Book review: "Legacy of Kings" by C. S. Friedman

It's been almost two weeks since I have read "Legacy of Kings", the last book in C. S. Friedman's "The Magister Trilogy", but I was away on a business trip so only now has time to write a review.

In last book, "Wings of Wrath", the secret that Souleaters are returning came out, with dark history of the Wrath, magical border that kept them in the North. Now, in "Legacy of Kings", Souleaters have a new Queen, magically joined with Witch-queen Sidarea, so humanity must join forces to repel them once again, or go through annihilation of their civilization. This time, they have Magisters and they don't know will this prove a blessing or a curse. Because, Magisters have a dark secret, hidden even from them, and known only by one Magister - Colivar.

"Legacy of Kings" interweaves several plots. We follow High King Salvator, who has to find a balance between his monkish past, his new responsibility as king, and legacy of his father and heritage. Curiously, Queen Gwynofar, one of central characters of last book, here is downgraded to a side-character. We follow also the enemies, Sidarea and her female Souleater; Nyuku, leader of male Souleater and their companion; and Nasaan, new character who is not aware who is he putting his chances with. Most interesting plot-line is that of Magister's, especially Colivar. Plot oscillates between being familiar and following fantasy tropes, to being unpredictable in small details.

After the setting was expanded in second book, I didn't really expect any new additions. Sure, we finally see some of the southern kingdoms, and desert definitely proves interesting new place, but it is all familiar from previous books. The big revelation is of course connected to Magisters and their connection to Souleaters. Much of it will be as you already guessed, but Friedman was very good with details.

There are almost no new characters in this book (except Nasaan, I think), but we find out some new things about our old friends. Kamala is finally in focus of events, which was not so in first two books. I especially liked her trick and transformation in the end. All Magister are interesting characters, especially Colivar, and during the course of book they change much. It is hard to reconcile complete lack of empathy (by definition of Magister) and still be able to write a likable character. But despite them being interesting, I can't say I really connected with any of the characters.

For summary of "Legacy of Kings", and the whole "The Magister Trilogy": these are solid books, with interesting plot and characters who grow, but without a spark that would make them a hit. They are written well, so even the old fantasy fans won't have problems with them, but all in all, this is not a series that deserves any special recommendation.

Anime review: "Blood Lad"

Few months ago I saw an announcement for the "Blood Lad" and got an impression of some vampire-otaku comedy, which sounded nice, so I decided to add it to my wishlist. In the meantime I saw few good review of this series and I gave it a try last week.

"Blood Lad" starts with showing Staz, the main character, loosing time. He is a boss of a province in the demon-world and a vampire. But more important for the show, at least in the beginning, he is obsessed with Japanese culture, plays eroge, collect figurines and reads manga. So when his underling brings him news that alive Japanese girl, Fuyumi, is wondering his section of demon-world, he is in frenzy to meet her. Coincidentally, during this encounter he gets challenged by some upstart and while he has no problem in defeating him, unfortunately Fuyumui loses her life and becomes a ghost. Staz, being more or less a good guy, promises to bring her back to life, which will put him in line against female space-jumpers, his estranged and sadistic brother, demon world's aristocracy, etc.

"Blood Lad" starts very shounen and slapstick, and it stays like this during whole this season. So if you don't enjoy first one or two episodes, you will not like it later. You know the recipe: powering ups, big fights, lots of falling down, crazy costumes or character's designs... But for me, it hits the spot. It stays goofy, but it does get more serious later, as more complex plot elements start, so it can be enjoyed by more mature viewers. On the other hand, if has some pretty violent scenes. There are few nice jokes referencing other anime, manga and games - like "Dragon Ball".

Plot starts very simple, with Staz's quest to restore Fuyumi to life, but it soon becomes apparent that there are deeper currents going around. Not that Staz is necessarily aware of them. Unfortunately, the season ends when it starts to get very interesting. So I join the other reviewers - give us another season! I watched the OVA - it is direct continuation of the series, but also doesn't give a satisfactory (or any) conclusion.

There is not much to say about characters. They are typical for shounen anime: shallow, one-dimensional, somewhat ridiculous. But that is exactly what you need sometimes. There are constant additions, so we will have to wait for next season to see how they hold up.

When I started watching "Blood Lad", one of my first questions was "boing?". Yes, it definitely is. But even though this show has all female characters drawn anatomically dubious and it gives occasional fan service scene, it is far from ecchi.

I really like the visual side of this anime: bright, vibrant colors, good design of characters, fast-flowing animation. But here, voice acting is also very good! I especially liked Braz, who has a great voice - like a real vampire, low, quiet and snake-like.

To summarize, if you like wacky shounen anime with some fights and fanservice, "Blood Lad" is an anime for you. Especially that it has only 10 episodes, so you can finish it in a day or two.

"Vorkosigan Saga" reread: "Cetaganda" by Lois McMaster Bujold

As I planned, I continue with my "Vorkosigan Saga" reread, inserted occasionally between other books. This time it was "Cetaganda" - as I said I was reading the books in internal chronology order, starting from "The Warrior's Apprentice".

In "Cetaganda", Miles and Ivan are sent on a diplomatic "mission" - as high nobles of Barrayar they are to attend the funeral of Cetagandan Empress. Cetaganda, as in Barrayar's greatest enemy. And they are told to behave. This changes even before they set a foot on Cetagandan territory. The two of them are victims on random assault, during which Miles come into a possession of some Cetagandan trinket. A trinket that everybody wants back and that can decide the future of Cetaganda...

"Cetaganda" is a book little off the tracks. By that, I mean that even it fits in internal chronology, it is more of a side book. You won't miss anything if you skip it (well, nothing except much fun). Events here don't affect later books, except in small details (like the medal, or as old love). So I was a bit in doubt to read it or skip it, since I remember it quite well and know that it is not very important in larger scheme. But as I also knew it was a very fun read, I decided to reread it.

Miles is here between big roles. He is not a young inexperienced leader as in past books, nor is he hyperactive professional megalomaniac as in next few following books. He continues his habit of manipulating his superiors when they (potentially) bother him. He also continues to "bully" his cousin Ivan, even though Ivan more or less lets him do it. All other characters are pretty well written, even those that only appear once or twice. Bujold can make them feel three-dimensional just in few sentences.

As for plot, it is combination between action, detective investigation and a little bit of comedy.

Bujold continues to do well with setting. It is imaginative so much it would not pass any tests, but it is written so unobtrusively that everybody just accepts it as it is.

One of my favorite parts of this book is in the end, when Miles receives his medal. And I like the scene where this same medal appears in few books later!

As I said, "Cetaganda" is not an important book in this series, but if you skip it, you will miss all the fun. A great book for all fans of the series.

