Book review: "The Scar" by China Miéville

Few months after finishing "Perdido Street Station", I tried the next book set in the same setting, "The Scar". I was wondering will Miéville be able to pull it again.

"The Scar" is, as "Perdido Street Station", set in setting of Bas-Lag, but this time we are far from New Crobuzon. In the book we follow a New Crobuzon refuge Bellis Coldwine. After some problems back at home (connected to Isaac Dan der Grimnebulin and the events in PSS), she is running away, traveling by ship, with destination of New Esperium, a colony established by New Crobuzon. But during the voyage, her ship is taken by mysterious Armada, a floating city made of connected ships, whose existence was kept a secret for more than a thousand years. Struggling to find some way to escape, she is dragged into experiment whose goal is to summon an avanc, a gigantic otherworldly being. But as things go further, she realizes that the avanc in only a first step in plan made my one of Armada's rulers, the Lovers.

So, we are back to Miéville's imagination. I must admit that he did very well - he managed to expand the setting of PSS, introduce a bunch of new elements, one more bizarre than another, and without being inconsistent. As before, I noticed again a wink at "The Dying Earth", with seawyrms used for pulling and some other examples. Maybe I'm wrong, but "Perdido Street Station" felt much more technologically advanced than the "The Scar" - even though they have analytical engines and guns here, but too much swords, pistols and muskets. But I presume that Miéville wanted to go this book more piratical feel, which he certainly did. This pseudo-science he writes about is very interesting. Although , some of his descriptions are a bit too grotesque and too-much-information, especially about the Remade.

PSS was also full of implied places and organizations, but here, the setting feels much more expanded through time and space: The Gengris, High Cromlech, The Ghosthead Empire, The Malarial Queendom... Even the names are great.

The main character is Bellis Coldwine, but she is more an observer that doer. Oh, she does some important deeds, but she is mostly manipulated into doing them: by Sillas Fenec and by Uther Doul. I liked how all our misconceptions about the both of them were broken till the end of the book. The second main character was Tanner Sack. Even though he was well written and his sections were interesting, I just didn't felt any respect for him - he started and ended as victim.

The plot was very good but not as strange as were the setting and the characters. It had enough small surprises to feel interested the whole way, but neither is this the book written for the plot. Then ending will some consider a cheating, but I kind of liked it: it is one of those uncertain endings with ability to modify the whole book, depending on will you believe it or not.

As I hoped, "The Scar" ended being a similar book to "Perdido Street Station" in style, but with completely new elements that enabled it to feel fresh and original. I would recommend it to anybody who liked "Perdido Street Station".

Book review: "Perdido Street Station" by China Miéville

I have finished reading China Miéville's "Perdido Street Station" almost two weeks ago, but I had so hectic last two week that I didn't have time to blog about it. I actually read this book a long time ago once, borrowing from the library. I had a notion that I remember this book quite well so I was reluctant to buy it, but I wanted to reread it before going to next two books ("The Scar" and "Iron Council"). So I decided to buy it after all - and ended quite surprised how much actually I have forgotten!

(for great fan-art, Google images for "Perdido Street Station")

"Perdido Street Station" is one of those books that are really hard to describe, especially their plot. Whatever I write, I will miss the point. But here is a try... "Perdido Street Station" tells a story set in very imaginative setting, the City of New Crobuzon, which includes magic, alchemy, science, science fiction, insect races, magical races, demons, spider-gods, cyborgs, artificial intelligence, flying people, oppression, horror, religion and education, among a bunch of other things. In the midst of it is Isaac, a underground scientist who, working on another project, happens to free a strange breed of gigantic moths that feed on people's conscience. Moths start to terrorize the whole City and Isaac becomes target to both the totalitarian regime the rules the City and by a drug-lord that was making money by moths, which forces him to try to catch the moths on his own...

I haven't read much books by Chine Miéville (only this one and "The City and The City"), but even I know that he is famous by his imaginativeness. And this is quite obvious here, especially in the first part. First part of the book especially, but also the book in whole is written in "look at my beautiful garden" form (I borrowed this from Jo Walton and her review of "Aristoi"), where Miéville plays and shows off his imagination. But this is a good thing because he builds a great setting - the list I mention in previous paragraph is only a part of it, notions I could describe in one word. He sometimes goes quite deep in details, like with descriptions of khepri's society, or with the handlingers. But here is also the problem of this book. Even to me, who like this kind of stuff, this wild and weird setting managed to become too tiresome on occasions. Imagination is good, but there has to be some boundaries. Luckily, this happened only few times while reading the book, so it can be forgiven.

