Book review: "The Proof House" by K. J. Parker

After "The Belly of the Bow" I was dreading to read its sequel, "The Proof House". But K. J. Parker's writing is so good and he has more books in the same setting, so I just couldn't skip this one.

In "The Proof House" we again meet with Loredan family and their friends. Few years after the events at Scona, Baradas Loredan is currently a sapper in Empire's army, besieging the town of Ap' Escatoy, a siege that has taken some years. He more or less accidentally terminates the siege and becomes a hero of the Empire, which earns him a sinecure at the so-called Proof House - a factory for producing and testing armor. But this position won't last long, because Empire has decided to conquer the Plains, ruled by King Temrai, and who better to lead it than Temrai's old enemy, Baradas...

First, the setting gets another large expansion, with introduction of the Empire. It is a vast, continent spanning empire, where you need weeks to travel over it even by usage of fast carriages at Post Service. It is ruled by Sons of Heaven, tall and aesthetic people based on Arabs (partially). You can get best impression of Empire by the importance it puts on Perimadeia, Shastel, Scona and Island - it dismisses them completely. I read somewhere that Empire will take a much larger role in following books.

One of distinct features for this trilogy was scenes that deal with the Principle. I can't say exactly what, but they are different here than in last two books. More strange, and more abstract. And of course, the explanations actually confuse you more.

Story is typical for Parker, with lots of unexpected twists and side-stories. Temrai's plot is funny at the beginning, but you ask yourself for how long, because this is Parker after all... There are a lot military scenes and parts, which are done with a lot of details and expertise. Politics play a large part, especially with the Island sub-story.

There is no new characters in "The Proof House", except few unnamed Sons of Heaven and one Island trader, so you know what you can expect. They are really a piece of work. I don't want to reveal any spoilers, but you can expect bleak ending for most, or you could say all, characters... There is a place in the book where Iseutz does a great summation of the Loredan family. Baradas is really scary, which I didn't realize before.

But I presume that you are wondering about the feel of this book. After that surprise in "The Belly of the Bow", I was prepared for everything in "The Proof House". It is a very bleak book, mixing fun and revulsion between scenes. Casual storytelling of violence of war reminds me of Erikson, even though with more extreme examples. One important feature: battles are only lost, never won. This is not a sick book like middle one, but the ending... I don't know whether to laugh or cry...

I have to mention that Parker is a great writer - for first two chapters he is focused only on hear, taste, smell and touch - there is not one clue enabling you to visualize the scenes.

All in all, I am satisfied with "The Proof House". It is not for everyone's taste, with its violence and bleakness. But if you like "Colours in the Steel" and survived "The Belly of the Bow", I think you will enjoy this one. For the whole "The Fencer Trilogy", I give it a solid passing mark.

Anime review: "Genshiken Nidaime"

I have watched the original first few seasons of "Genshiken" six years ago. I forgot much of it, but I remember it was one of my favorite anime in that time. When I saw a new season is coming up, I was of course very interested and watched it as soon as I got the opportunity.

"Genshiken Nidaime" takes a year after the last part. All original cast has a role in this one, but more focus is those still in college and formally in Genshiken (Ogiue, Ohno, Sue, Kuchiki) and three new characters Hato, Yajima and Yoshitake. In the first episode it turns out that all member of the new Genshiken, except Kuchiki, are girls in love it BL (boy love), or "rotten girls"...

There is no point in going deeply in the plot of "Genshiken Nidaime" because it is not a series with real plot. "Genshiken" was always focused more on daily or school life of characters and their relationship. The difference between the previous seasons and this one is that here there is a big focus on subjects like boy love, cross-dressing and similar. "Genshiken" always touched similar topics, but not in such way. It didn't bothered me, but nor did I find it very compelling. There was a lot of talk about bullying and accepting different people.

A big focus is put on relationship between the new character Hato and Madarame, and his obsession with Kasukabe. There is a good scene and resolution between her and Madarame that I think all the old fans will like. I am sidestepping talking much about the character because there are few surprises and I don't want to reveal any spoilers.

As I said, I don't remember much about the original, but I think that visually it was even better than this one. "Genshiken Nidaime" has unattractive design and animation. Voice acting was good, but there was no other attractive music. I think the production was poor. Also, I don't remember the original having so much fanservice.

For conclusion... If you haven't watched the original "Genhiken" and you like daily life and otaku anime, you definitely need to watch it. As for "Genshiken Nidaime", it is for the fans who wants the continuity and they will find it good. But I think that even the most avid fans will find it poorer that the original.

Anime review: "Sakamichi no Apollon"

"Sakamichi no Apollon" (or "Kids on the Slope") won several awards last year and it is a josei, so it was given that I would watch it sooner or later. It turned out it was later.

