobi (which should be shown in announced movie "Kizumonogatari"). Also, a lots of stories remain unresolved (I hope they are saving it for later). This first arc uses another dirty trick by those missing Black Hanekawa scenes - you will know what I am talking about, believe me.

Another trait of this season is that it the show lost much of it cuteness and became more morbid, serious and violent. It always did have these elements, but they were not so evident mixed with playfulness and fanservice. This is so evident that even the faces changed - Tsukihi is much more rugged than in "Nisemonogatari".

Second arc is good, but not as epic as other ones. I didn't expect a time-travel/zombies story - it didn't really fit in my idea of "Monogatari". But it was quite good in the end. I especially liked Oshino's letter to Araragi.

Next comes the third arc, with introduction of that ominous Oshino Ougi and with Sengoku Nadeko. I never liked her in previous shows, but I really didn't expect what happened here. It is another arc that is not told from Araragi's POV and where he is almost nonexistent.

Fourth arc is similar to second one - not so epic, but good in its own way. We learn much about Shinobu's past, which was a surprise to me. We also spent more time with two new characters. Well, Ononogi Yotsugi was introduced before, but only shortly. She was a great character in this season, especially with her strange ways of talking. The other one was Gaen Izuko - very mysterious characters who adds several layer of confusion to all that has happened. We will see more of the in the future, mark me. Also, this arc is a pretty sad one.

And then came the last arc, the masterpiece! It is told from point of view of Kaiki Deishuu! Yes, him. The one man I would never expect to told a story, especially concerning how he lies to everybody including himself. Add to that the fact that this arc is told in by-the-book noir style (including the raincoat), it is really something. I was swept with last two episodes (especially the cliffhanger in penultimate one).

It reveals some unexpected facts, about relationship between Senjougahara and Kaiki. I was surprised how Araragi was made to look like a child in last episode - let an adult resolve the situation! I later realized that this arc had not one ecchi or fanservice scene. Anyway, now they have to make a sequel, they can't be so cruel not to reveal further story.

Now, little bit about technical side. There are 26 episodes in this season, but episodes 6, 11 and 16 are just recaps, so feel free to skip them. The visual side of anime is on the standard level for this series, maybe somewhat darker and rugged. There are several OPs and EDs, of which I really liked only one. Be careful, because there is sometimes more story after ED and sometimes there isn't. Oh, and I didn't like the short haircuts.

Well, in the end, there is not much to say that I consider "Monogatari Series: Second Season" the best anime of 2013 (with "Shingeki no Kyojin" on second place). Even better than the original "Bakemonogatari"!

Book review: "Curse of Mistwraith" by Janny Wurts

I have noticed "Wars of Light and Shadows" series by Janny Wurts before (it was on a list I studied some years ago), but somehow I never resolved to read it. But few weeks ago I noticed it again on Tor.com series "Under the Radar" and decided to give it a try. There are several series that I have started, but I am waiting for next installment to be published ("Shadows of the Apt" by Adrian Tchaikovsky, "The Second Apocalypse" by R. Scott Bakker, "The Stormlight Archive" by Brandon Sanderson"), so I am able to start another one in between.

First book in the series, "Curse of Mistwraith" starts a story about the long war of two brothers. Lysaer and Arithon are born of same mother, but their fathers and their families have been mortal enemies for generations. Lysaer's father is King of rich country Amroth while Arithon's fathers commands a kingdom of pirates. After Arithon is captured and almost executed, intervention of Arithon's and Lysaer's grandfather, the High Mage, sees them both exiled of their world through gates into unknown world. Once there, they learn that their lines has been High Kings of this world Athera and that their destiny is to defeat the Mistwraith, magical enemy that has been suffocating all life for last five centuries. But before, they have to find peace between themselves...

I must admit that I didn't like "Curse of Mistwraith" in the beginning. It started all high and noble, with stereotype characters, simplistic motives and predictive plot. Also, Wurts' pretty hard style of writing, full of uncommon words (I didn't reach for thesaurus so much for a long time) didn't help getting into this book. But as the story progressed, the style also expanded, and story and characters got increasingly more complex and interesting. For example, at the beginning there is no politics, neither on high level, nor between characters - but this changes later, and politics plays a more important role (unfortunately, it doesn't get as realistic as in some books).

Wurts' writing is very detailed and lots of effort is put into details, which interestingly all come into place with others. As I said, the book started with very noble style, but later in the book there is humor, violence, and even sex and prostitutes. Too bad there is no direct cursing, only occasional mentioning of gods. But even so, there are some funny jewels, like "... Dakar spoke phrases that cast biological doubt upon Arithon's already illegitimate ancestry". Still, Wurts is a bit too noble on human nature: I don't think some clans would wait 500 years for their prince to come and then the clan-leader would eagerly give away his position.

Plot starts simple, but later gets decently complicated. There is a lot of twists, not all unpredictable. In general, after you pass first quarter of the book, things get nicely interesting. Same is true for characters. The cast is not enormous as you would expect for a first novel in ten-books series. Interestingly, the Big Bad is not revealed, nor the overall theme for the series. Of characters, I liked Elaira's part: she was witty and contrary from the beginning. As an epic fantasy, the book contains some typical elements, like the group of sorcerers, and of course, a grumpy silent wizard that leads our heroes.

There was one thing that was irritating throughout the book: Wurts' tendency to refer to Arithon as "the Master" (from "the Master of Shadow"). I hope she drops it later.

So, "Curse of Mistwraith" presents a nice introduction into a new series. It has somewhat misleading start, but later gets pretty interesting and fun to read. My final recommendation will depend on next few books - there is no point in reading a book if you will not complete the series.

Book review: "The Proof House" by K. J. Parker

After "The Belly of the Bow" I was dreading to read its sequel, "The Proof House". But K. J. Parker's writing is so good and he has more books in the same setting, so I just couldn't skip this one.

In "The Proof House" we again meet with Loredan family and their friends. Few years after the events at Scona, Baradas Loredan is currently a sapper in Empire's army, besieging the town of Ap' Escatoy, a siege that has taken some years. He more or less accidentally terminates the siege and becomes a hero of the Empire, which earns him a sinecure at the so-called Proof House - a factory for producing and testing armor. But this position won't last long, because Empire has decided to conquer the Plains, ruled by King Temrai, and who better to lead it than Temrai's old enemy, Baradas...

First, the setting gets another large expansion, with introduction of the Empire. It is a vast, continent spanning empire, where you need weeks to travel over it even by usage of fast carriages at Post Service. It is ruled by Sons of Heaven, tall and aesthetic people based on Arabs (partially). You can get best impression of Empire by the importance it puts on Perimadeia, Shastel, Scona and Island - it dismisses them completely. I read somewhere that Empire will take a much larger role in following books.