It would take too much time to mention all great ides Miéville shows, but I have to note the Weaver and the daemons. I am really curious what more can he think of in the next two books with same setting to keep this level of freshness...

As with the setting, there is a bunch of characters in the book, but only two of them can be said to be main characters. Isaac is one, of course. He is an eccentric, a genius dropping out of college, hanging out with artist and working for the criminals. On the other hand, he is fat, clumsy, and not really someone you could look upon to. This is what makes him such a lovable and aspiring main characters. The other one is Yagharek. We don't get much from him, and I don't want to reveal spoilers, but those short intrusions with his POVs were really impressing. Miéville succeeded in giving him a very powerful voice, for all his tacitness. As I said, there is bunch of other characters, but with the exception of maybe Lin and Derkhan, they are not too important. But you can be sure that they are written in detail and flamboyant as the rest of this book.

His writing is very good. Although he can become tedious with the details, it can be forgiven. The book is violent, dark and graphic. And after finishing it, I realized that it is maybe a bit too depressing, with no happy end too much pain. Also, the book has a lot of morally questionable or rightly unfair decisions. A big example is with the sick old man in the end. The government, who is in the beginning described as comically evil, turns out to be the real villain.

Another thing I wanted to mention is my surprise with how much of this book I have forgot. When I started reading it, I had a misconception that I know it from the beginning to end, especially the plot. First I was surprised by the quantity of details I really had no recollection about. But the real surprise came when I finished two thirds of the book and realized that I have no idea how the book ends! The moth-hunting, I had no idea about it. I felt like I was reading a different version of the book, with the same beginning but a different ending. And to thing how much pride I put on my memory...

So, if you like weird books, a lot of details and imagination large as an ocean, "Perdido Street Station" is a book for you. You can think about China Miéville as a dark and gritty version of Terry Prachet, having fun on the tropes. Not a book I would recommend to exclusive fans of classical fantasy a la Tolkien.

Book of review: "God of Clocks" by Alan Campbell

This weekend I finished "God of Clocks" by Allan Campbell, the last book in his "Deepgate Codex" trilogy. I really liked his first book, "Scar Night" and found it very gritty and full of epic action. The second one, "Iron Angel" took the series to an unexpected expansion, making it very different from the first one, but I liked it very much also. So I had some expectation from this last one.

In last book, things weren't going were well for our main heroes (although this is maybe a wrong word). Even though they managed to save Dill from Hell's King Menoa, Menoa had used them to deliver twelve unstoppable arconites to the world of living. To thwart him, they devise a desperate plan: former Spine assassin Rachel Heal, thaumaturgist Mina Green, god places in glass body Hasp will lead arconite Dill to the God of Time Sabor, where they will attack the Heaven in hope that this will anger Ayen, mother of all creation, enough that she will destroy all arconites. At the same time, the god Cospinol and his servant John Archer, with former Mesmerist Alice Harper serving as they guide, will try to make a distraction and attack Menoa's stronghold in Hell...

At first, I had some trouble adapting to "God of Clocks" because I forgot a lot what happened at the end of its prequel, "Iron Angel". But I overcome this fast, especially because this book feel almost like a continuation of the last part of "Iron Angel": the Pandermia, the Mesmerists, Hell, arconites, war between gods... Of course, it is hard to add new elements in last book of series, but after a tremendous change between "Scar Night" and its sequel, I expected some surprise.

There are two big flaws in this book in my opinion. First is the constant action. From the page one till the end, you don't get any rest. It's action, action, action. I know that this sound strange, because action equals interesting. But you don't get any time to absorb what is happening and you are just constantly jumping from one scene to another, without really getting an attachment to plot and characters. It all leaves you tired from reading.

I admit that plot is interesting and really unpredictable, but here is the second, more important flaw: the ending. This book looks like Campbell wrote half of it and then decided that he doesn't feel like writing it any more. But since he was obligate to finish it, he wrote up the plot-line that gives ending, rearanged chapter and left everything else at cliffhanger. Sure, book had an ending, even a satisfactory one, but there is just too much question left unanswered. Too much...

Campbell's characters in last two books were superb. Here they retain most of their quality, the old ones. Several new characters are good, although not exceptional. But again, the abrupt ending leaves both heir history and future unresolved and unfinished. The bright point was reappearance of Carnival as a character, but even though she got some pages, they can be compressed to few words: anger, violence, unbending. This would be all right I she got some resolution at the end, but that nonsensical two pages just don't cut it.