"Sakamichi no Apollon" tells the coming-of-age story of three friends: Kaour (Bon), a rich boy with no friends, due to his often transfers and movings; Sentarou (Sen), a troublemaker who often misses school; and Ritsuko (Richan), Sen's childhood friend whose father owns a music store. For some unknown reason, Sen takes liking on Bon and the two of them start hanging out at Richan's place, playing jazz sessions. Because actually, Sen is a passionate drummer, while Bon learned piano since childhood. The three of them live through first loves, occasional fights and jazz music.

This is a pretty short anime, with only 13 episodes, so there is no long story like in "Nana" or "Hachimitsu to Clover". But on the other side, plot sometimes skip months and in such way covers really much time. In the end, it covers their whole high-school. It made me surprised several times, like with that early confession - I didn't really expect it so soon. The beginning was also good and got me hooked immediately: light, with no real subject, but hinting at drama and future topic.

The anime covers an unusual epoch - the 50s in Japan. This is the first time I watched anime covering this period of time. There is an interesting sub-story of Jun'ichi and Jurika, including political activism, student riots and Japan's after War history. Music is an important part of this anime, but not the main topic - character's relationships are what this really is about.

It is really a coming-of-age anime and it has some good drama. Not the usual awkward moments you would expect: Bon always says wrong things instead what he really wants, but it is so with most people. Anime doesn't go in making extreme emotional reactions, but goes lightly about it.

The ending was very surprising. Josei anime usually have some kind of bitter-sweet ending, but this really took me by surprise.

The animation and design is good, but not something extraordinary. Voice acting was very good, though. I don't like jazz usually, but even I was able to enjoy the music here.

"Sakamichi no Apollon" is a short but very good josei anime. Not among the best of genre, but with good and likable characters, fast story and some really nice drama. A good anime for everybody who likes josei.

Book reivew: "Century of the Soldier" by Paul Kearney

Well, it is almost three weeks ago that I have read this omnibus, "Century of the Soldier", which comprises last three books from "Monarchies of God" series by Paul Kearney, but I've been too busy to make a post about it. Good think I took some notes, because I would be lost what to write.

I have read the first omnibus, "Hawkwood and the Kings" almost a year ago and had a good experience with it, which I described in the post. Again, in "Century of the Soldier", it is hard to make a short description because these are actually three books, and the last one happening almost 20 years after the middle one. But I will make a presumption that you have read the first two books. In essence, there are two main lines. In the east we have Corfe, as one main character, with bunch of other characters, fighting against the Merduks who are once again massively invading Torunna. In the West, we follow events in Henbrion, King Abeleyn's fight to reconquer his throne, helped by wizard Golophin, and return of captain Hawkwood from the far West. And the last book combines these two plots in one, where our heroes fight against the might of the Second Empire, a militaristic theocracy empowered by magic (Dweomer) and werewolves (among other things).

There are several things that differentiate this series from other. There is much sex, especially at the beginning of the first book in this omnibus. Even though I remember some of it from first omnibus, it definitely wasn't so bold. But I was much more surprised by brutal and graphical description of was violence, especially Merduk's rape and plunder through Torunna. Battle scenes are also pretty graphical. Kearney sometimes use trick Erikson often uses: talking through perspective of unimportant character that is later not even mentioned again.

I also liked how Kearney doesn't follow the tropes. We have an uncommon romance between younger man who is one of main characters, and (much) older woman. When I think about it, all love and marital relationships in these books are, well, not very healthy. There is also much of nice ambiguous morale - Golophin and others have to choose the side; Corfe and his love to his "daughter"...

Another specialty of this series is its magic system, Dweomer, but also its coexistence with gunpowder and cannons. Nothing much new compared to first two books, but this is a solid part for Kearney. This is not a classical fantasy - it is a historical fantasy but with a nice touch of magic, maybe akin to Guy Gavriel Kay's books.

What is not a solid part of Kearney is his narration, which is very sterile. In these three books I failed to make any connections to characters, so even when they make unexpected decisions (like Bardolin) or even die (and Kearney is not afraid of killing main characters, which will become more evident later), I just don't care. There was no real spark to interest me in fate of people.

I like Corfe's part in first books (there's no Hawkwood in first book), and things got pretty heated up in second book (which I like better). But pace is too fast in occasions and changes come to abrupt, which results in sudden and not-so-solid resolutions. I would have appreciated it more if the pace was consistent throughout the books.

There are very non-cheerful book - even when they are winning, our characters are not happy. Also, there is virtually no humor (except if you count Murad) and bantering between soldiers is bad (which I really take it as serious flaw).