One of distinct features for this trilogy was scenes that deal with the Principle. I can't say exactly what, but they are different here than in last two books. More strange, and more abstract. And of course, the explanations actually confuse you more.

Story is typical for Parker, with lots of unexpected twists and side-stories. Temrai's plot is funny at the beginning, but you ask yourself for how long, because this is Parker after all... There are a lot military scenes and parts, which are done with a lot of details and expertise. Politics play a large part, especially with the Island sub-story.

There is no new characters in "The Proof House", except few unnamed Sons of Heaven and one Island trader, so you know what you can expect. They are really a piece of work. I don't want to reveal any spoilers, but you can expect bleak ending for most, or you could say all, characters... There is a place in the book where Iseutz does a great summation of the Loredan family. Baradas is really scary, which I didn't realize before.

But I presume that you are wondering about the feel of this book. After that surprise in "The Belly of the Bow", I was prepared for everything in "The Proof House". It is a very bleak book, mixing fun and revulsion between scenes. Casual storytelling of violence of war reminds me of Erikson, even though with more extreme examples. One important feature: battles are only lost, never won. This is not a sick book like middle one, but the ending... I don't know whether to laugh or cry...

I have to mention that Parker is a great writer - for first two chapters he is focused only on hear, taste, smell and touch - there is not one clue enabling you to visualize the scenes.

All in all, I am satisfied with "The Proof House". It is not for everyone's taste, with its violence and bleakness. But if you like "Colours in the Steel" and survived "The Belly of the Bow", I think you will enjoy this one. For the whole "The Fencer Trilogy", I give it a solid passing mark.

Anime review: "Shingeki no Kyojin"

Well, this hasn't happened in a long time: that I finished an anime season in a day. I watched first two episodes at Friday evening, and spent whole Saturday watching until I finished all 25 episodes!

"Shingeki no Kyojin" (or officially "Attack on Titan", which doesn't make sense) is a shounen action anime. The story places as in future, where humanity has been reduced to medieval level by appearance of non-sentient, human-eating humanoid giants called Titans (imagine giant nude zombies). Humanity is currently behind tall walls place in several concentric rings, enjoying relative safety for last hundred years. It all changes with appearance of a Colossal Titan and an Armored Titan, that together are able to penetrate the walls at one place and release other Titans at people. During this fatal defeat, we are focused Eren, Mikasa and Armin, three kids living in town where the breach happens. After managing to stay alive, but witnessing Eren's mother being eaten alive, Eren vows to slay all the Titans. This brings the three of them to join the training for the Survey Corps, only people that still fight against Titans on their own territory...

My first impression was that good, because I like vivid and strong colors in anime. Next I thought how the anime was a bit over the top with imagination and not very consistent (flesh-eating giants, 100 years of solitude). I was especially off-put with the claim about walls being set in circle with 250km diameter, when you could obviously see the other side of the wall! But then things started to unravel slowly, and I was hooked.

So, even though "Shingeki no Kyojin" is primary an action anime, it has a large dose of mystery. And not the type where character finds solutions which no one would ever realize, they solve them gradually by getting more information. Also, the setting reveals very gradually (there are some info-dumps, but not too clumsy), so almost every episode you learn something new. There was a few surprising reveals (especially the last one!), but they were done nicely and consistently. What I did dislike were too long intros and recaps of last episode at the start of each.

There is really a bunch of characters and you will sometimes have trouble to know who is who. They are typically shounen, so don't expect miracles, but they are pretty solid and interesting. The good thing is that they grow much during the show. I really liked how the author was not afraid to kill them.

And this brings us to the atmosphere of "Shingeki no Kyojin", which is the best part of it. This is a very brutal anime, with lots of tragedy, death and sorrow. I didn't expect so much pain in shounen anime. There are nice changes between fast action pace and slow reminiscence and melancholy. It is compared much to "Claymore" - I agree with this comparison, even though the anime is original enough. Action is pretty good, if you can suspend your sense of mechanic. There is even some comedy, and pretty good one (I really liked Sasha).

I've read some comments about this show having horrible design and animation, but I disagree. I admit that it is simple and not beautiful, but I think it goes great with the atmosphere. I really like the discrepancy between Titan's look and behavior. Voice acting and sound were OK, but OPs were terrible. I didn't even try to listen EDs.

All in all, I really enjoyed "Shingeki no Kyojin". It simple enough for shounen fans, but with enough details for other to enjoy, with great dark and violent atmosphere and lots of mystery. I can't wait for the next season.

Book review: "Perdido Street Station" by China Miéville

I have finished reading China Miéville's "Perdido Street Station" almost two weeks ago, but I had so hectic last two week that I didn't have time to blog about it. I actually read this book a long time ago once, borrowing from the library. I had a notion that I remember this book quite well so I was reluctant to buy it, but I wanted to reread it before going to next two books ("The Scar" and "Iron Council"). So I decided to buy it after all - and ended quite surprised how much actually I have forgotten!

(for great fan-art, Google images for "Perdido Street Station")

"Perdido Street Station" is one of those books that are really hard to describe, especially their plot. Whatever I write, I will miss the point. But here is a try... "Perdido Street Station" tells a story set in very imaginative setting, the City of New Crobuzon, which includes magic, alchemy, science, science fiction, insect races, magical races, demons, spider-gods, cyborgs, artificial intelligence, flying people, oppression, horror, religion and education, among a bunch of other things. In the midst of it is Isaac, a underground scientist who, working on another project, happens to free a strange breed of gigantic moths that feed on people's conscience. Moths start to terrorize the whole City and Isaac becomes target to both the totalitarian regime the rules the City and by a drug-lord that was making money by moths, which forces him to try to catch the moths on his own...

I haven't read much books by Chine Miéville (only this one and "The City and The City"), but even I know that he is famous by his imaginativeness. And this is quite obvious here, especially in the first part. First part of the book especially, but also the book in whole is written in "look at my beautiful garden" form (I borrowed this from Jo Walton and her review of "Aristoi"), where Miéville plays and shows off his imagination. But this is a good thing because he builds a great setting - the list I mention in previous paragraph is only a part of it, notions I could describe in one word. He sometimes goes quite deep in details, like with descriptions of khepri's society, or with the handlingers. But here is also the problem of this book. Even to me, who like this kind of stuff, this wild and weird setting managed to become too tiresome on occasions. Imagination is good, but there has to be some boundaries. Luckily, this happened only few times while reading the book, so it can be forgiven.