Anime review: "Monogatari Series: Second Season"

I've been eagerly waiting for next season of "Monogatari" series since first seeing early announcement for it. I like a lot of anime and genre, but if I had to pick, this kind of weird-humor series would be my first choice (like "Durarara!!", "Baccano!", "Tatami Galaxy", "Sayonara Zetsubou Sensei"). So I felt unreasonable joy and expectation before watching the last season!

I first waited for all episodes to come out - I didn't want to be forced to wait. And before watching "Monogatari Series: Second Season", I did a rewatch of all previous shows, in order they came out: "Bakemonogatari", "Nisemonogatari", "Nekomonogatari (Kuro)". First, it was a good thing I did it, because I really did miss two episodes in first season, because they were released as specials. And second, it really put me in the mood for fresh season.

The new season, "Monogatari Series: Second Season" consist of five arcs. Surprisingly, all these arcs deal with previous girls, while I expected introduction of new characters. But don't take me wrong - this is a superb show and there is no feel of recycling old themes. It's hard to write a one-paragraph blurb since all arcs are very different, but if you liked old seasons (especially if you like original "Bakemonogatari") you will love this one!

First arc came as a surprise. First, there is no Araragi - he is absent and is only mentioned. This means that we see story first time from other people's eyes and it give us a different perspective, especially on Senjougahara and Hanekawa. And Senjougahara is very funny here.

I was again reminded how this show greatly uses nonlinear storytelling. We see (or they are mentioned) a bunch of new characters and previous events that we know nothing about, but everybody talks about them as they were shown. And later when they really are displayed, they came out completely different that we expected. Like constant mentions of first meeting between Araragi and Shinobi (which should be shown in announced movie "Kizumonogatari"). Also, a lots of stories remain unresolved (I hope they are saving it for later). This first arc uses another dirty trick by those missing Black Hanekawa scenes - you will know what I am talking about, believe me.

Another trait of this season is that it the show lost much of it cuteness and became more morbid, serious and violent. It always did have these elements, but they were not so evident mixed with playfulness and fanservice. This is so evident that even the faces changed - Tsukihi is much more rugged than in "Nisemonogatari".

Second arc is good, but not as epic as other ones. I didn't expect a time-travel/zombies story - it didn't really fit in my idea of "Monogatari". But it was quite good in the end. I especially liked Oshino's letter to Araragi.

Next comes the third arc, with introduction of that ominous Oshino Ougi and with Sengoku Nadeko. I never liked her in previous shows, but I really didn't expect what happened here. It is another arc that is not told from Araragi's POV and where he is almost nonexistent.

Fourth arc is similar to second one - not so epic, but good in its own way. We learn much about Shinobu's past, which was a surprise to me. We also spent more time with two new characters. Well, Ononogi Yotsugi was introduced before, but only shortly. She was a great character in this season, especially with her strange ways of talking. The other one was Gaen Izuko - very mysterious characters who adds several layer of confusion to all that has happened. We will see more of the in the future, mark me. Also, this arc is a pretty sad one.

And then came the last arc, the masterpiece! It is told from point of view of Kaiki Deishuu! Yes, him. The one man I would never expect to told a story, especially concerning how he lies to everybody including himself. Add to that the fact that this arc is told in by-the-book noir style (including the raincoat), it is really something. I was swept with last two episodes (especially the cliffhanger in penultimate one).

It reveals some unexpected facts, about relationship between Senjougahara and Kaiki. I was surprised how Araragi was made to look like a child in last episode - let an adult resolve the situation! I later realized that this arc had not one ecchi or fanservice scene. Anyway, now they have to make a sequel, they can't be so cruel not to reveal further story.

Now, little bit about technical side. There are 26 episodes in this season, but episodes 6, 11 and 16 are just recaps, so feel free to skip them. The visual side of anime is on the standard level for this series, maybe somewhat darker and rugged. There are several OPs and EDs, of which I really liked only one. Be careful, because there is sometimes more story after ED and sometimes there isn't. Oh, and I didn't like the short haircuts.

Well, in the end, there is not much to say that I consider "Monogatari Series: Second Season" the best anime of 2013 (with "Shingeki no Kyojin" on second place). Even better than the original "Bakemonogatari"!

Anime review: "Shingeki no Kyojin"

Well, this hasn't happened in a long time: that I finished an anime season in a day. I watched first two episodes at Friday evening, and spent whole Saturday watching until I finished all 25 episodes!

"Shingeki no Kyojin" (or officially "Attack on Titan", which doesn't make sense) is a shounen action anime. The story places as in future, where humanity has been reduced to medieval level by appearance of non-sentient, human-eating humanoid giants called Titans (imagine giant nude zombies). Humanity is currently behind tall walls place in several concentric rings, enjoying relative safety for last hundred years. It all changes with appearance of a Colossal Titan and an Armored Titan, that together are able to penetrate the walls at one place and release other Titans at people. During this fatal defeat, we are focused Eren, Mikasa and Armin, three kids living in town where the breach happens. After managing to stay alive, but witnessing Eren's mother being eaten alive, Eren vows to slay all the Titans. This brings the three of them to join the training for the Survey Corps, only people that still fight against Titans on their own territory...

My first impression was that good, because I like vivid and strong colors in anime. Next I thought how the anime was a bit over the top with imagination and not very consistent (flesh-eating giants, 100 years of solitude). I was especially off-put with the claim about walls being set in circle with 250km diameter, when you could obviously see the other side of the wall! But then things started to unravel slowly, and I was hooked.

So, even though "Shingeki no Kyojin" is primary an action anime, it has a large dose of mystery. And not the type where character finds solutions which no one would ever realize, they solve them gradually by getting more information. Also, the setting reveals very gradually (there are some info-dumps, but not too clumsy), so almost every episode you learn something new. There was a few surprising reveals (especially the last one!), but they were done nicely and consistently. What I did dislike were too long intros and recaps of last episode at the start of each.

There is really a bunch of characters and you will sometimes have trouble to know who is who. They are typically shounen, so don't expect miracles, but they are pretty solid and interesting. The good thing is that they grow much during the show. I really liked how the author was not afraid to kill them.

And this brings us to the atmosphere of "Shingeki no Kyojin", which is the best part of it. This is a very brutal anime, with lots of tragedy, death and sorrow. I didn't expect so much pain in shounen anime. There are nice changes between fast action pace and slow reminiscence and melancholy. It is compared much to "Claymore" - I agree with this comparison, even though the anime is original enough. Action is pretty good, if you can suspend your sense of mechanic. There is even some comedy, and pretty good one (I really liked Sasha).

I've read some comments about this show having horrible design and animation, but I disagree. I admit that it is simple and not beautiful, but I think it goes great with the atmosphere. I really like the discrepancy between Titan's look and behavior. Voice acting and sound were OK, but OPs were terrible. I didn't even try to listen EDs.