All in all, "Monarchies of God" have some good points: interesting setting and unique magic system, realistic and gritty tone, complexity. "Century of the Soldier" has all this virtues, but I will remember it more by its flaws: not making any connection to characters and strange pace. Even though the overall impression of the series is more good than bad, I don't believe I will buy anything more by Paul Kearney - there is much more solid things out there.

Anime review: "Hyouka"

Few weeks ago AnimeReactor Community Awards were finally out. Most of the anime I watch I find and pick by myself, but I always check this yearly selection in case I miss some (I usually do). For last year, "Hyouka" won in three categories: Character Development, Male Lead and Slice-of-Life. I noticed "Hyouka" before, but I looked like a typical school comedy, probably based on some dating-sim or video-game, so I decided to skip it. But winning three categories made me change my mind, especially in these few weeks without any expected anime out.

"Hyouka" had a pretty uninformative and general description. Oreki Hotarou has just entered high-school. He is almost typical boy, except for his philosophy - he is an "energy-saving boy" and his motto is: "If I don't have to do something, I won't, but if I have to, I'll do it quickly.". Meaning, he avoid any unnecessary effort and obligation, even though he is not lazy. According to his life-style, he would avoid joining any high-school clubs, because it would ask for additional effort, but he is forced by his older sister to join Classic Literature Club. There he meets Chitanda Eru, also from his year, who is a very curious and dynamic girl - his complete opposite. Later they are joined by Fukube Satoshi, Oreki's best-friend, and Ibara Mayaka, a friend from their junior-high school.

Plot of "Hyouka" stems from Chitanda's curiosity (her phrase is "I can't stop thinking about it") and Oreki's uncanny ability to connect seemingly uncorrelated facts into a theory or explanation. It turns out that Oreki is a natural born detective - when he can be coerced to leave his usual low-energy state. There is no overall plot in this anime, only a bunch of standalone episodes and three mini-arcs made of two or three episode. At the beginning, I was wondering why this anime got an award in Slice-of-Life category when it was clearly a detective anime, but toward end focus shifts more to characters and their daily life than to plot.

Also, a word of advice. This anime has a pretty slow introduction, so give it some time to really start. It you like it when it reaches Seikitani Jun arc, things go only better from that point on.

From my description, you probably understand that I liked this anime, although it doesn't sound like anything extraordinary. And this is true, this anime is not extraordinary - but it is very, very good in every aspect. There is no big story here, but each episode and few arcs are very interesting, even if you don't like detective stories (I don't, really). Characters don't stand out, especially at the beginning, but they grow more complex and life-like whole time during this show. Animation and design also don't look anything special at first glance, but as you watch it, you will realize that a major effort is put in details and that everything fits right. There is also some romance, some comedy and much of light humor. Looking back now, this anime is like normalized (in sense that both high and low extremes are flatted out) "Haruhi Suzumiya" show. And I think that fans of it will also like "Hyouka". Despite slow and unimpressive start, this show ends as one really good anime.

The show doesn't have many characters. Except four main, there are only some recurring supporting characters, but they are all made good. Again, I stress that this anime really deservedly won first place in Character Development category (as both jury and community pick). This is most evident in Oreki, who quite grows in self-confidence and gradually changes his life-style.

There are some unexpected quirks in this anime. First, you rarely see a minor getting drunk in anime (even when it is accidentally). Secondly, it is not common that boy is attracted to girl only psychically (at least at first), except in ecchi anime. It usually involves unrealistic romance (e.g. Harima and Tenma from "School Rumble").

The show has 22 episodes, and there is one OVA which is actually a normal standalone episode. As I said, visually anime doesn't look much, but quality is actually pretty high and it stays that way whole time. There is really much care put into details: clothes, furniture, surroundings... It is obvious that anime had pretty good production.

All in all, even not extraordinary, "Hyouka" is quietly great anime and I would recommend it to anybody who doesn't require action from anime their watch. It is interesting, sometimes mysterious, lively and fun all the way.

Anime review: "Hyouge Mono"

I don't really remember how or when it started, but I know that I have been eagerly waiting for this show to be subbed for months, maybe even more than a year. I always had a liking for historical-based items (be it books, movies or anime) and "Hyouge Mono" looked like one. On the other hand, I had some similar expectations from "Sengoku Basara" (which disappointed me very, very much) and even more so from "Souten Kouro" (which took a completely different direction than I expected). But "Hyouge Mono" fitted those expectations perfectly: a complex and deeply historical anime with a bunch of characters and realistic details.