It would take too much time to mention all great ides Miéville shows, but I have to note the Weaver and the daemons. I am really curious what more can he think of in the next two books with same setting to keep this level of freshness...

As with the setting, there is a bunch of characters in the book, but only two of them can be said to be main characters. Isaac is one, of course. He is an eccentric, a genius dropping out of college, hanging out with artist and working for the criminals. On the other hand, he is fat, clumsy, and not really someone you could look upon to. This is what makes him such a lovable and aspiring main characters. The other one is Yagharek. We don't get much from him, and I don't want to reveal spoilers, but those short intrusions with his POVs were really impressing. Miéville succeeded in giving him a very powerful voice, for all his tacitness. As I said, there is bunch of other characters, but with the exception of maybe Lin and Derkhan, they are not too important. But you can be sure that they are written in detail and flamboyant as the rest of this book.

His writing is very good. Although he can become tedious with the details, it can be forgiven. The book is violent, dark and graphic. And after finishing it, I realized that it is maybe a bit too depressing, with no happy end too much pain. Also, the book has a lot of morally questionable or rightly unfair decisions. A big example is with the sick old man in the end. The government, who is in the beginning described as comically evil, turns out to be the real villain.

Another thing I wanted to mention is my surprise with how much of this book I have forgot. When I started reading it, I had a misconception that I know it from the beginning to end, especially the plot. First I was surprised by the quantity of details I really had no recollection about. But the real surprise came when I finished two thirds of the book and realized that I have no idea how the book ends! The moth-hunting, I had no idea about it. I felt like I was reading a different version of the book, with the same beginning but a different ending. And to thing how much pride I put on my memory...

So, if you like weird books, a lot of details and imagination large as an ocean, "Perdido Street Station" is a book for you. You can think about China Miéville as a dark and gritty version of Terry Prachet, having fun on the tropes. Not a book I would recommend to exclusive fans of classical fantasy a la Tolkien.

"Vorkosigan Saga" reread: "The Vor Game" by Lois McMaster Bujold

I am going forward with my reread of the "Vorkosigan Saga" by Lois McMaster Bujold, so last week I finished "The Vor Game", the second book featuring adventures of Miles Vorkosigan.

"The Vor Game" takes place few years after "The Warrior's Apprentice". Miles has spent last three years in the Imperial Academy, training to become a normal (as he can be) Barrayaran officer. After finishing it successfully, he gets another test before being let to proceed with his career - a 6-month post on Kyril Island, one of most extreme and stressful bases on Barrarayar. After almost managing to avoid any troubles, he is forced to choose between his career and his conscience, which again lands him in political troubles. All this is just a prelude into his new adventures that will once again join him with his Dendarian Fleet. Miles will be forced to manipulate both his friends and his enemies. But this time, much more depends on Miles - life of his Emperor, and fate of several planets.

Even though "The Vor Game" was written after several other books in the same setting, it is not such a smooth read as was "The Warrior's Apprentice", at least in the beginning. Bujold introduces a lot of expansions on the setting and throws in a lot of unfamiliar terms (fast-penta, galactic history and relationships, and so on...). Nevertheless, this doesn't damage the enjoyment of reading this book. Again, Bujold was able to make a SF setting far in the future without disclosing the technology behind it - instead focusing on characters and the plot. Again, the book is darker than I remembered it.

There are lot of similarities between plots of "The Vor Game" and its prequel, but as I said before, this one is for bigger stakes. First part of the book (one third, maybe) is focused more on Barrayar, and it brings it much closer that the first part had. But as the book goes forward, so the plots becomes much faster and risks bigger. My favorite part of it is the head-to-head negotiation between Miles and Commander Cavilo near the end - some really good fast-talk. It is funny and thrilling at the same time.

Characters are Bujold's forte, starting with Miles. You can see he has grown, but he became more solid and thicker in the frames that were set in "The Warrior's Apprentice". Other characters are also great. In this book we are first time really introduced to Simon Illyan who will have a large role in series, as one of most important reference points for Miles. If I have to point one thing that I didn't like, that was the easy shortcut that Bujold took with Admiral Oser.

"The Vor Game" continues and expands the formula Bujold wrote with "The Warrior's Apprentice" - a thrilling and rushing military SF. Except if you are a really hard-core hard SF fan, this is a book and series I would recommend to anybody

Book review: "Colours in the Steel" by K. J. Parker

This is the first book I have read by K. J. Parker, and my reaction is: why haven't I found about him before? I can't say I was familiar with him prior to this book, but I noticed this name here and there, mostly good references and comparisons.

"Colours in the Steel" is the first book in "The Fencer Trilogy" by K. J. Parker. The story introduces as to the wondrous City of Perimadeia, a commercial and technological center of the world. Except these two things, another thing differentiates this city from the others: its unique legal systems, based on fencers (advocates) who duel to death to resolve the cases. Bardas Loredan is an advocate with quite a few years in the profession (over 10, which is very long for this kind of job), but not especially successful or known for it. A routine case of commercial law and fight with a newcomer will lead to unexpected turn of events: a deadly curse from newcomer's cousin, friendship with highest leader of magicians, and responsibility for defense of so-far-undefeated City against savage (at least until now) barbarian hordes led by young new chief Temrai...

First, I knew I was going to like Parker after reading first few pages. The writing was superb, full of light humor throughout all narration, subtle instead of forceful. I like this very much in books. It is a great fun to read "Colours in the Steel", even though the theme of it is not - imagine style of Erikson's short stories about Bauchelain and Korbal Broach, expanded to a real, serious book. As I said, there is nothing evidently extraordinary, but writing is actually superb and makes you expect more and more of this book. Another thing that reminded me on Erikson is how Parker uses the same trick of introducing a totally unimportant character, focusing on in for few pages and then discarding it. The book is not grimdark, but it isn't exactly shy of grittiness.

Setting is unique. I understand that all Parker's books are set in this same setting, only different parts of it. This book focuses exclusively on City of Perimadeia, with only few mentions of neighboring countries. But you get the feel that setting is competently imagined and consistent. It is based on classical medieval setting, but a lot of focus is put on commerce, technology and society. Actually, Parker even sometimes gets too technical with descriptions of technology. It's not boring, and you can see that he understands what he is talking about, but it can be tedious to read through. Setting is also humorous - like the Holy Pirates, and so on. I will enjoy discovering other part of the setting in next books.

There is no widespread use of magic in the setting, even though already-mentioned Order and its Patriarch Alexius play a great role. Instead of magic, you have (at least for now, we'll see in next books) only the Principle, which encompasses the nature and everything, and sometimes can be used to work wonders... Like the curse over Bardas.