All in all, I really enjoyed "Shingeki no Kyojin". It simple enough for shounen fans, but with enough details for other to enjoy, with great dark and violent atmosphere and lots of mystery. I can't wait for the next season.

Book review: "War Master's Gate" by Adrian Tchaikovsky

Well, I am going onward with "Shadows of the Apt" series by Adrian Tchaikovsky. I finished the ninth and so-far last book in series, "War Master's Gate", which means that for the first time I have to wait for sequel to come out. This is too bad, because the series became great in last few books!

"War Master's Gate" is the first book in series that breaks the usual pattern, but the things have come to a level where everything is epic and you can't separate magic and technology storylines. It continues the events immediately after last book, "The Air War". This means that the war for Lowlands and Collegium continues where it stopped, minus the focus on air duels - even though they still play a large role in this book. General Tynan tries for the second time to conquer the Collegium, but Warmaster Stenwold Maker has his own trick to throw at them, and this time, the air supremacy in on Bettles' side. Up north, General Roder was on a way to attack Sarn, but he is stopped by direct order and appearance of Empress Seda, who has personal interest in the forest that hides the Mantis holds Etheryon and Nethyon. Sarn also has a new Tactician, who will prove a menace for both Sarnesh enemies and allies. And in the forest itself, Cheerwell and Seda confront directly, in race to conquer the old and dark power, not suspecting that this power is there to guard something even more terrifying...

It's good thing that I read the previous book not so long ago, because the series has progressed so far that you really need to be familiar with rich setting and large cast of characters. Even so, some references to past events were blurry to me. As I said, the book continues immediately after the events in the last one, and it feels very much like it. Again we have a big focus on military, sieges, defense, air machines and so on. There are no much new inventions, but Tchaikovsky uses marvelously what he brought so far, and makes a very consistent and unique setting. On the side of magic, here we have as large upgrade as we had with technology in "The Air War". We learn much about history, see some direct uses of Moth and other magic, and see first evidences of a new player to come.

Plot is very complex, mostly because it is shown from so many POVs. Constant jumps are maybe a bit tiring, combined with short chapters - but at the same time it forces one to read on. There were lots of surprises throughout the book, especially because they came as surprises to the characters themselves (the Hornets, for example; or Empress' orders for Spiders). The book ends in several cliffhangers, like the fate of Che and Seda. Similar is with Stenwold Maker - his part look a bit obvious, but maybe it is the exact opposite. The ending is very strong and emotive; especially between Tynan and Mycella, and Eujen and Straessa. A great part of the book is the epilogue, with afterlife in Collegium, and first appearance of the Worm.

Characters are also phenomenal, both old and new. We actually don't spend much time with most of them, but because of fast POV changes it feels like we do. The number of character in series has grown much, even the important characters. At the beginning of the book we have a superb scene with Che, her first impact on the Ants, Mantids and rest. Tchaikovsky became great in presenting all sides of the conflict without playing favorites. When the fight is told form Wasp's POV, you are rooting for Waps; but when the same battle is told from Collegium's POV, then they are your favorite. Also, he is not afraid to really kill the characters. The fate of Mantis race was a very sad and powerful scene, and it was masterfully told from several side: the sadness, the anger, the fear! Also, again a nice moral ambiguity with Collegium and Sarn turning themselves to Wasps to defend from Wasps.

I can honestly said that with last few books, and especially with "War Master's Gate", this series became one of my favorites. Great battle scenes, both technological and magical; powerful and emotive scenes from both sides of conflict; and revelation that will shake the plot so far. An excellent book.

Anime review: "Genshiken Nidaime"

I have watched the original first few seasons of "Genshiken" six years ago. I forgot much of it, but I remember it was one of my favorite anime in that time. When I saw a new season is coming up, I was of course very interested and watched it as soon as I got the opportunity.

"Genshiken Nidaime" takes a year after the last part. All original cast has a role in this one, but more focus is those still in college and formally in Genshiken (Ogiue, Ohno, Sue, Kuchiki) and three new characters Hato, Yajima and Yoshitake. In the first episode it turns out that all member of the new Genshiken, except Kuchiki, are girls in love it BL (boy love), or "rotten girls"...

There is no point in going deeply in the plot of "Genshiken Nidaime" because it is not a series with real plot. "Genshiken" was always focused more on daily or school life of characters and their relationship. The difference between the previous seasons and this one is that here there is a big focus on subjects like boy love, cross-dressing and similar. "Genshiken" always touched similar topics, but not in such way. It didn't bothered me, but nor did I find it very compelling. There was a lot of talk about bullying and accepting different people.

A big focus is put on relationship between the new character Hato and Madarame, and his obsession with Kasukabe. There is a good scene and resolution between her and Madarame that I think all the old fans will like. I am sidestepping talking much about the character because there are few surprises and I don't want to reveal any spoilers.

As I said, I don't remember much about the original, but I think that visually it was even better than this one. "Genshiken Nidaime" has unattractive design and animation. Voice acting was good, but there was no other attractive music. I think the production was poor. Also, I don't remember the original having so much fanservice.

For conclusion... If you haven't watched the original "Genhiken" and you like daily life and otaku anime, you definitely need to watch it. As for "Genshiken Nidaime", it is for the fans who wants the continuity and they will find it good. But I think that even the most avid fans will find it poorer that the original.

"Vorkosigan Saga" reread: "The Vor Game" by Lois McMaster Bujold

I am going forward with my reread of the "Vorkosigan Saga" by Lois McMaster Bujold, so last week I finished "The Vor Game", the second book featuring adventures of Miles Vorkosigan.

"The Vor Game" takes place few years after "The Warrior's Apprentice". Miles has spent last three years in the Imperial Academy, training to become a normal (as he can be) Barrayaran officer. After finishing it successfully, he gets another test before being let to proceed with his career - a 6-month post on Kyril Island, one of most extreme and stressful bases on Barrarayar. After almost managing to avoid any troubles, he is forced to choose between his career and his conscience, which again lands him in political troubles. All this is just a prelude into his new adventures that will once again join him with his Dendarian Fleet. Miles will be forced to manipulate both his friends and his enemies. But this time, much more depends on Miles - life of his Emperor, and fate of several planets.

Even though "The Vor Game" was written after several other books in the same setting, it is not such a smooth read as was "The Warrior's Apprentice", at least in the beginning. Bujold introduces a lot of expansions on the setting and throws in a lot of unfamiliar terms (fast-penta, galactic history and relationships, and so on...). Nevertheless, this doesn't damage the enjoyment of reading this book. Again, Bujold was able to make a SF setting far in the future without disclosing the technology behind it - instead focusing on characters and the plot. Again, the book is darker than I remembered it.