"Hyouge Mono" is set on the eve of Sengoku period in Japan, starting somewhere in last years of rule of Oda Nobunaga. In the anime we follow the important events in Japan's history for next ten years, including the wars, politics and cultural life. This is seen primary from the eyes of Furuta Sasuke, who starts as a lowly vassal to Oda Nobunaga. What differentiates Furuta from bunch of other warriors and vassals is that he is actually more of an aesthete than a warrior. But to enjoy life of an aesthete, one needs to have money. Luckily for him, aesthetes, especially those interested in the way of tea, are on the rise in this time...

Sengoku period is a very turbulent time for Japan, a time of constant warring before final unification of Japan. Of course, such times gave rise to many popular warriors and leaders, like Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu (to name the most prominent). And as such, it is a ripe pool of ideas for anime.

There are several obvious and important aspects that make this anime different from your usual one. First one is that Furuta is in no way the main character - the show doesn't actually have one. Furuta is only the means through which we follow the events, plot and other characters. He is not even an important man, especially at the beginning of the show, and he has to bend toward the will of others. In the end, he is just a conveniently placed close to important people with small influence on the events. This is a somewhat common occurrence in books (let's only mention Guy Gavriel Kay, who use it all the time), but I don't remember seeing it in anime much (maybe in few josei anime). Actually, there is even less focus of Furuta in later parts of anime.

Secondly, it cannot be said that this anime has a plot in classical sense. We are suddenly immersed in an ongoing world full of events, we follow it for some time (10 years and 39 episodes) and then we leave it without the feel on conclusion you have when some show is finished. At one time, somewhere around 25th episode, I have made a note "totally don't know where the plot is going", because I expected first part to be the introduction and second the real revelation of the story, but I was wrong.

And third, the biggest difference is the level of historical accuracy and details. In my 200+ anime that I have watched, I don't remember ever watching such anime. I can't say that I am a student of Japanese history, since most that I know about it came from common knowledge, anime, Wikipedia and articles on Internet and magazines. There is even a warning at the start of every episode that this is a work of fiction. But on the other hand, every character, important event and even things and concepts can be found on Wikipedia or other online encyclopedia. Yes, a lots of events, or better said, reasons behind events are made more dramatic or romantic (not in sense of love), but nevertheless, the amount of accurate historical details is astounding. Interesting, characters even speak with slightly archaic speech, and subtitles that I had reflected that.

Of course, the theme of anime is strange also: the Japanese tea ceremony. I never encountered this before, and I thought it to be completely fabricated. I was very surprised when I went to Wikipedia and found out that it isn't. This gives the anime a somewhat slow and serious, but at the same time funny aspect. Furuta's tea-obsession looks ridiculous from our perspective, but I see it was a serious business at the time. There is a lot of details about tea ceremonies and talk about elegance and aesthetics. If there is a message that this anime wants to convey, then it is something like: "Always do your best in everything, but never fret about it - be elegant and relaxed". This is evident for Furuta's character that is, as I said, obsessed, pretentious and overeager to become famous as aesthete, even contrary to his sincere liking of the way of tea. Later he grows much and becomes more relaxed and enjoys the tea and beauty for itself.

This brings us to another topic: characters. There is really a bunch of them and it takes time to become familiar with them (especially since lot of them change - this is war, after all). It helps if you are familiar with the Sengoku period. They change appearance, clothes, hairstyles. But more important, they really change during the anime. Furuta, Rikyu, Hashiba - at the end, they are very different people from those who they were when we met them. I even like them more in the second part of the show, when they are more mature and relaxed...

Even though "Hyouge Mono" is a serious and historical anime, there is really a lot of humor. A lots of it steam from Furuta's obsession for art pieces, and the faces he makes (I was delightful to see that Troll-face in episode 16, during the shrimp-mongering dance). Also, it is funny when someone pricks his bubble of self-importance. But it is interesting that there is some humor that is not intended toward viewer (so that we laugh at characters), but it is more the humor between the characters so the viewer can laugh with them (like when Furuta steals the tea-jar lid). On the other hand, it is easily to forget that this funny little man is actually a warrior and veteran but we are reminded of that on few occasions.

The ending was really something. It was a slow rise during few episodes to a glorious culmination - a powerful and emotional ending. It was delighted to see that mange that anime is based upon is still ongoing - which means I can hope for eventual sequel.

I was a bit disappointed by Date Masamune's appearance and mannerism, who looks like he escaped from "Sengoku Basara". On the other hand, he was very funny, and in the end did fit with the rest of characters.

Animation and colors in nothing over the top, but it is very good. Design of characters and care for details (I mention clothes and hairstyles) are on the other hand superb. As is the voice-acting.