Plot is good, but it is secondary to this book. It is used mostly as a mean to introduce the setting and the characters. And the characters are simply great. Bardas Loredan is perfect anti-hero: not young any more, prone to wine, lazy, not really honorable, cynic. It is really a pleasure to read about him and see the world through his eyes. Other POV characters, Alexius, Temrai, others... are all also great. Especially Temrai, who constantly wonders about his choices - which are sometimes morally questionable, so it is good that he wonders. The plot is pretty simple and predictable, but this didn't damage my joy in reading this book. If you are expecting a happy end and laugh after it, don't - this is not that kind of book. I appreciate how sometimes we skip weeks or months and characters have their own life in the meantime. Also, even though the book finishes the started plot, there is lot to discover behind it - and I wonder where this will take us to.

As I said, I am somewhat disappointed in myself for not discovering Parker before. But if sequels of "Colours in the Steel" prove as half as good as this one, it means that I have a dozen good books to read in future. I recommend this book to all fans of darker and anti-heroic fantasy.

Book review: "Blood and Bone" by Ian C. Esslemont

Even though I liked "Return of the Crimson Guard" and even "Stonewielder", after debacle with "Orb Sceptre Throne" my enthusiasm for work of Ian C. Esslemont has dropped down considerably. His new book in Malazan setting, "Blood and Bone" has been out for couple of months. I would usually buy it as soon as it was out, but this time I just wasn't into it. Especially after reading some tepid reviews on Amazon. But in the end, I consider myself a Malazan-fanboy so I just could not leave it unread for long.

As is usual for Malazan books, there are multiple plot-lines, all connected by the fact they are happening on Jacurucu, a continent only mentioned by Erikson and Esslemont until now. Thaumaturgs, a ruling mage-class of largest nation on Jacurucu is on the move: there is another invasion targeting the Jungle of Himatan, which covers whole east half of the continect and is ruled by Ardata, Queen of Witches and Mother of Monsters. Led by Commander Golan, the army will find itself attacked not by enemy soldiers, but something even scarier, the Jungle itself: heat, humidity, wild animals, inhabitants from nightmares, bugs and diseases... But before they even reach the Jungle, on their way they will travel through poor villages between their nation and Himatan. In one of such villages, young woman named Saeng, with unique connections to the dead of Jacurucu, will be saved by her brother Hanu, who was taken some years ago to become Thaumaturg strongest weapon, stone soldier of jakshaka. In the meantime, in south, members of several Adwami tribes, including the young prince Jatal, are gathered by the call of foreign warleader called Grey Ghost, who asks of them a temporary truce and offers a common goal: the greatest raid on Thaumaturg capital ever! And on Stratem, remnants of Crimson Guard have gotten a new contract, by Ardata herself: to get rid of Skinner and his Disavowed.

Somewhere I have read that this book is intended for Malazan fans and nobody else, and I would agree with this statement. Even though is much simpler that Erikson's books, "Blood and Bone" would be incomprehensible to non-fan. There is no real introduction to characters, setting and plots, and it is expected to be familiar with prior events to appreciate all nuances and details. So, if you haven't at least read Esslemonts previous books, don't even try reading this one.

I must say I was pretty surprised by this book, and pleasantly so. The pace is pretty slow, but the book is very interesting. Some would consider it dragged and too slow, but I kind of liked it such. Esslemont even gets philosophical a la Erikson on some occasions. Esslemont is not natural at being mysterious in writing as Erikson is, but here he tries and succeeds most of the times - even though he can get tiring sometimes.

What I really liked in this book were the characters. There are some old characters, but most of them are new. There are even some old hidden as new. In general, Esslemont is much better with his own characters than when he uses and recycles Erikson's. I liked Jatal, who is noble and honorable so much that you know that it will not end well. Pon-lor starts as side-character but in the end becomes one of most important and best. Commander Golan and his nemesis Thorn are simply a great duo. But all other are interesting, too. I can only compliment Esslemont in succeeding making all parties look good and nobody bad.

Even though the book takes place on Jacurucu, you will not found it too revealing about its secrets. I know I am boring and repetitive, but Erikson would be handling it better. Nevertheless, it is interesting as it is. I liked how we get a context of where this book fits in. The descriptions of the jungle and the dangers luring there are pretty good. I was surprised how gritty and even disgusting things became on several occasions, like with the worm-parasites!

All in all, "Blood and Bone" was a pleasant surprise. Again, the book is not on par with Erikson's, but it provides the Malazan fans with an interesting plot and a revelation of new part of setting. So I would recommend it to all fans of Esslemont - though pure fans of Erikson should be careful with it.

Anime review: "Bakuman", third season

Few days ago I finished watching third and last season of "Bakuman", adapted from manga about drawing manga.

This season continues "Bakuman" plot where it left in previous season. Mashiro and Takagi have finally made a manga they are satisfied with (PCP - Perfect Crime Party) and they struggle to make it better not to lose their place in Shounen Jack. They have not lost their dream of getting an anime adaptation, so Mashiro can marry his love Miho (a condition set in middle school). Takagi is supported by his wife Kaya (also met in middle school), while two of them compete against other manga-artist present in Shounen Jack, most of them familiar from previous seasons, but with some additions.

This season if a bit different from previous two (if I remember correctly) by being more episodic - there are several arcs that are almost independent between them (especially Nanaime's). But by and large, there are no much changes from first and second seasons, so if you are a fan of "Bakuman", you will be more that satisfied with it.

I cannot be sure because I haven't read manga, but it feels a bit rushed in places, like they had to squeeze too much material in it. But at least the pace is good and there is no dragging... Ending is as expected, but very solid. And I like how it is clearly showed that Mashiro and Takagi won't lose their motivation, even though they fulfilled their dreams. It is interesting how the author succeeded in having an shounen battle-anime feel when the story couldn't be less apart from such.

Characters stay the best part of "Bakuman". As I said, there are no many new additions, but we got to know older ones much more, and there are some changes in their relationships. Niizuma, who is on one hand very funny, improbable and exaggerated character, is shown to be very dedicated and consistent. I like how Hiramaru gets more serious, even though he is still hilarious - and Joshida makes him a great pairing. Also, we got a bit of romance, spread throughout the anime. Rest of the characters are also solid (Fukuda, Aoki, etc.).

It was very nice to see some modern mobile phones, and android references, too. But that can be expected since this anime was finished a year ago and is set in present.