All in all, "God of Clocks" was a big disappointment for me. It had a big potential, with really unique setting, great characters and very gritty and dark atmosphere. But sudden ending ruined the experience for me. Not sure if I would recommend this book even the fans of the series.

Anime review: "Nazo no Kanojo X"

I regularly (once a month or so) browse AniDB calendar to see prospective candidates for watching and add them to my wishlist. So when I need to pick some anime, I go to my wishlist, filter it to show only finished series and then choose one that looks the best. AniDB allows choosing a priority for watching, red, yellow and green, so I usually first add them as yellow and later upgrade or downgrade them depending on rates and reviews. Such was the case with "Nazo no Kanojo X" (or "Mysterious Girlfriend X"). I first added it, and them my interest started dropping when I saw the ugly front-cover picture and bad rates. But somehow reading the short reviews on its AniDB page persuaded me to give it a chance, since there wasn't any other series I was really interested in.

"Nazo no Kanojo X" starts... Well, both usually and strange. Main character is Tsubaki Akira, a normal second-year high-school boy. He is quite ordinary, without girlfriend, although he would like to have one. At the beginning of the second year, a new transfer student is introduced, Urabe Mikoto, and is placed on seat next to Tsubaki. He initially tries to be friendly to the new girl, but she turns out to be a strange and quiet loner, ignoring Tsubaki and literally everybody else in class, spending all free time sleeping at her seat. After the first shock, Tsubaki gets used to this and she just melts to the background of class. Until one day! Returning suddenly one day to the classroom, Tsubaki finds her sleeping later, and after waking her up, she notices a pool of drool left on her table. Tsubaki, being a horny teenage boy, disturbed by noticing how pretty actually Urabe is, decides to lick her drool. He feels shocked and ashamed by his behavior, but forgets about it soon. Next day he has a strange dream about her, and few days later he gets a fever and has to stay at home. He is surprised when Urabe visits him after school, uncovers his licking of her drool, and tells him that from now on he is addicted to her drool and that they now share a bond....

Well, this is not the strangest premise of romance anime I have ever heard. Just going through my list on AniDB ("Bakuman", "Itazura na Kiss", "Kareshi Kanojo no Jijou", "NHK ni Youkoso!"... And I will not even start with those based on dating-sims) reveals Japanese fondness of bizarre reasons for coupling two persons, but "Nazo no Kanojo X" definitely has one of the more nauseating - drool. But if you are not very squeamish, don't be thwarted by this seemingly disgusting premise, because "Nazo no Kanojo X" is one of better anime I have watched this year and is definitely underrated. Although this sounds like a recipe for ecchi anime, it is not: this is a seinen romantic comedy. There is some fan-service (panties shots, boing-boing), but nothing over the top; girls are sometimes shown naked, but their bodies are without features, only silhouettes. I just realized that this anime is very similar to "Nisemonogatari": even though there is a lot (and in "Nisemonogatari", a really lot) of sexual innuendo, this is not a primary point of this anime. If you are watching either of this anime for fan-service or arousal, you are completely missing their points. There is also a noticeable supernatural streak in here, although it is taken for granted. Any yes, the show justifies its name ("Mysterious Girlfriend"), because there is a lot to reveal yet about Urabe.

"Nazo no Kanojo" is definitely a seinen anime. Although there is a lot of blushing, nosebleeds, and drooling, as you could expect from anime romance comedy, it is the characters that make this a real seinen anime. By this I mean that they are not one-dimensional and perfect: they are bizarre, but they are also realistic. I know that this sounds like two opposites, but if you are a fan of anime, you know what I mean. For example, Harima from "School Rumble" if unrealistic idiot (I don't mean this derisive, he is one of my favorite character ever); Tsubaki on the other hand is quite realistic idiot. He is a naive/innocent/goffy like a teenage boy that he actually is. Urabe, who is on one side completely bizarre character, on the other hand is reasonable and multifaceted character, which is able to recognize the flaws in others and her, but she is also able to accept them as part of people. Tsubaki is the main character and we see the story mostly from his POV and hear his thoughts, but there is lots of Urabe POV's and inner observations. Both of them are strangely shy. Except them, there is only few other characters in series and they are the usual one-dimensional (but funny) anime characters.

Jokes in the anime are good, and they are not of laugh-out-loud type and more focus is put one romance than comedy. And of course, all is all mixed with this strange topic of sharing drool (and not by kissing).