It's been a long time since I gave some anime 10 on AniDB (I gave them all around when I was younger), but "Hyouge Mono" definitely deserves it: complex and detailed, historically based with realistic characters, no good guys, no main character, almost a slice-of-life in turbulent times - this really an unique seinen anime. Unfortunately, I don't think it will be deservedly appreciated because it will be too hard for majority of viewers. But if you consider yourself a fan of seinen or historical anime, give this a try.

Movie review: "Anna Karenina"

Yesterday I went to movies with my girlfriend to watch "Anna Karenina". It was originally her idea, but I didn't have anything against it.

Even though I was a passionate reader since I was ten, for some reason I (successfully) avoided most of high-school proscribed reading, including "Anna Karenina". I was vaguely familiar with the story, as much as I remembered from a book with short analysis of plot and characters for high-school books, but in general, I didn't know anything about the movie.

The story of "Anna Karenina" is a tragedy, revolving about three central characters in 19th century Russia. Karenin (played by Jude Law) is a high-positioned noble and politician, orthodox, strict but respected for his moral and ethical principles - but at the same time he is shown as cold and distanced, especially toward his family. Anna (Keira Knightley) is his wife, at the beginning of the movie displayed as happy with his marriage and especially their son, and loyal to her husband. She actually reprehends her cousin for being angry at her husband for cheating on her and manipulates her into forgiving him. But this changes after a chance encounter with young and dashing Count Vronsky - a pampered noble with eye for beauty, sweet tongue and flowery manners. An unexpected happens and these two unlikely people fall in love, and later to obsession, which damages their lives and especially Karenin family. There is also a secondary story, dealing with another young and shy noble Levin and his love toward Princess Kitty.

The story is good, but center of this movie is its characters, primary the central trio. As I expected from a renowned literary classic, characters are great and complex. The best notion for me is that no one is described as negative: all three are just people, with their personalities, caught in facts of life, love and passion. Though, I was surprised that at the end I was putting most blame on Anna - I don't know if this was intended by the movie-makers, or it was projected from my own beliefs and personality. I am even tempted to read the book to find out.

I liked the acting, even though I am not fan of Keira Knightley. But even more I liked the semi-breaking of the fifth wall: during the changes of scenes, characters are shown as traveling through theater sets; when important things are happening, supporting characters "freeze". I also liked the costumes and small details about Imperial Russia. The music was very good, even to me who usually don't notice such things.

All in all, I really enjoyed "Anna Karenina". If you don't like romances or dramas, avoid this movie. But for everybody else, the movie is never boring, has great and interesting characters and is very intense.

Anime review: "Beck"

Although "Beck" is an older anime (2005.) that I would have usually watched without any second thoughts (daily life, great rates, classic, compared to "Nana", etc.) for some reason I long resisted it. I am happy that I have rectified this mistake now.

"Beck" is anime telling a story of members of the band with a same name, during several (two or three) years of life of Yukio Tanaka, nicknamed Koyuki. At the start of anime, Koyukio is 14 and still in his middle-school, without any goals or talents in life. After accidental encounter with Minami Ryuusuke, a few years older guitarist who spent childhood in USA, Koyuki enters the world of music and rock, and we follow them and their personal life as they try to establish themselves...

I have always liked anime that depict daily-life of characters, shounen seined and josei. "Beck" is such combination that plays on the line between shounen and seinen. In this respect it is similar to "Bakuman" (or vice versa), and I think that fans of "Bakuman" will also like "Beck". By this, I mean that even though they are focused on shounen audience, the anime doesn't follows a typical maxim "if you just want something really hard, you can do it" that is, for me, the most distinctive trait of shounen anime. On the other hand, "Beck" has some ridiculous premises, which are strongest evident in later stages: their decision to stick with Chiba is totally illogical and impractical; also, wouldn't a band need to have more than three songs. One more thing I liked about this show is that it doesn't idealize teens - they are spiteful, promiscuous, drinkers, they swear (there is a lot of English curses)... There are some usual shounen characters like a bully or spoiled rich kid that compete with main characters, but there's more than that, also.

"Beck" has a very slow start - for first two episodes you have no idea what is happening. Plot goes very slowly, but the show has a really great build-up of characters. Most focus is put on Koyuki, and his relationships with other characters, but Ryussuke also gets his almost individual sub-plot. I noticed that plot sometimes get a bit rough - maybe they had to skip some elements from manga to fit it into 26-episodes anime. Curiously, anime incorporates lots of characters from out of Japan, but not in a way of the usual transfer-student. There is a lot of humor here, including some slapstick, but most of it is light and intelligent.

What I don't understand is how a music-manga can be successful. It surely can: "Beck", "Nana", "Nodame Cantabile" are all great anime, and they wouldn't get an anime adaptation without being a popular manga first. I will really have to try to read one such manga. I am not really into music, and I don't stick with any particular genres or band/performers, and I can't discuss the musical side of the anime, but I found music fine and catchy. There is a lot references and influence by real-life rock bands and famous performers.