The worst part of "Bakuman" is really bad and old-looking style of characters and drawings. Thankfully, this is character- and story-driven anime, so it doesn't matter much. Interesting how we have very poor art, but it becomes good (or at least more detailed) when it comes to manga they are drawing. Voice acting and music is solid, but nothing to praise much. There are 25 episodes in total.

In short, "Bakuman" continues with style and spirit of previous seasons, so if you liked it before, you will like it here also. I would recommend this series to everybody who likes otaku-stuff and daily-life anime, and fans of "Genshiken".

Anime review: "Hyouka"

Few weeks ago AnimeReactor Community Awards were finally out. Most of the anime I watch I find and pick by myself, but I always check this yearly selection in case I miss some (I usually do). For last year, "Hyouka" won in three categories: Character Development, Male Lead and Slice-of-Life. I noticed "Hyouka" before, but I looked like a typical school comedy, probably based on some dating-sim or video-game, so I decided to skip it. But winning three categories made me change my mind, especially in these few weeks without any expected anime out.

"Hyouka" had a pretty uninformative and general description. Oreki Hotarou has just entered high-school. He is almost typical boy, except for his philosophy - he is an "energy-saving boy" and his motto is: "If I don't have to do something, I won't, but if I have to, I'll do it quickly.". Meaning, he avoid any unnecessary effort and obligation, even though he is not lazy. According to his life-style, he would avoid joining any high-school clubs, because it would ask for additional effort, but he is forced by his older sister to join Classic Literature Club. There he meets Chitanda Eru, also from his year, who is a very curious and dynamic girl - his complete opposite. Later they are joined by Fukube Satoshi, Oreki's best-friend, and Ibara Mayaka, a friend from their junior-high school.

Plot of "Hyouka" stems from Chitanda's curiosity (her phrase is "I can't stop thinking about it") and Oreki's uncanny ability to connect seemingly uncorrelated facts into a theory or explanation. It turns out that Oreki is a natural born detective - when he can be coerced to leave his usual low-energy state. There is no overall plot in this anime, only a bunch of standalone episodes and three mini-arcs made of two or three episode. At the beginning, I was wondering why this anime got an award in Slice-of-Life category when it was clearly a detective anime, but toward end focus shifts more to characters and their daily life than to plot.

Also, a word of advice. This anime has a pretty slow introduction, so give it some time to really start. It you like it when it reaches Seikitani Jun arc, things go only better from that point on.

From my description, you probably understand that I liked this anime, although it doesn't sound like anything extraordinary. And this is true, this anime is not extraordinary - but it is very, very good in every aspect. There is no big story here, but each episode and few arcs are very interesting, even if you don't like detective stories (I don't, really). Characters don't stand out, especially at the beginning, but they grow more complex and life-like whole time during this show. Animation and design also don't look anything special at first glance, but as you watch it, you will realize that a major effort is put in details and that everything fits right. There is also some romance, some comedy and much of light humor. Looking back now, this anime is like normalized (in sense that both high and low extremes are flatted out) "Haruhi Suzumiya" show. And I think that fans of it will also like "Hyouka". Despite slow and unimpressive start, this show ends as one really good anime.

The show doesn't have many characters. Except four main, there are only some recurring supporting characters, but they are all made good. Again, I stress that this anime really deservedly won first place in Character Development category (as both jury and community pick). This is most evident in Oreki, who quite grows in self-confidence and gradually changes his life-style.

There are some unexpected quirks in this anime. First, you rarely see a minor getting drunk in anime (even when it is accidentally). Secondly, it is not common that boy is attracted to girl only psychically (at least at first), except in ecchi anime. It usually involves unrealistic romance (e.g. Harima and Tenma from "School Rumble").

The show has 22 episodes, and there is one OVA which is actually a normal standalone episode. As I said, visually anime doesn't look much, but quality is actually pretty high and it stays that way whole time. There is really much care put into details: clothes, furniture, surroundings... It is obvious that anime had pretty good production.

All in all, even not extraordinary, "Hyouka" is quietly great anime and I would recommend it to anybody who doesn't require action from anime their watch. It is interesting, sometimes mysterious, lively and fun all the way.

Anime review: "Hyouge Mono"

I don't really remember how or when it started, but I know that I have been eagerly waiting for this show to be subbed for months, maybe even more than a year. I always had a liking for historical-based items (be it books, movies or anime) and "Hyouge Mono" looked like one. On the other hand, I had some similar expectations from "Sengoku Basara" (which disappointed me very, very much) and even more so from "Souten Kouro" (which took a completely different direction than I expected). But "Hyouge Mono" fitted those expectations perfectly: a complex and deeply historical anime with a bunch of characters and realistic details.

"Hyouge Mono" is set on the eve of Sengoku period in Japan, starting somewhere in last years of rule of Oda Nobunaga. In the anime we follow the important events in Japan's history for next ten years, including the wars, politics and cultural life. This is seen primary from the eyes of Furuta Sasuke, who starts as a lowly vassal to Oda Nobunaga. What differentiates Furuta from bunch of other warriors and vassals is that he is actually more of an aesthete than a warrior. But to enjoy life of an aesthete, one needs to have money. Luckily for him, aesthetes, especially those interested in the way of tea, are on the rise in this time...

Sengoku period is a very turbulent time for Japan, a time of constant warring before final unification of Japan. Of course, such times gave rise to many popular warriors and leaders, like Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu (to name the most prominent). And as such, it is a ripe pool of ideas for anime.

There are several obvious and important aspects that make this anime different from your usual one. First one is that Furuta is in no way the main character - the show doesn't actually have one. Furuta is only the means through which we follow the events, plot and other characters. He is not even an important man, especially at the beginning of the show, and he has to bend toward the will of others. In the end, he is just a conveniently placed close to important people with small influence on the events. This is a somewhat common occurrence in books (let's only mention Guy Gavriel Kay, who use it all the time), but I don't remember seeing it in anime much (maybe in few josei anime). Actually, there is even less focus of Furuta in later parts of anime.

Secondly, it cannot be said that this anime has a plot in classical sense. We are suddenly immersed in an ongoing world full of events, we follow it for some time (10 years and 39 episodes) and then we leave it without the feel on conclusion you have when some show is finished. At one time, somewhere around 25th episode, I have made a note "totally don't know where the plot is going", because I expected first part to be the introduction and second the real revelation of the story, but I was wrong.