There are lot of similarities between plots of "The Vor Game" and its prequel, but as I said before, this one is for bigger stakes. First part of the book (one third, maybe) is focused more on Barrayar, and it brings it much closer that the first part had. But as the book goes forward, so the plots becomes much faster and risks bigger. My favorite part of it is the head-to-head negotiation between Miles and Commander Cavilo near the end - some really good fast-talk. It is funny and thrilling at the same time.

Characters are Bujold's forte, starting with Miles. You can see he has grown, but he became more solid and thicker in the frames that were set in "The Warrior's Apprentice". Other characters are also great. In this book we are first time really introduced to Simon Illyan who will have a large role in series, as one of most important reference points for Miles. If I have to point one thing that I didn't like, that was the easy shortcut that Bujold took with Admiral Oser.

"The Vor Game" continues and expands the formula Bujold wrote with "The Warrior's Apprentice" - a thrilling and rushing military SF. Except if you are a really hard-core hard SF fan, this is a book and series I would recommend to anybody

Book review: "The Air War" by Adrian Tchaikovsky

Last week I finished another book in "Shadows of the Apt" series by Adrian Tchaikovsky.Again I must say, this series keeps getting better and better...

Following its usual cycle, which I mentioned in my review of "Heirs of the Blade", "The Air War" is a larger-scope book, as expected from even-numbered books. And this one really has a big scope: an all-out invasion of Lowlands and environs by the Wasp Empire! We see that all the preparations in previous books has come to fore and it is again time for war. Two armies are set for the Collegium, from two different directions. But this time it is also another kind of war: the air war, the war of technology and machines... But at the same time, the world that has been focused on advance and science for the last centuries, the Apt, is on the brink of reversal. The Wasp Empress Seda targets another throne: the Queen of old magic, and to reach her goal she won't hesitate to wake an old darkness...

"The Air War"  doesn't just feel like a large and long book (like its predecessor), it really is. To fully enjoy the book, you should be fairly familiar with the setting. So if you haven't had a reread, now would be fine time to have one. The book has a very military setting - Tchaikovsky really make a good tension of preparation for war, with logistics, numerous characters and jumping around the world to show how Wasp Empire affects everything and everyone. The book was superb from the beginning and I just couldn't stop reading. There really is no point to getting deeper into details of plot - it is what you could expect from Tchaikovsky's previous works: war, espionage, command chain, old vs. new, etc.

There are quite a few new characters introduced here, and they don't feel at all forced. They successfully freshen up the cast. The book doesn't focus on Stenwold, even though it is in essence his book, but more on little characters. Presenting both sides of the conflict, Tchaikovsky made a great ambiguity - who to cheer for? Seda, Stenwold, Laslo, Totho, those Fly-bombers,...??? But it is more complicated than just two sides; when you add Rekef, other secret intelligence, and other involved parties, you get a pretty mess of morality. There was a scene that with a big moral question in the book (the murder of that Fly) - will Collegium become like Wasps if they defend themselves successfully or will they manage to retain their ethics?

When the series started, it always had just enough magic in it to be properly called fantasy. But it usually focused more on technology, thus belonging more to steam-punk. So I was surprised when this series became so explicit with magic. And as Tchaikovsky was inventive with his technology, like torsion engines, compressed-air guns and so on, so original he is with his magic. And I think he has even bigger surprises for us in later books. On the other hand, the technology gets a large upgrade. He was obviously inspired by World War I air-battles.

There is a great and intense big battle in the end of the book. It is simultaneously displayed from many different POVs with fast changes, which makes it very exciting and intense. The book ends in a cliff-hanger - not a big one, but certainly nothing is resolved yet.

With "The Air War", Tchaikovsky had reached a level of quality that I haven't expected from this series when I first started with it. He mixes an original setting with a set of quality characters, all set in an interesting and intense plot. Again, a recommendation to all fans of his previous books!

Anime review: "Sakamichi no Apollon"

"Sakamichi no Apollon" (or "Kids on the Slope") won several awards last year and it is a josei, so it was given that I would watch it sooner or later. It turned out it was later.

"Sakamichi no Apollon" tells the coming-of-age story of three friends: Kaour (Bon), a rich boy with no friends, due to his often transfers and movings; Sentarou (Sen), a troublemaker who often misses school; and Ritsuko (Richan), Sen's childhood friend whose father owns a music store. For some unknown reason, Sen takes liking on Bon and the two of them start hanging out at Richan's place, playing jazz sessions. Because actually, Sen is a passionate drummer, while Bon learned piano since childhood. The three of them live through first loves, occasional fights and jazz music.

This is a pretty short anime, with only 13 episodes, so there is no long story like in "Nana" or "Hachimitsu to Clover". But on the other side, plot sometimes skip months and in such way covers really much time. In the end, it covers their whole high-school. It made me surprised several times, like with that early confession - I didn't really expect it so soon. The beginning was also good and got me hooked immediately: light, with no real subject, but hinting at drama and future topic.

The anime covers an unusual epoch - the 50s in Japan. This is the first time I watched anime covering this period of time. There is an interesting sub-story of Jun'ichi and Jurika, including political activism, student riots and Japan's after War history. Music is an important part of this anime, but not the main topic - character's relationships are what this really is about.

It is really a coming-of-age anime and it has some good drama. Not the usual awkward moments you would expect: Bon always says wrong things instead what he really wants, but it is so with most people. Anime doesn't go in making extreme emotional reactions, but goes lightly about it.

The ending was very surprising. Josei anime usually have some kind of bitter-sweet ending, but this really took me by surprise.

The animation and design is good, but not something extraordinary. Voice acting was very good, though. I don't like jazz usually, but even I was able to enjoy the music here.

"Sakamichi no Apollon" is a short but very good josei anime. Not among the best of genre, but with good and likable characters, fast story and some really nice drama. A good anime for everybody who likes josei.

Book review: "Feast of Souls" by C. S. Friedman

I haven't read anything by C. S. Friedman before, but I had one or two of her series in my wish-list, since I encountered her name on several top-lists and reviews. I was choosing between "The Magister Trilogy" and "The Coldfire Trilogy", and finally picked the former, for no special reason, and bought "The Feast of Souls", the first part.

"The Feast of Souls" takes place in imaginary medieval world. Among regular people, there also exist witches and Magisters. Witches (both male and female) are able to do magic (witchery), but it costs them their life-force - the bigger the spell, the larger the price. Usually witches die in the middle years, except they are miserly with their power. On the other hand, Magisters, who are all males, have unlimited power, and they guard their secret hard. Magisters usually act as advisers to kings and rulers, but in truth they are the secret power behind thrones. In such world a young witch Kamala comes to a hermit-Magister Ethanus to teach her how to become the first female Magister... Several years later, Prince Andovan, one of sons of the most powerful King Danton Aurelius, become sick with the mysterious illness called Wasting. His search for the cause will set him on a course to Kamala, and both of them toward their destiny as ancient enemy of humanity begins to appear again - the soul-eaters!