At the beginning, I was almost put off be "old-school" design of characters, something that I connect with older anime like "Akira" or "Golden Boy", but I soon get used to it. "Nazo no Kanojo X" actually has a pretty good animation, design of characters and vivid colors, which is especially seen in Tsubaki's dreams, which are very imaginative and impressive. The show has pretty good sounds and background music. Two other things I appreciate: people wear different clothes and even though at first it looks like Tsubaki lives alone with his sister, it is later shown that this is not true. There are 13 episodes in series and there is an additional OVA, which is actually a regular episode. Manga is still on-going and I hope that there will be a second season some time in future.

In conclusion, "Nazo no Kanojo X" is definitely an underrated anime, but I can understand this because it belongs to not the most popular category and has an off-putting element. But if you are into more serious romance comedy (like "Lovely Complex" or "Bakemonogatari") and are not particularly nauseous, I would recommend not to skip this anime.

Anime review: "Moyashimon"

As I already said, I think this is a poor anime year. I am not really sure how I found this anime, since it is from 2007 and it doesn't have some great rating, but as I didn't have anything else to watch, I decided to give it a try.

"Moyashimon" is based on interesting idea, and when you read its short description on AniDB, you can get a completely wrong idea about it. Nominally, the story is about a boy named Sawaki who can actually see microbes: not as they look when you look at them with microscope, but as a kind cute little "monsters" who communicate with him. He is just entering Agricultural college with his childhood Kei, and both of them are conscripted by famous (but little wacky) professor Itsuki and his attractive assistant Hasegawa, to help them in their research.

Well, although all this has its place in this anime, at the same time this is a slapstick comedy about college life, sake and growing up, including a lot of sexual innuendo and fan-service moments. There is even few episodes where microbe don't even appear (The Spring Festival). Every episode starts with the recap of the previous one, there is normal OP and ED, and at the end there is a short educational movie about bacteria, so the real action last even less than in normal anime. You are right to ask how all this stuff fits in 11 short episodes. The answer is that it doesn't! The anime doesn't really have an ending and all this feels more like an introduction than a real season. Considering that there is a second season of anime and that manga is still ongoing, this is maybe even true. Another problem is the non-existing over-all plot; there is few threads started, but they are strangely left unfinished and unexplained.

On the other hand, anime is full of good jokes and interesting characters. Well, humor is actually pretty individual thing: if you find "being picked as the lucky student to perform cow's ovaries examination" funny, you could like this anime. As I said, there is lot of sexual jokes, but nothing really crass. Characters are one-dimensional and unreal, but they work well together. "Moyashimon" has a strong educational streak about microbes, which you either like or hate.

One of the weaker points of this anime is the design of characters. Few of them are designed purely slapstick, but even those who are drawn "real" are very unimaginative and... Ugly is a bit too strong word, but non-pretty. Colors are also pretty bland, which is a big negative point for me. On the other hand, a big positive point is that people change clothes regularly. I really can't say anything, being positive or negative, about the sound and music.

All in all, "Moyashimon" is good anime, with some interesting setting and good jokes, definitely is not a hit series, owing to its lack of proper story or direction. Even if you find this interesting, I would recommend looking for a review of second season before starting with the first one.

Manga review: "School Rumble"

After some two weeks of reading, I have finished with "School Rumble" manga. I have watched the anime adaptation several years ago - it was one of the first anime I watched, and I still consider it as one of my favorite anime. This actually applies for the first two seasons - third one was composed of two episodes and left a bad aftertaste. So I had some great expectations from this manga, but at the same time I was dreading it would leave prove my memories false and diminish my experience of "School Rumble".

I can't say that "School Rumble" has any real plot. It is a love-polygon slapstick comedy following member of one class during their second high-school year. Two main characters are Tsukamoto Tenma and Harima Kenji: Tenma is a childish, clueless and not so good looking girl, while Harima is notorious and one of the toughest delinquents around - and he is hopelessly in love in Tenma. But Tenma herself is in love with Karasuma, a strange and expressionless boy from their class. He lead us to the second level of main-characters, which include him, Suou (one of three Tenma's best friend, beautiful and popular), Sawachika (another of Tenma's best friends, half-Japanese, blonde and also beautiful), Takano (yet another of Tenma's best friends, capable and elegant), Hanai (class leader, all proper and strict, but altogether a good guy) and Yakumo (Tenma's younger sister, one of the most popular girls in school, shy and capable). I won't list more characters because I would need several pages to mention all few dozen of recurring characters...