And third, the biggest difference is the level of historical accuracy and details. In my 200+ anime that I have watched, I don't remember ever watching such anime. I can't say that I am a student of Japanese history, since most that I know about it came from common knowledge, anime, Wikipedia and articles on Internet and magazines. There is even a warning at the start of every episode that this is a work of fiction. But on the other hand, every character, important event and even things and concepts can be found on Wikipedia or other online encyclopedia. Yes, a lots of events, or better said, reasons behind events are made more dramatic or romantic (not in sense of love), but nevertheless, the amount of accurate historical details is astounding. Interesting, characters even speak with slightly archaic speech, and subtitles that I had reflected that.

Of course, the theme of anime is strange also: the Japanese tea ceremony. I never encountered this before, and I thought it to be completely fabricated. I was very surprised when I went to Wikipedia and found out that it isn't. This gives the anime a somewhat slow and serious, but at the same time funny aspect. Furuta's tea-obsession looks ridiculous from our perspective, but I see it was a serious business at the time. There is a lot of details about tea ceremonies and talk about elegance and aesthetics. If there is a message that this anime wants to convey, then it is something like: "Always do your best in everything, but never fret about it - be elegant and relaxed". This is evident for Furuta's character that is, as I said, obsessed, pretentious and overeager to become famous as aesthete, even contrary to his sincere liking of the way of tea. Later he grows much and becomes more relaxed and enjoys the tea and beauty for itself.

This brings us to another topic: characters. There is really a bunch of them and it takes time to become familiar with them (especially since lot of them change - this is war, after all). It helps if you are familiar with the Sengoku period. They change appearance, clothes, hairstyles. But more important, they really change during the anime. Furuta, Rikyu, Hashiba - at the end, they are very different people from those who they were when we met them. I even like them more in the second part of the show, when they are more mature and relaxed...

Even though "Hyouge Mono" is a serious and historical anime, there is really a lot of humor. A lots of it steam from Furuta's obsession for art pieces, and the faces he makes (I was delightful to see that Troll-face in episode 16, during the shrimp-mongering dance). Also, it is funny when someone pricks his bubble of self-importance. But it is interesting that there is some humor that is not intended toward viewer (so that we laugh at characters), but it is more the humor between the characters so the viewer can laugh with them (like when Furuta steals the tea-jar lid). On the other hand, it is easily to forget that this funny little man is actually a warrior and veteran but we are reminded of that on few occasions.

The ending was really something. It was a slow rise during few episodes to a glorious culmination - a powerful and emotional ending. It was delighted to see that mange that anime is based upon is still ongoing - which means I can hope for eventual sequel.

I was a bit disappointed by Date Masamune's appearance and mannerism, who looks like he escaped from "Sengoku Basara". On the other hand, he was very funny, and in the end did fit with the rest of characters.

Animation and colors in nothing over the top, but it is very good. Design of characters and care for details (I mention clothes and hairstyles) are on the other hand superb. As is the voice-acting.

It's been a long time since I gave some anime 10 on AniDB (I gave them all around when I was younger), but "Hyouge Mono" definitely deserves it: complex and detailed, historically based with realistic characters, no good guys, no main character, almost a slice-of-life in turbulent times - this really an unique seinen anime. Unfortunately, I don't think it will be deservedly appreciated because it will be too hard for majority of viewers. But if you consider yourself a fan of seinen or historical anime, give this a try.

Anime review: "Minami-ke Tadaima"

Last weekend I finished watching "Minami-ke Tadaima". That is one of my favorite (well, favorite in its category) shows and I've been waiting fourth season from 2009. There has been one or two OVA's in the meantime, but this is a full 13-episodes season.

"Minami-ke" belongs to "cute girls do cute things" category, which means that you are either into this kind of anime or you probably hate it. It is not an extreme case like "Ichigo Mashimaro", but more toward "Azumanga Daioh" or "Lucky Star". This kinds of shows commonly have dominantly female cast, usually have light or slapstick humor, there is lots of talking and not much actions, and are definitely not to be confused with ecchi anime. "Minami-ke" is a typical example, depicting life of three Minami sister: Chiaki (in elementary school), Kana (in middle school) and Haruka (in high school), interacting between themselves and their numerous friends (mostly female). As is also common, they live alone, and there is not one single adult is this series. Haruka is motherly type, taking care of her younger sisters, an excelent cook, but with some secret flaws. Kana is usually the primary source of all troubles in the show; not that she is mean, but she is too curious, too impulsive and too outspoken for anybody's good. Chiaki is the youngest: phlegmatic and solemn, always at war with Kana and in awe of Haruka. It would be too much to describe the rest of the cast, which has grown quite large. Thankfully, there were no new additions in this season or it would become hard to follow who is who.

Since there is no plot here, "Minami-ke Tadaima" is just another round of the same - which doesn't mean that it is dull. Those who don't know anything about this series should try watching the first season, which is the best of the lot. Other seasons, including this one, are quite good, but as is usual, not as good as the original. On the other hand, I think that every fan of previous seasons will be very satisfied with this one.

As was in first season, each episode consists of four loosely connected stories, dealing with various subjects: vegetables, beach, Japanese folklore... And as usual, even though the show's main characters are girls, rare male characters bring the most fun: Hosaka, Fujioka, Makoto. Addition from last season, the other Minami family also has a good one, Natsuki. But Hosaka (and his unknown arch-enemy Hayami) is the king. I think that I laughed every time at him, sometimes even out loud. But Fujioka and Makoto come close, also.

The largest difference from previous seasons (at least as I remember them, which can be wrong) is that there are some fanservice scenes. It is nothing over the top (some cleavage or provocative clothes), but in show that had zero fanservice, few scenes are noticeable.

There is one thing that bothered me: this is the fourth season and everybody is still in the same class. Even though aging would mean the end of this series, I would nevertheless appreciate some time-continuity. In other case, show risks to become repetitive and tepid.

As usual, the show has very good design of characters and every detail is taken care of. Voice-acting is at the top, and of course, Hosaka's song is great.

But as it is, "Minami-ke Tadaima" is a worthy representative of franchise and I had a lot of fun with it. And I believe that this will be the case for most fans. If you like this kind of anime, then "Minami-ke" is your first choice.

Anime review: "Suzumiya Haruhi no Shoushitsu"

I have watched "Suzumiya Haruhi no Shoushitsu" last Sunday, but this was such a busy week for me that I didn't had to time to review it. Now it's finally Saturday and I have time to do it.

I've been planning to watch this movie since when it came out, early in 2010. But first there were no subs available for long time, and after that I never seemed to find time for this two and a half hour long movie. I liked the first "Suzumiya Haruhi no Yuuutsu" very much, but liked the sequel "Suzumiya Haruhi no Yuuutsu (2009)" had some flaws ("The Endless Eight"). Nevertheless, I had good opinion of the franchise. And more, reviews of this movie were always very good - this move is currently rated first on AniDB.