As it is, such setting as in "The Feast of Souls" is a pretty much typical for fantasy. Medieval society, magic, Princes and Queens. I admit that the witches/Magisters thing is clever, but you are able to guess most of the details pretty soon and accurate. Even after first quarter of the book I was hoping for something to come and surprise me. I did get my satisfaction in second part of the book when Northlands and the Ancient Evil come into play. I must admit that the ikati come as nice villains and looking forward to learn more details. I also liked focus on Magister's society and rules in later stages, which are pretty detailed.

The plot is also typical, but it has its strong points. There are several players that are left unknown, so we have enough reveals to expect in second and third book. Again, the ikati storyline is the most interesting part of the plot. The big part of suspension is curiosity how Kamala and Andovan will be able to sort out their differences, because it is obvious from the start that they will be forced to do so. And we are not left disappointing - their (or better say, his) resolution is very surprising and interesting - and leaves her consistent.

There are lots of characters and again, lots of to discover in further books. Kamala doesn't really become a character until the second half of the book. Friedman writes her well, giving her much and important doubts to dwell upon. Andovan is pretty much common characters, but that doesn't mean he is boring. I especially liked Colivar's characters - and hope to learn more of his history. Queen Gwynofar is a very interesting character. Although this is not the rule, female writers usually create very good female characters (or at least more complex) and so is the case with Friedman.

Again, I liked the second half of "The Feast of Souls" more that the first. I really have to admit the book had a good ending - surprising and clever. And opening space for the next book.

Of Friedman's writing I can't say much. She has interesting characters, and gives some exciting chapters, but doesn't insert many original and unique fantasy elements.

All in all, "The Feast of Souls" is a solid fantasy book - not the best I have read, but far from worst. I have enough interesting parts to justify continuing with the trilogy. I think readers who focus on characters more than on plot or setting will be more than satisfied with this book. Also the fans of Robin Hobb.

Book review: "Emperor of Thorns" by Mark Lawrence

I don't usually read sequelling books immediately one after another, but like to spread them over some time, maybe insert a reread now or then. But after reading "Prince of Thorns", I just couldn't resist reading "King of Thorns", as I also couldn't resist reading "Emperor of Thorns" immediately it was published last week. With this, I finished "The Broken Empire" trilogy by Mark Lawrence.

"Emperor of Thorns", similarly to KoT, has three plots-lines. The main one, the present, is happening two years after Jorg Ancrath's defeat of Prince of Arrow and becoming a King of seven nations, instead of just one. As the book starts, Jorg is just preparing for a journey to the Congression, a meeting of rulers that happens every four years and on which the Emperor can be chosen. Jorg is going there pretty sure he will be selected Emperor, because if he is not, he will pretty upset... Second plot continues immediately his adventures at Horse Coast, expanding them eventually to continent of Afrique. And while in KoT we had Katherine's story, here we have Chella's story, a POV by character opposite to Jorg from the first book.

If you have read first two books in "The Broken Empire" trilogy, you know what to expect: blood and violence. In my review of "King of Thorns", I said one or twice that Jorg felt softer than in "Prince of Thorns", not killing or maiming people randomly. This is also true here; as Jorg says, he has overgrown killing people on whim, but it doesn't mean that he will balk of anything necessary to protect those he cares about. And people, Jorg actually openly cares for somebody in this book. This makes him at the same time softer and harder than before. Softer, as I said, because he is not a loose cannon anymore; but harder, because he will not stop at anything defending what is his.

I really have to congratulate Mark Lawrence for making Jorg develop so much, but making it feel so natural. And also for successfully making such brutal and unique character, more evil than villains in some books, a protagonist and a person to root for. Because, it is quite impossible not to root for Jorg. And if you have any liking for anti-heroes, gray-morality or for gritty literature, you will just adore this book.

I see that I am not lonely in this sentiment, because my e-book edition had more highlights than last 10 books I read together. And consider that the book was out only few days when I have read it... This will be one of the top books of this year.

The plot is pretty interesting, especially the main one. As the book was coming to close, I kept wondering how Lawrence will be able to resolve all the started threads, but I have to admit that he did it magnificently. This book and trilogy has just a great ending - it leaves just enough questions unanswered, but gives a decent resolution of the story. Jorg keeps pulling rabbits out of his hat, but rarely it feels like something forced - Lawrence makes him pretty believable and consistent. The pace if constantly intense and there is not time for leisure. There are just so many powerful and memorable scenes in the book.

A small objection could be raised that the identity of the main villain is revealed pretty early in the book. Not openly revealed, but there are enough clues to guess it almost at the start. But this doesn't hurt the story much. Also, the plotline dealing with events in Afrique belittles the events in "King of Thorns" a bit, revealing Jorg knew about future more than enough to fix a score...

Setting was vastly expended in KoT, compared to PoT, and in "Emperor of Thorns" it gets filled decently. As I said, enough questions are with no answers to keep us waiting for more, but there are no inconsistencies. When I started reading this series, I would never be able to guess how perfect blend of SF and fantasy it would turn out to be in the end.

Again, I have to repeat my opinion that "Emperor of Thorns" will be one of the top books of this year: thrilling plot, superb main character, with unique and gritty way of presenting the story. A big recommendation for this book and the trilogy to anybody who likes dark stories!

Book review: "Heirs of the Blade" by Adrian Tchaikovsky

I've been following Adrian Tchaikovsky's "Shadows of the Apt" series for quite some time now (counted in books, at least, not in years). Even though it cannot be said I am super-excited whenever I read another books in series, it is still an interesting series and I would recommend it to anybody who wants fantasy in a bit of different wrapping - steampunk, insect-based races, magic vs. technology... "Heirs of the Blade" is the seventh book in series that I have read and there is at least couple more to go.

"Shadows of the Apt" follows a curious cycles: odd books are focused more on smaller stories of particular characters, while even books are more epic and deal with world-scope events. "Heirs of the Blade" is typical odd book, dealing with story of Tynisa and Che. After her father's Tisamon death few books ago, Tynisa wandered off in search for some kind of resolution, depressed and feeling guilty for numerous deaths she was not able to stop. In her search, Tynisa has come to Commonweal, a home of her dead love Salme Dien. She is about to find that Commonweal is not an idealistic and romantic place she imagined based on Salma, full of valiant knights and caring nobility. On the other side of the world, in Khanaphes, after following Che, a shade of Tisamon escaped and is now on course to haunt Tynisa. Cherwell, now accompanied by Tharlic, is aware of that and is willing to do what it takes to stop it, even if it means embracing her new destiny of Inaptitude...

As I said, this is a smaller scope book and is mostly concentrated on Tynisa and Che. But we do get some glimpses of story to come, by POVs of Wasp Empress Seda, a future Queen of dark magic; by Angved the engineer, and by Preada and Ammon. I did expect more from these plot-lines, but they end pretty abruptly. I presume they will be the focus of next book in series, "The Air War".