Main topic of the first several volumes are Harima's efforts while he try to express his love to Tenmna, while Tenma tries the same to Karasuma. Later focus changes more to the Tenma's misunderstanding (and she is full of those) where she belives Harima in love with Suou, Sawachika, Yakumo, Itoko (their teacher but at the same time Harima's cousin), Tae (a girl Harima meet during one of his frequent giving ups of life). All, all this is crisscrossed with love-problems of other girls (which may or may not include Harima) and other characters, and with short gags. Structure of the manga is such that every now and then there is a longer arc which describe a typical event like trip to beach (where Sawachika will see Harima naked), school sport festival (where Sawachika and Harima will save the reputation of their class), school culture festival (where Harima will be found in bed with Yakumo) and so on....

As for characters, there is really bunch of them. Since this is a shounen slapstick comedy, one cannot expect any real depth and complexity of them, but you can expect much hilarity. They usually have few distinctive characteristics that are used to draw laughter: Imadori like breast and Dojibiron (something like Power Rangers); Hanai is proper but can be challenged to extreme actions; Tougo is all extreme, Sawachika is a typical rich Princess, but has a surprising gentle side, and so on.

Appeal of "School Rumble" is coming from play between rooting that a guy finally gets a girl and rooting against him because you know that it's funny and if he ever catches it, then everything is over. The trick is in doing this but keep the originality and not irritating the reader - and it can't be said that "School Rumble" always succeeds in this. There are irritating parts (for me, most of the Tenma-Karasuma thing was irritating), but I liked most of it. I didn't like "trip to England" arc and found it really not funny. Also, I kept hoping for a different ending - I would be more satisfied if mange ended one or few chapters earlier. There are lots of slapstick jokes, misunderstandings, puns - I would usually snort at least once during the better chapters. And Harima can always cause an outright laugh ("Miko-chan...").

The art in manga is not really impressive, and the color covers were especially poor. But for such manga where its strength is in gags and dialog this is not so important. Dialog is often nonsensical and plot inconsistent, but they are hilarious. I had few occasions that I really couldn't follow the plot, like there were pages missing, but they are not often. Also, I noticed few differences from anime: like missing the explanation why Harima is in love with Tenma, although there is one in anime.

I really liked "School Rumble" mange and had a very good time with it. But all in all, I wouldn't recommend it - I would recommend the anime adaptation, and only first two seasons ("School Rumble" and "School Rumble: Nii Gakki"). Anime perfectly filters only the best parts of mange (the most it), it has a better art and it gives characters voices. But if you have watched anime and now are wondering what mange is like - it is good.

Book review: "The First Collected Tales of Bauchelain and Korbal Broach" by Steven Erikson

I have recently bought a collection of short novels by Steven Erikson, set in Malazan World and featuring Bauchelain and Korbal Broach, two minor comedic characters from "Memories of Ice", and their even funnier manservant Emancipor Reese (aka Mancy the Luckless). Truth to be said, I expected them to be a bit lengthier; it is less than 400 pages long.

Stories from "The First Collected Tales of Bauchelain and Korbal Broach" are not intended for everybody - it is clear that Erikson wrote them for fans of his books. He usually isn't one to give clear explanations and introductions to his settings, but this is even more pronounced here and it is especially true for first story. I presume that second two could be read by anybody, but a good portion of jokes and references would be lost on those who never read main Malazan books. This collection is intended for fans who can understand the humor of accidental vomiting in a bowl of worms and excusing it as an offering for Drek.

First story, "Blood Follows", is what I expected of it. It describes Emancipor's first encounter with Bauchelain and Korbal Broach (I don't know why, but he is always referred as Korbal Broach, never only Korbal or Broach) and it takes place in town of Lamentable Moll. He has just lost another employer (another on a long list of dead ex-employers, thus Mancy the Luckless) and after getting drunk in his honor, he goes to apply to mysterious job-offer. At the same time, Lamentable Moll is in panic because of line of gruesome murders where victims lost a part of their bodies. Sergeant Guld, a famous investigator, is feeling he has come to edge in his search for perpetrator...

Second one, "The Lees of Laughter's End", is similar in its dark tones to the first one, but very different in realization. It takes place exclusively on a ship: we have Bauchelain and Korbal Broach with Emancipor; young seer that talks with her dead mother; Captain that know nothing about shipping and relies completely on her First Mate; three ex-soldiers with one brain between them; stolen statues of unknown origin and power; ship's crew scared out of their skins. If this is not enough, ship is currently traveling over Red Road, where every kind of potential can get realized...