My favorite part of anime was the stop-and-go romance between Koyuki and Maho, Ryussuke's younger sisters. I am glad that anime didn't put too much focus on it and left it on us to imagine the result. Best part of anime for me was at the end when Koyuki enters the stage alone. This is a typical shounen ending - a miracle. But that is the reason why we watch shounen anime... After that, the last two episodes almost ruined this anime for me with degrading resolution, and I started wishing it ended immediately after festival, but the actual ending wrapped things very fine.

From visual side, "Beck" is not very inspiring. Especially after watching "Nekomonogatari", animation and colors are pretty drab. Characters mostly look ugly, even when they should be good-looking. On the other side, there is a lot of attention put to details, like clothes, posters, instruments... As I said, music is very good, and so was voice-acting.

I am very glad that I finally watched "Beck" and would recommend it to anybody who like real-life anime and don't require action in it (except in case they don't like music). Even though it is not perfect, "Beck" definitely deserves it high grades with its interesting story and great characters.

Anime review: "Nazo no Kanojo X"

I regularly (once a month or so) browse AniDB calendar to see prospective candidates for watching and add them to my wishlist. So when I need to pick some anime, I go to my wishlist, filter it to show only finished series and then choose one that looks the best. AniDB allows choosing a priority for watching, red, yellow and green, so I usually first add them as yellow and later upgrade or downgrade them depending on rates and reviews. Such was the case with "Nazo no Kanojo X" (or "Mysterious Girlfriend X"). I first added it, and them my interest started dropping when I saw the ugly front-cover picture and bad rates. But somehow reading the short reviews on its AniDB page persuaded me to give it a chance, since there wasn't any other series I was really interested in.

"Nazo no Kanojo X" starts... Well, both usually and strange. Main character is Tsubaki Akira, a normal second-year high-school boy. He is quite ordinary, without girlfriend, although he would like to have one. At the beginning of the second year, a new transfer student is introduced, Urabe Mikoto, and is placed on seat next to Tsubaki. He initially tries to be friendly to the new girl, but she turns out to be a strange and quiet loner, ignoring Tsubaki and literally everybody else in class, spending all free time sleeping at her seat. After the first shock, Tsubaki gets used to this and she just melts to the background of class. Until one day! Returning suddenly one day to the classroom, Tsubaki finds her sleeping later, and after waking her up, she notices a pool of drool left on her table. Tsubaki, being a horny teenage boy, disturbed by noticing how pretty actually Urabe is, decides to lick her drool. He feels shocked and ashamed by his behavior, but forgets about it soon. Next day he has a strange dream about her, and few days later he gets a fever and has to stay at home. He is surprised when Urabe visits him after school, uncovers his licking of her drool, and tells him that from now on he is addicted to her drool and that they now share a bond....

Well, this is not the strangest premise of romance anime I have ever heard. Just going through my list on AniDB ("Bakuman", "Itazura na Kiss", "Kareshi Kanojo no Jijou", "NHK ni Youkoso!"... And I will not even start with those based on dating-sims) reveals Japanese fondness of bizarre reasons for coupling two persons, but "Nazo no Kanojo X" definitely has one of the more nauseating - drool. But if you are not very squeamish, don't be thwarted by this seemingly disgusting premise, because "Nazo no Kanojo X" is one of better anime I have watched this year and is definitely underrated. Although this sounds like a recipe for ecchi anime, it is not: this is a seinen romantic comedy. There is some fan-service (panties shots, boing-boing), but nothing over the top; girls are sometimes shown naked, but their bodies are without features, only silhouettes. I just realized that this anime is very similar to "Nisemonogatari": even though there is a lot (and in "Nisemonogatari", a really lot) of sexual innuendo, this is not a primary point of this anime. If you are watching either of this anime for fan-service or arousal, you are completely missing their points. There is also a noticeable supernatural streak in here, although it is taken for granted. Any yes, the show justifies its name ("Mysterious Girlfriend"), because there is a lot to reveal yet about Urabe.

"Nazo no Kanojo" is definitely a seinen anime. Although there is a lot of blushing, nosebleeds, and drooling, as you could expect from anime romance comedy, it is the characters that make this a real seinen anime. By this I mean that they are not one-dimensional and perfect: they are bizarre, but they are also realistic. I know that this sounds like two opposites, but if you are a fan of anime, you know what I mean. For example, Harima from "School Rumble" if unrealistic idiot (I don't mean this derisive, he is one of my favorite character ever); Tsubaki on the other hand is quite realistic idiot. He is a naive/innocent/goffy like a teenage boy that he actually is. Urabe, who is on one side completely bizarre character, on the other hand is reasonable and multifaceted character, which is able to recognize the flaws in others and her, but she is also able to accept them as part of people. Tsubaki is the main character and we see the story mostly from his POV and hear his thoughts, but there is lots of Urabe POV's and inner observations. Both of them are strangely shy. Except them, there is only few other characters in series and they are the usual one-dimensional (but funny) anime characters.