The good thing about the plot is that is ti pleasantly confusing and pretty unpredictable. It is really hard to guess what will happen next, but it doesn't fell forced and unnatural. I don't know why, but I came to think about this book as very long, even though it is only some 350 pages.

We follow mostly the well-known characters like Che, Tynisa and Tharlic, but there are some old appearing again, like Gaved the Wasp and Seda. The new characters, especially Dal Arche and his bandits, and Varmen, are also very good. I always wondered why focus Che as a central character, but now the things are coming to place. And Seda is one pretty impressing character...

Tchaikovsky become much better with words in time. He was all right before, some sometimes he did insert some clumsy phrases - now the story is nicely flowing. I like how different people tend to concentrate of different things: some on architecture, some on military and defenses, some on architecture... He also did very well with presenting strangeness of Commonweal. And the scene with beetle-stag and mantis is an awesome one - it presents how unique the setting is very well. Another think that deserves mention if the final duel, which was written with much details and realism.

I know this is a somewhat short review, but it is not necessary to say more than that if you liked previous books in "Shadows of the Apt", you will more than like this "Heirs of the Blade". A recommendation for both the book and the series.

Anime review: "Berserk"

"Berserk" is among the first anime I have ever watched (among first 10, of more than 200 that I watched until now) and it was one of my favorite ever. I even read the manga, at least the published volumes at the time. Curiously, the manga is still ongoing after more than 20 years! So when I saw that something new from the franchise has been coming out, I was excited. My excitement waxed when I saw it was a collection of three movies with the same material as the original anime series, but there was no chance in me missing that. So when the movies were finally dubbed, I jumped right at them...

These three movies in "Berserk" franchise depict the youth of the main protagonist, Guts. A parent-less child, he has grown up with a mercenary band and later become a freelancer wielding in impossibly big sword. During one his jobs, a siege, he single-handedly slays a famous mercenary. This attracts the attention of the Band of the Hawk and their charismatic leader, young Griffith. Initial reluctant, Guts is forced to join them, but later he distinguishes himself and become one of the leaders, strucking a great friendship with Griffith and love-hate relationship with Casca, another young, but female leader. The Band exploits the long-lasting war between Tudor and Midland, so much that King of Midland promotes them to nobility...

I realized that I almost described the whole plot of the movies... The reason for it is that these three movies depict only the "Golden Age arc", which is only the prequel of this story. The real action actually starts after, but this story is also very interesting. Especially when the more fantastic elements of it come forward: the Crimson Behelit, Zodd the Immoral, the God Hand... After mostly classical medieval fighting anime, this aspect of anime is very surprising and increases the tensions... Especially when the Eclipse comes!

"Berserk" belongs to dark fantasy and action genres, with lots of fighting, blood and violence. It is somewhere between shounen and seinen series. I really liked the setting, which changes much from realistic medieval to full fantasy, including a lot of themes. As setting, character change and grow (or descend) during the anime. It is no wonder this is one of most appreciated mange for lots of people.

But this is all applicable to the series itself; but what about these three movies?

The movies are pretty much true to the manga, but they skip some of the details. To those unfamiliar to prior anime or manga, this shouldn't mean much by itself. But on the other way, the original anime, "Kenpuu Denki Berserk", which was 25 episodes long, had much more room to show details and establish a more complex setting and provide the viewers with full "Berserk" experience.

Also, the "Golden Age" arc is not the beginning of "Berserk" manga. Mange starts with current Guts (I will avoid spoilers) and his fight against Apostles, and then he has a long flashback to his past - which is actually the "Golden Age" arc. Original anime follows this principle so it is more successful in hooking new fans. These movies concentrate solely on the "Golden Age" which, in my opinion, is poorer choice. Because, if they have any attention to continue the plot with new movies (and I read rumors that they do plan so), they will be forced to skip this part.

One of the most notable aspects of this anime is the very extensive use of CGI animation. While I don't like it myself, some people do - but I think that most will agree it was done not so good here. It just doesn't look natural. It has some advantages, like that architecture is very detailed and realistic, but moving people are just bad and too generic.

The anime stays true to violent nature of "Berserk", which means that there is a lot (really, a lot) of blood, nudity, sex, violence. When I saw the animation, I though they will "adapt" the show to wider audience; but they didn't and I appreciate that.

I don't remember the music from the original anime, but here is very good.

The final verdict? Even though I liked this new adaptation of "Berserk", I would not really recommend it. For those unfamiliar to the series, I would direct them to the original anime "Kenpuu Denki Berserk", which captures the feeling and experience of manga much better - this version is inferior in this respect. The movies are not bad, but I would really recommend the only to those who haven't watched or read "Berserk" for long time and just want a quick reminder. To everybody else, go watch the original.

Anime review: "Bakuman", third season

Few days ago I finished watching third and last season of "Bakuman", adapted from manga about drawing manga.

This season continues "Bakuman" plot where it left in previous season. Mashiro and Takagi have finally made a manga they are satisfied with (PCP - Perfect Crime Party) and they struggle to make it better not to lose their place in Shounen Jack. They have not lost their dream of getting an anime adaptation, so Mashiro can marry his love Miho (a condition set in middle school). Takagi is supported by his wife Kaya (also met in middle school), while two of them compete against other manga-artist present in Shounen Jack, most of them familiar from previous seasons, but with some additions.

This season if a bit different from previous two (if I remember correctly) by being more episodic - there are several arcs that are almost independent between them (especially Nanaime's). But by and large, there are no much changes from first and second seasons, so if you are a fan of "Bakuman", you will be more that satisfied with it.

I cannot be sure because I haven't read manga, but it feels a bit rushed in places, like they had to squeeze too much material in it. But at least the pace is good and there is no dragging... Ending is as expected, but very solid. And I like how it is clearly showed that Mashiro and Takagi won't lose their motivation, even though they fulfilled their dreams. It is interesting how the author succeeded in having an shounen battle-anime feel when the story couldn't be less apart from such.

Characters stay the best part of "Bakuman". As I said, there are no many new additions, but we got to know older ones much more, and there are some changes in their relationships. Niizuma, who is on one hand very funny, improbable and exaggerated character, is shown to be very dedicated and consistent. I like how Hiramaru gets more serious, even though he is still hilarious - and Joshida makes him a great pairing. Also, we got a bit of romance, spread throughout the anime. Rest of the characters are also solid (Fukuda, Aoki, etc.).

It was very nice to see some modern mobile phones, and android references, too. But that can be expected since this anime was finished a year ago and is set in present.

The worst part of "Bakuman" is really bad and old-looking style of characters and drawings. Thankfully, this is character- and story-driven anime, so it doesn't matter much. Interesting how we have very poor art, but it becomes good (or at least more detailed) when it comes to manga they are drawing. Voice acting and music is solid, but nothing to praise much. There are 25 episodes in total.