The last one, "The Healthy Dead", is typical for Erikson, and deals with the topic of rulers with good intentions. City of Quaint was a normal city few years ago: corrupt rulers, unhappy citizens, poor peasants. A normal kind of city. But the latest king has decided to makes his citizens more healthy, for their own good, regardless of their willingness. Bauchelain and Korbal Broach end up hired by the locals to put things back in order, but they will do it in their own, unexpected way...

One thing I like about Erikson is that he doesn't take sides. There are many examples of this when a character (or group of them) that has been depicted as evil, turns out to be a just a human, neither good nor evil. Good and evil are very relative terms in Erikson's books. But he did a truly marvelous thing here: he took two characters that would be deemed as evil from any other writer and wrote a book with them as main characters, without taking sides. Bauchelain and Korbal Broach here do some really evil things. I mean really evil: the missing ear scene is quite morbid, but the scene with Bloodwine is especially noteworthy; people get killed and mutilated in unexpected amounts. But not in one instance does he take opinions and try to judge. He does make fun scenes, but in every one we can find the suffering of victims. If his intention was to shock us and make us think about good and evil in people, he succeeded completely.

On the side of humor, he did his regular job, which means great. You will find here a regular collection of his extreme characters. As I said, you should me familiar with this setting to appreciate all the jokes. Action takes place somewhere on the continent of Korel, which is part of the world not much explored by Erikson. Only three main characters here are known from before, but you will find other ones familiar too, in style if not in substance.

His writing is typical: lots of dialogue, but also lots of monologue. I have been recently reading Raymond E. Feist's books, and it is marvelous how different these two are in their style. For Erikson is normal to read four or more pages where no one said anything and nothing happened but some characters discussing some metaphysical subject; with Feist, you will be surprised to find one such paragraph.

If I haven't been clear enough about it, this book is even more violent and bloody than Erikson usual, just that you know.

"The First Collected Tales of Bauchelain and Korbal Broach" is a great collection, but intended primary for fans; as such, I would advise it to any fan of Steven Erikson. Great fun to read, but also a thought-provoker.

Movie review: "Perfume: The Story of a Murderer"

It passed some 10 day since I watched this movie, so it's starting to get smudged in my memory. I planned to watch this movie for some time, although the reason is a bit unclear even to me. Few years ago I read a great book, "Jitterbug Perfume" by Tom Robbins. The book is fantasy-comedy-philosophy-etc mix that is very enjoyable and I would recommend it to all, especially those with great imagination. Anyway, I thought (or better to say, I hoped) that this movie has something to do with the book. It doesn't, but the movie is nevertheless worth a watch.

"Perfume: The Story of a Murderer" is a story about life of Jean-Baptiste Grenouille (played by to me unknown Ben Whishaw). At the beginning of the movie we are shown the preparations for his execution, with ragged masses of 18th century Paris screaming for his blood. Then we are flashbacked trough his life. He was born in unenviable circumstances. He lived first in orphanage and then was sold as worker in tannery. His prominent feature is his extraordinary and superior sense of smell. On the other hand, he lacks any moral or emphatic constraint and posses only basic animal instincts of survival. And his only wish if to explore new scents, whether considered good or bad. We will follow his life in this exploration and later in his search for mythical ultimate perfume (which include murder, as you can guess from the title).

First, this is very "realistic" movie. By this I mean it shows the dirty and ugly part of human life. And this life was quite ugly in 18th century. Rats, dirt, not washing, working in practical slavery, and so on. Secondly, this is very violent movie. Grenouille is not picky with means of attaining elements for his perfumes. And it looks like he carries a bad luck for anybody who associates with him. Thirdly, this is a very strange movie. Contrary to all this violence, sex and dirtiness, it is very peaceful and pastoral movie. Grenouille doesn't talk much and most of the explanations during the movie are given by narrator (voice of John Hurt). Fourthly: it is very funny movie. Grim and bizarre humor, but funny nevertheless.

We also have few stars in the movie. I recognized Alan Rickman, and now on IMDB, I found that Dustin Hoffman also has important role, although I didn't notice him. The acting is, of course, great.

"Perfume" looks to me like one of those movies you either love or hate. And I somehow think that for most people it will be the hate choice. But for those who like bizarre, history and are patient, I think this is a great movie.