Jokes in the anime are good, and they are not of laugh-out-loud type and more focus is put one romance than comedy. And of course, all is all mixed with this strange topic of sharing drool (and not by kissing).

At the beginning, I was almost put off be "old-school" design of characters, something that I connect with older anime like "Akira" or "Golden Boy", but I soon get used to it. "Nazo no Kanojo X" actually has a pretty good animation, design of characters and vivid colors, which is especially seen in Tsubaki's dreams, which are very imaginative and impressive. The show has pretty good sounds and background music. Two other things I appreciate: people wear different clothes and even though at first it looks like Tsubaki lives alone with his sister, it is later shown that this is not true. There are 13 episodes in series and there is an additional OVA, which is actually a regular episode. Manga is still on-going and I hope that there will be a second season some time in future.

In conclusion, "Nazo no Kanojo X" is definitely an underrated anime, but I can understand this because it belongs to not the most popular category and has an off-putting element. But if you are into more serious romance comedy (like "Lovely Complex" or "Bakemonogatari") and are not particularly nauseous, I would recommend not to skip this anime.

Anime review: "Moyashimon"

As I already said, I think this is a poor anime year. I am not really sure how I found this anime, since it is from 2007 and it doesn't have some great rating, but as I didn't have anything else to watch, I decided to give it a try.

"Moyashimon" is based on interesting idea, and when you read its short description on AniDB, you can get a completely wrong idea about it. Nominally, the story is about a boy named Sawaki who can actually see microbes: not as they look when you look at them with microscope, but as a kind cute little "monsters" who communicate with him. He is just entering Agricultural college with his childhood Kei, and both of them are conscripted by famous (but little wacky) professor Itsuki and his attractive assistant Hasegawa, to help them in their research.

Well, although all this has its place in this anime, at the same time this is a slapstick comedy about college life, sake and growing up, including a lot of sexual innuendo and fan-service moments. There is even few episodes where microbe don't even appear (The Spring Festival). Every episode starts with the recap of the previous one, there is normal OP and ED, and at the end there is a short educational movie about bacteria, so the real action last even less than in normal anime. You are right to ask how all this stuff fits in 11 short episodes. The answer is that it doesn't! The anime doesn't really have an ending and all this feels more like an introduction than a real season. Considering that there is a second season of anime and that manga is still ongoing, this is maybe even true. Another problem is the non-existing over-all plot; there is few threads started, but they are strangely left unfinished and unexplained.

On the other hand, anime is full of good jokes and interesting characters. Well, humor is actually pretty individual thing: if you find "being picked as the lucky student to perform cow's ovaries examination" funny, you could like this anime. As I said, there is lot of sexual jokes, but nothing really crass. Characters are one-dimensional and unreal, but they work well together. "Moyashimon" has a strong educational streak about microbes, which you either like or hate.

One of the weaker points of this anime is the design of characters. Few of them are designed purely slapstick, but even those who are drawn "real" are very unimaginative and... Ugly is a bit too strong word, but non-pretty. Colors are also pretty bland, which is a big negative point for me. On the other hand, a big positive point is that people change clothes regularly. I really can't say anything, being positive or negative, about the sound and music.

All in all, "Moyashimon" is good anime, with some interesting setting and good jokes, definitely is not a hit series, owing to its lack of proper story or direction. Even if you find this interesting, I would recommend looking for a review of second season before starting with the first one.

Book review: "The Sea Watch" by Adrian Tchaikovsky

I've been reading "Shadows of the Apt" series by Adrian Tchaikovsky for quite some time; I now finished 6th book. The series started very good, with a curious mix of fantasy and steam-punk, taking place in interesting setting. And what's even better, the series kept improving with each book. It wasn't the best or favorite series for me, lacking empathy and emotional impact arising from characters, but I was looking forward to reading "The Sea Watch". I have to admit that I was surprised how good this book was!

Tchaikovsky has chosen a curious pattern for his books. One would be set locally, giving feeling of a single mission/quest, and then the next one would encompass things of different scale, explaining the effects of previous book on global level and expanding on it. Series started bounded in one place (Lowlands), but later expanded the world quite much. What I found interesting was the way it showed the impact of events in Lowlands slowly spreading around and affecting nations back and forth. Also, it is interesting to follow development of Collegium politics and changes in the society through longer period. Even though events took place in maybe three years, it feels much longer.