In short, "Bakuman" continues with style and spirit of previous seasons, so if you liked it before, you will like it here also. I would recommend this series to everybody who likes otaku-stuff and daily-life anime, and fans of "Genshiken".

Anime review: "Hyouka"

Few weeks ago AnimeReactor Community Awards were finally out. Most of the anime I watch I find and pick by myself, but I always check this yearly selection in case I miss some (I usually do). For last year, "Hyouka" won in three categories: Character Development, Male Lead and Slice-of-Life. I noticed "Hyouka" before, but I looked like a typical school comedy, probably based on some dating-sim or video-game, so I decided to skip it. But winning three categories made me change my mind, especially in these few weeks without any expected anime out.

"Hyouka" had a pretty uninformative and general description. Oreki Hotarou has just entered high-school. He is almost typical boy, except for his philosophy - he is an "energy-saving boy" and his motto is: "If I don't have to do something, I won't, but if I have to, I'll do it quickly.". Meaning, he avoid any unnecessary effort and obligation, even though he is not lazy. According to his life-style, he would avoid joining any high-school clubs, because it would ask for additional effort, but he is forced by his older sister to join Classic Literature Club. There he meets Chitanda Eru, also from his year, who is a very curious and dynamic girl - his complete opposite. Later they are joined by Fukube Satoshi, Oreki's best-friend, and Ibara Mayaka, a friend from their junior-high school.

Plot of "Hyouka" stems from Chitanda's curiosity (her phrase is "I can't stop thinking about it") and Oreki's uncanny ability to connect seemingly uncorrelated facts into a theory or explanation. It turns out that Oreki is a natural born detective - when he can be coerced to leave his usual low-energy state. There is no overall plot in this anime, only a bunch of standalone episodes and three mini-arcs made of two or three episode. At the beginning, I was wondering why this anime got an award in Slice-of-Life category when it was clearly a detective anime, but toward end focus shifts more to characters and their daily life than to plot.

Also, a word of advice. This anime has a pretty slow introduction, so give it some time to really start. It you like it when it reaches Seikitani Jun arc, things go only better from that point on.

From my description, you probably understand that I liked this anime, although it doesn't sound like anything extraordinary. And this is true, this anime is not extraordinary - but it is very, very good in every aspect. There is no big story here, but each episode and few arcs are very interesting, even if you don't like detective stories (I don't, really). Characters don't stand out, especially at the beginning, but they grow more complex and life-like whole time during this show. Animation and design also don't look anything special at first glance, but as you watch it, you will realize that a major effort is put in details and that everything fits right. There is also some romance, some comedy and much of light humor. Looking back now, this anime is like normalized (in sense that both high and low extremes are flatted out) "Haruhi Suzumiya" show. And I think that fans of it will also like "Hyouka". Despite slow and unimpressive start, this show ends as one really good anime.

The show doesn't have many characters. Except four main, there are only some recurring supporting characters, but they are all made good. Again, I stress that this anime really deservedly won first place in Character Development category (as both jury and community pick). This is most evident in Oreki, who quite grows in self-confidence and gradually changes his life-style.

There are some unexpected quirks in this anime. First, you rarely see a minor getting drunk in anime (even when it is accidentally). Secondly, it is not common that boy is attracted to girl only psychically (at least at first), except in ecchi anime. It usually involves unrealistic romance (e.g. Harima and Tenma from "School Rumble").

The show has 22 episodes, and there is one OVA which is actually a normal standalone episode. As I said, visually anime doesn't look much, but quality is actually pretty high and it stays that way whole time. There is really much care put into details: clothes, furniture, surroundings... It is obvious that anime had pretty good production.

All in all, even not extraordinary, "Hyouka" is quietly great anime and I would recommend it to anybody who doesn't require action from anime their watch. It is interesting, sometimes mysterious, lively and fun all the way.

Anime review: "Hyouge Mono"

I don't really remember how or when it started, but I know that I have been eagerly waiting for this show to be subbed for months, maybe even more than a year. I always had a liking for historical-based items (be it books, movies or anime) and "Hyouge Mono" looked like one. On the other hand, I had some similar expectations from "Sengoku Basara" (which disappointed me very, very much) and even more so from "Souten Kouro" (which took a completely different direction than I expected). But "Hyouge Mono" fitted those expectations perfectly: a complex and deeply historical anime with a bunch of characters and realistic details.

"Hyouge Mono" is set on the eve of Sengoku period in Japan, starting somewhere in last years of rule of Oda Nobunaga. In the anime we follow the important events in Japan's history for next ten years, including the wars, politics and cultural life. This is seen primary from the eyes of Furuta Sasuke, who starts as a lowly vassal to Oda Nobunaga. What differentiates Furuta from bunch of other warriors and vassals is that he is actually more of an aesthete than a warrior. But to enjoy life of an aesthete, one needs to have money. Luckily for him, aesthetes, especially those interested in the way of tea, are on the rise in this time...

Sengoku period is a very turbulent time for Japan, a time of constant warring before final unification of Japan. Of course, such times gave rise to many popular warriors and leaders, like Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu (to name the most prominent). And as such, it is a ripe pool of ideas for anime.

There are several obvious and important aspects that make this anime different from your usual one. First one is that Furuta is in no way the main character - the show doesn't actually have one. Furuta is only the means through which we follow the events, plot and other characters. He is not even an important man, especially at the beginning of the show, and he has to bend toward the will of others. In the end, he is just a conveniently placed close to important people with small influence on the events. This is a somewhat common occurrence in books (let's only mention Guy Gavriel Kay, who use it all the time), but I don't remember seeing it in anime much (maybe in few josei anime). Actually, there is even less focus of Furuta in later parts of anime.

Secondly, it cannot be said that this anime has a plot in classical sense. We are suddenly immersed in an ongoing world full of events, we follow it for some time (10 years and 39 episodes) and then we leave it without the feel on conclusion you have when some show is finished. At one time, somewhere around 25th episode, I have made a note "totally don't know where the plot is going", because I expected first part to be the introduction and second the real revelation of the story, but I was wrong.

And third, the biggest difference is the level of historical accuracy and details. In my 200+ anime that I have watched, I don't remember ever watching such anime. I can't say that I am a student of Japanese history, since most that I know about it came from common knowledge, anime, Wikipedia and articles on Internet and magazines. There is even a warning at the start of every episode that this is a work of fiction. But on the other hand, every character, important event and even things and concepts can be found on Wikipedia or other online encyclopedia. Yes, a lots of events, or better said, reasons behind events are made more dramatic or romantic (not in sense of love), but nevertheless, the amount of accurate historical details is astounding. Interesting, characters even speak with slightly archaic speech, and subtitles that I had reflected that.