"Suzumiya Haruhi no Shoushitsu" (or "The Disappearance of Suzumiya Haruhi") starts with what is a norm for the show - few days before Christmas Kyon is dragged into another Haruhi's crazy plan, without asking whether he agrees or not. But after he wakes one morning, he finds the world not as it was yesterday - there is no Haruhi or Koizumi, and Nagato and Asahina don't seem to know him. He must find what happened and how to reverse it - but before that, he must decide does he even want to leave this, world where he finally has a normal life...

The movie asks for some knowledge of previous series - the knowledge I unfortunately lacked, because I watched them some time ago. But there is not much of such situations, and they get explained in due course, so it didn't spoil much of my enjoyment. But if you have time, rewatch the first two series before watching the movie.

The movie starts a bit slow, but it gets very interesting later. It has a very convoluted plot and it helps if you are familiar with previous series (e.g. I forgot some of the supporting characters). I really didn't expect the culprit, and I liked the ending quite much. As usual, there is a large portion of comedy: lots of embarrassing situations for viewers, e.g. whenever Kyon embarrasses himself by confessing someone that he is from another world. But at the same time this is the most serious and most dramatic part for now.

As expected, the movie is very nice from visual side - not overly impressive, but with nice colors, characters and animation. Sounds are also good, even though it lacks the great music, such as was in the first season.

In case you are a fan of the series, you will really love "Suzumiya Haruhi no Shoushitsu" movie. I am, and I really couldn't find any flaw to it. And the fact of its highest rating tells that even other people liked this movie. So, this is definitely a movie to recommend to anybody.

Movie review: "Anna Karenina"

Yesterday I went to movies with my girlfriend to watch "Anna Karenina". It was originally her idea, but I didn't have anything against it.

Even though I was a passionate reader since I was ten, for some reason I (successfully) avoided most of high-school proscribed reading, including "Anna Karenina". I was vaguely familiar with the story, as much as I remembered from a book with short analysis of plot and characters for high-school books, but in general, I didn't know anything about the movie.

The story of "Anna Karenina" is a tragedy, revolving about three central characters in 19th century Russia. Karenin (played by Jude Law) is a high-positioned noble and politician, orthodox, strict but respected for his moral and ethical principles - but at the same time he is shown as cold and distanced, especially toward his family. Anna (Keira Knightley) is his wife, at the beginning of the movie displayed as happy with his marriage and especially their son, and loyal to her husband. She actually reprehends her cousin for being angry at her husband for cheating on her and manipulates her into forgiving him. But this changes after a chance encounter with young and dashing Count Vronsky - a pampered noble with eye for beauty, sweet tongue and flowery manners. An unexpected happens and these two unlikely people fall in love, and later to obsession, which damages their lives and especially Karenin family. There is also a secondary story, dealing with another young and shy noble Levin and his love toward Princess Kitty.

The story is good, but center of this movie is its characters, primary the central trio. As I expected from a renowned literary classic, characters are great and complex. The best notion for me is that no one is described as negative: all three are just people, with their personalities, caught in facts of life, love and passion. Though, I was surprised that at the end I was putting most blame on Anna - I don't know if this was intended by the movie-makers, or it was projected from my own beliefs and personality. I am even tempted to read the book to find out.

I liked the acting, even though I am not fan of Keira Knightley. But even more I liked the semi-breaking of the fifth wall: during the changes of scenes, characters are shown as traveling through theater sets; when important things are happening, supporting characters "freeze". I also liked the costumes and small details about Imperial Russia. The music was very good, even to me who usually don't notice such things.

All in all, I really enjoyed "Anna Karenina". If you don't like romances or dramas, avoid this movie. But for everybody else, the movie is never boring, has great and interesting characters and is very intense.

Anime review: "Beck"

Although "Beck" is an older anime (2005.) that I would have usually watched without any second thoughts (daily life, great rates, classic, compared to "Nana", etc.) for some reason I long resisted it. I am happy that I have rectified this mistake now.

"Beck" is anime telling a story of members of the band with a same name, during several (two or three) years of life of Yukio Tanaka, nicknamed Koyuki. At the start of anime, Koyukio is 14 and still in his middle-school, without any goals or talents in life. After accidental encounter with Minami Ryuusuke, a few years older guitarist who spent childhood in USA, Koyuki enters the world of music and rock, and we follow them and their personal life as they try to establish themselves...

I have always liked anime that depict daily-life of characters, shounen seined and josei. "Beck" is such combination that plays on the line between shounen and seinen. In this respect it is similar to "Bakuman" (or vice versa), and I think that fans of "Bakuman" will also like "Beck". By this, I mean that even though they are focused on shounen audience, the anime doesn't follows a typical maxim "if you just want something really hard, you can do it" that is, for me, the most distinctive trait of shounen anime. On the other hand, "Beck" has some ridiculous premises, which are strongest evident in later stages: their decision to stick with Chiba is totally illogical and impractical; also, wouldn't a band need to have more than three songs. One more thing I liked about this show is that it doesn't idealize teens - they are spiteful, promiscuous, drinkers, they swear (there is a lot of English curses)... There are some usual shounen characters like a bully or spoiled rich kid that compete with main characters, but there's more than that, also.

"Beck" has a very slow start - for first two episodes you have no idea what is happening. Plot goes very slowly, but the show has a really great build-up of characters. Most focus is put on Koyuki, and his relationships with other characters, but Ryussuke also gets his almost individual sub-plot. I noticed that plot sometimes get a bit rough - maybe they had to skip some elements from manga to fit it into 26-episodes anime. Curiously, anime incorporates lots of characters from out of Japan, but not in a way of the usual transfer-student. There is a lot of humor here, including some slapstick, but most of it is light and intelligent.

What I don't understand is how a music-manga can be successful. It surely can: "Beck", "Nana", "Nodame Cantabile" are all great anime, and they wouldn't get an anime adaptation without being a popular manga first. I will really have to try to read one such manga. I am not really into music, and I don't stick with any particular genres or band/performers, and I can't discuss the musical side of the anime, but I found music fine and catchy. There is a lot references and influence by real-life rock bands and famous performers.

My favorite part of anime was the stop-and-go romance between Koyuki and Maho, Ryussuke's younger sisters. I am glad that anime didn't put too much focus on it and left it on us to imagine the result. Best part of anime for me was at the end when Koyuki enters the stage alone. This is a typical shounen ending - a miracle. But that is the reason why we watch shounen anime... After that, the last two episodes almost ruined this anime for me with degrading resolution, and I started wishing it ended immediately after festival, but the actual ending wrapped things very fine.