Of course, the theme of anime is strange also: the Japanese tea ceremony. I never encountered this before, and I thought it to be completely fabricated. I was very surprised when I went to Wikipedia and found out that it isn't. This gives the anime a somewhat slow and serious, but at the same time funny aspect. Furuta's tea-obsession looks ridiculous from our perspective, but I see it was a serious business at the time. There is a lot of details about tea ceremonies and talk about elegance and aesthetics. If there is a message that this anime wants to convey, then it is something like: "Always do your best in everything, but never fret about it - be elegant and relaxed". This is evident for Furuta's character that is, as I said, obsessed, pretentious and overeager to become famous as aesthete, even contrary to his sincere liking of the way of tea. Later he grows much and becomes more relaxed and enjoys the tea and beauty for itself.

This brings us to another topic: characters. There is really a bunch of them and it takes time to become familiar with them (especially since lot of them change - this is war, after all). It helps if you are familiar with the Sengoku period. They change appearance, clothes, hairstyles. But more important, they really change during the anime. Furuta, Rikyu, Hashiba - at the end, they are very different people from those who they were when we met them. I even like them more in the second part of the show, when they are more mature and relaxed...

Even though "Hyouge Mono" is a serious and historical anime, there is really a lot of humor. A lots of it steam from Furuta's obsession for art pieces, and the faces he makes (I was delightful to see that Troll-face in episode 16, during the shrimp-mongering dance). Also, it is funny when someone pricks his bubble of self-importance. But it is interesting that there is some humor that is not intended toward viewer (so that we laugh at characters), but it is more the humor between the characters so the viewer can laugh with them (like when Furuta steals the tea-jar lid). On the other hand, it is easily to forget that this funny little man is actually a warrior and veteran but we are reminded of that on few occasions.

The ending was really something. It was a slow rise during few episodes to a glorious culmination - a powerful and emotional ending. It was delighted to see that mange that anime is based upon is still ongoing - which means I can hope for eventual sequel.

I was a bit disappointed by Date Masamune's appearance and mannerism, who looks like he escaped from "Sengoku Basara". On the other hand, he was very funny, and in the end did fit with the rest of characters.

Animation and colors in nothing over the top, but it is very good. Design of characters and care for details (I mention clothes and hairstyles) are on the other hand superb. As is the voice-acting.

It's been a long time since I gave some anime 10 on AniDB (I gave them all around when I was younger), but "Hyouge Mono" definitely deserves it: complex and detailed, historically based with realistic characters, no good guys, no main character, almost a slice-of-life in turbulent times - this really an unique seinen anime. Unfortunately, I don't think it will be deservedly appreciated because it will be too hard for majority of viewers. But if you consider yourself a fan of seinen or historical anime, give this a try.

Book review: "The Half-Made World" by Felix Gilman

As can be seen on this blog, I am mostly dedicated to fantasy series, the longer the better. But I've been tried to broaden my horizon, so I occasionally buy some stand-alone novel, or even SF or something borderline. I first noticed "The Half-Made World" by Felix Gilman on Tor.com, the main fantasy and SF blog that I follow. It sounded interesting, so I put it on my wishlist and bought it few months ago, but read it only last week. My idea about it was as some blend between steam-punk and western.

"The Half-Made World" is set in a very interesting setting. In history and technology level it is akin to 19th century America, but geographically is very different. The East ("the Old East", I think it is referenced somewhere) is more similar to England: a land of peaceful prosperity, colleges and law. The West, divided from East by a large mounting range, has been "discovered" few centuries ago. Before, it was "uncreated" land, a chaos. Now the line of creation is traveling further west, so land between is being settled. It is full of small towns and coalitions, except the two major forces. The Line is ruled by Engines, strong "spirits" embodied in train-like machines, that rule its vast land and people as a perfect machine or bureaucracy: every part of it is replaceable and only a number on paper. The Gun is its complete opposite. It is also ruled by spirits, but these are wild spirits than possess a body of a gun. These guns are carried by the Agents of the Gun, and they give them superhuman abilities like vision in dark, superb sense of smell, great strength, endurance, and healing abilities. But there is a catch - Gun can force Agent to do his will, and since most of the Agents are individualist (meaning criminals, gamblers and other shady men and women), inevitably there comes a conflict between the Agent and Gun that rides him. Usual Agent's activities are kidnapping  blackmail and often murdering of innocent people (not mentioning killing the Linesmen), this chafes to even hardened criminal sooner or later. Just for a record, the Line and the Gun has been in state of constant war almost since Founding of first colonies in West.

In such world, we follow three main characters. Liv, or formally Dr. Lysvet Alverhuysen, is a professor on celebrated Koenigswald Academy in East, after recent death of her (much older) husband, embarks on a journey to West, to work in the House of Dolorous, a mental hospital for victims of war in West. John Creedmore is aged agent of the Gun, inactive for few years, spending his time with gambling and seducing young women (his specialty). Lowry, a relatively high-positioned member on army of the Line (meaning he is placed on top floor, in a small room with no windows - no distraction for his important work) is an ambitious Linesman (which he has to hide, because the system don't allow ambition), almost fanatical in his fight against the Gun. Creedmore and and Lowry are tasked with the same mission: to retrieve the supposedly death General Enver, founder of the Red Republic, the only entity that ever had some success in resisting both the Gun and the Line, who possibly has the weapon capable of destroying both the Line and the Gun. His current occupation and location: a patient in the House of Dolorous.

The book has a very interesting start and you are immediately drawn into its setting. At first, I was reminded to Susanna Clarke's "Jonathan Strange & Mr. Norrell", because of initial Liv's POV, but later I realized it is much more similar to China Miéville's New Crobuzon setting. Far from being its plagiarism, but it has the same feel. It is needless to say that I got hooked up after first three chapters.

Gilman makes his main characters also very interesting. You first feel for them, but as you read you start realizing that they are far from perfect. Lowry is conformist and fanatic, Liv is too-innocent and too above-all (pretentious even), while Creedmore is nice, but actually without conscience. Also, I was very surprised with death of one of the characters toward end of the book.

There is one part of setting that I forgot to mention in introduction: the Hillfolk. They are people of the unmade world, something like very thin Neanderthals. They are enslaved by people in West who use them for menial work. I found the part when Creedmore meets one of their shamans very interesting. For several reasons (connection with the dessert, the river, the old history), they reminded me much on Steven Erikson and his Eres'al.

The plot is interesting, but in some parts it is a bit predictable. For example, I found their first journey into unmade lands exactly as I expected. But in general, the book is interesting and I hope to learn more of its setting and character. Which I will be able, since there is sort of sequel, "The Rise of Ransom City".

All in all, "The Half-Made World" was a very interesting and exciting read. It was nice plot, very good characters and really excellent and original setting. I would recommend it to anybody, but especially to fans of China Miéville.