From visual side, "Beck" is not very inspiring. Especially after watching "Nekomonogatari", animation and colors are pretty drab. Characters mostly look ugly, even when they should be good-looking. On the other side, there is a lot of attention put to details, like clothes, posters, instruments... As I said, music is very good, and so was voice-acting.

I am very glad that I finally watched "Beck" and would recommend it to anybody who like real-life anime and don't require action in it (except in case they don't like music). Even though it is not perfect, "Beck" definitely deserves it high grades with its interesting story and great characters.

Book review: "A Memory of Light" by Robert Jordan and Brandon Sanderson

Well, we have come to this. This book signifies end of several periods: four months of my reread, nine years of my personal acquaintance to "The Wheel of Time" series, and twenty three years since publishing of first book, "The Eye of The World". I first one to say, that even though I am sad for the end, this last book, "A Memory of Light", give a wonderful closing to the whole series.

I have a special connection to this series: it was my first series after I have started buying books. Before that I've read some fantasy (there was very restricted selection at my local library, but I have read it and reread it more than few times), including "The Lord of the Rings" and first few books of "A Song of Ice and Fire", but this was a first big ("Knife of Dreams" was the first book I had to wait for to come out) epic series. Since that time I've read it a lot (ASoIaF, "Malazan Book of the Fallen", "Midkemia" sagas, "The Belgariad" and "The Malloreon", R. Scott Bakker, etc.), but WoT has stayed my favorite series. Not best; I think that ASoIaF and MBotF (even more so) are better series. But WoT is my favorite, period.

I haven't read a book in such short time for a while now. I started reading "A Memory of Light" at Saturday afternoon (without reading at evening), read whole Sunday (except for two or three hours) till midnight, continued at Monday late afternoon after work, and finished at after midnight of the same day. I planned to write this review yesterday, but I was too exhausted yesterday and had to recover some of my energy.

"A Memory of Light" is a final book of fourteen book longer series, so things are pretty much all set for the final clash between Light and Shadow. Rand, who started as young shepherd, has become almost King of the world. His announcement that he will break the Seals that keep the Dark One imprisoned has successfully gathered almost all armies of humanity at one place. Mat has done great things in the past, but he now has one more thing to accomplish - to persuade Fortuona, Empress of Seanchan to join Rand's battle. Perrin has also become a leader of men. Even though his part is not so visible, he is one of three ta'veren that have to support Rand. Egwene, now a  secure Amyrlin Seat, and as such viewed as one of most superior authorities, doesn't agree with Rand's decisions - but is Amyrling Seat's authority above that of the Dragon? Elayne is one of the strongest Aes Sedai, now ruler of both Andor and Cairhien, and also lover of the Dragon Reborn - she will have to balance a lot of roles in this book.

This covers five main characters of WoT (I used to include Nyneve, but she was a bit neglected in last books), but even though they got most coverage, they represent only a fraction of POVs from this book. I think that most of the characters from previous books got at least a short POV part. The book has 900 pages, so it is not the longest book in series, but it feels quite long nevertheless.

So you can expect this to be a very complex book. I think I will have to do a reread eventually to grasp it all (as I have to with MBotF), but not this year I think. I don't even have to mention multiple changes of POVs in chapters - diagram showing characters vs. chapters structure will definitely be even more complex that the one in "The Gathering Storm" (link). Maybe it would have been better if last two books were split in three. This would gave them more clarity, but than they would lose much of their intensity, especially this one. And "A Memory of Light" is intense!

I first had an awkward feel, but I was able to recognize it. It is strange to have so many POV characters at the same place without knowing the thoughts of every one of them. Lot of characters get ignored for a long times (e.g. Taim, rulers), but there is simply no help to that. Also, even though all plotlines in this book happen in same time-frame, Sanderson used a trick that time doesn't flow at the same speed for everyone. He justified it quite soundly in book, and reaped much of benefits from it, but you will have to decide for yourself whether you are OK with it (as I am) or you think it as cheap trick.

When I started with this book, I also started with keeping notes of my impressions (I started doing this during this reread, to help me organize my thoughts), like

• Wow! It is rare to see the inner workings of Shadow like with the Town, and
• Plotline in the Black Tower is simply great! Especially the dual bond.

But soon I had to abandon it because really too much happens in here. Also, I want to avoid spoilers in this review. Nevertheless, here are some of my biggest impressions:

• I kept trying to guess who Demandred is hiding as. This particular point was stressed during series, and even at the beginning of this book, so it was only normal to wonder. The answer is here, don't worry. On the other hand, maybe you should worry, because he proves himself as one of most capable and deadly of Shadow's proponents.
• I was very surprised when Rand entered the Pit of Doom before the end of book. Even though this sounds as expected course of events, Jordan (I don't think that this was Sanderson's call, but maybe I am wrong) take an unconventional turn.
• This book is one big battle! Well, six battles actually, but most of this book is made of battle and fighting scenes. Also, it has the longest chapter in WoT history: 189 pages.
• There is some great humor in this book, but one line was really LOL moment: Androl's and Pevara's "You look good in black". Also, even though Mat is a touch too expressive (outspoken), he has a bunch of funny scenes. I especially like his bragging fight with Rand! And also, Knotai!!!
• Well, I can't believe I missed the thing with the Horn of Valere!!!

One more thing I want to mention is Padan Fain's disappointment. His part was very promising, in this book and in series also. He had a potential to become the unknown element, Joker, hidden ace... But then he was cut short. There are some good lines here, but it is only a part of what it should have been.

I saw some comments describing this book as emotionally draining - it is! I spent last couple of hours with tears in my eyes - whether from sadness, happiness, laughter or anger. It really provides a full scale of emotions. There are some really unexpected things here, even deaths of characters you would never expect to be gone.

A good new element this book introduces is inserting the gray morale with the Seanchan. Is rooting for Tuon a good thing or not? I wonder was this Jordan's or Sanderson's decision.

You are probably wondering about the ending. Don't worry: it is a wonderful ending, one of best ever. It doesn't provide too many answers. I think this is better than it would be explaining and elaborating everything (like, these two lived there for years, got two child...). Also, it feels more natural, without any forced celebrations or gathering of main characters. You are really left wondering about many things, but not frustrated for it. I wonder was the ending written by Jordan? I think it is - I don't belittle Sanderson, but Jordan was the master of "The Wheel of Time".

So, with bitter-sweet feelings, I can say that "A Memory of Light" provided a wonderful ending for "The Wheel of Time". Not perfect, but even better for that!