So, following tradition of even books, "The Sea Watch" is another "global" book. Last book, "The Scarab Path", followed Che on what was supposed to be a diplomatic and research mission to far-away Khanaphes, from which she never came back to Collegium. Here we follow mainly Stenwold Maker, her uncle. Stenwold did got his parts of action, especially in "Salute the Dark", but I never seen him as one of main characters - more as a driving force behind them, gathering and directing them. But this book is about him and told mostly from his perspective. After the war with the Wasp Empire, Stenwold included himself more in the political live of Collegium and leaving his more active role as "spymaster" to become a diplomat. His current affairs include establishing diplomatic relationship with the Vekken (one of their enemies), backing his political ally Jodry Drillen in elections and calming various minor problems in the city. After he gets news of his niece leaving Khanaphes in strange circumstances in company of his greatest enemy, he feels devastated and responsible. But he will have to put his personal affair to side after same force starts attacking and robbing Collegium's ships. It will turn out that Wasps aren't the only people poised on Collegium...

The book has a very nice start and Tchaikovsky really developed Collegium society and politics in details - it looks I am fan of even books. I'll be blunt and just say out that this book introduces a new race, the sea-kinden. This is not a spoiler because they have been sideways-introduced before (in "Blood of the Mantis"), there are mentioned at first few pages, and of course, they are shown on the front-cover, coming out of the water quite looking quite sinister. So, a reader will know that they will show sea-kinden, but particular details of it will be quite surprising. Not giving out too much information, but there will be a big surprise and turn in book when they finally do show. I really enjoyed the political maneuvering, sleight-of-hand and cloak-and-dagger stuff - this book is read like some kind of an thriller set in fantasy setting.

Although I am not a fan of maritime settings and especially not of pirates, this book was good in this part. Fly-kinden pirates are done pretty well - criminals with sense of honor. When sea-kinded come forth, we get to see some new part of the setting and I must say I was impressed. Tchaikovsky was really able to convey the sense of strangeness to readers. The Pelagists were the most memorable thing for me, especially Lyess.

As I said, this book is pretty much about Stenwold, but there are others. We get to see much new characters, but we will also see some of the old-ones leave us. Stenwold is shown as a really capable guy, which wasn't show in previous books, not even in "Salute the Dark". It is funny how all other Beatles think that Stenwold is some action hero with blood on his hands (which he actually is, when you think about it), while he sees himself as old and week, a burden to the rest. But several times in the book you see him from some third character for what he really is: a hard statesman and leader, ready to make and do the difficult decisions - but also unaware of that about himself. Other characters are all good, but I must mention Teornis. We have known him for four books now, but this is the first time we have been in his head. And as with sea-kinden, with Teornis Tchaikovsky was really successful in capturing the strangeness of his races. Particularly, I mean about Spider's duality - to really like and admire your enemy.

The books in series vary much in length - this one is around 700 pages. I can't pinpoint any flaws in the book, but we still lack real connection to characters. But Tchaikovsky is getting better at this and I hope next book will stay good as this one. One thing just came to my mind - I don't think that Tchaikovsy ever discussed religion of the races in his books, except in "The Scarab Path", and that was only locally.

So, to conclude, "The Sea Watch" was the best book in series so far and I believe all fans would agree with me. As for the series itself, "Shadows of the Apt" is growing to be one really good series, best suitable for those who like a good setting and have a patience to wait for the action to really take place.

Movie review: "The Prestige"

I've been skipping on reviewing movies for some time now, partially because I don't have much time but also because I haven't seen any great movie. I watched "In Bruges" again (very good, although it was better the first time), "The Bourne Legacy" (good, but not inspired), "Prometheus" (great start, but not so good ending), "Ted" (not so good teenage comedy) and a lot more, but not one of them was really great.

Yesterday evening I watched a 2006 movie called "The Prestige". Curiously, I tried to watch this movie with my girlfriend few years ago, but we never finished it (I think there was some problem with the video). I watched maybe first half an hour and I didn't have any fond memories of it. But this friend of mine watched is few days ago and has been constantly talking how good it was. So yesterday I hanged out at his place and he offered to watch it again with me. I am very grateful to him because this was one of the best movies I watched in last several years!

I won't say much about the plot because I don't want to reveal any spoilers. "The Prestige" is not a movie that will lose its impact second time you watch it (my friend just watched it second time in few days), but there are some big surprises in there and you deserve to see them unprepared. I will just say that the movie has a quite slow build-up and that things start to become interesting somewhere after first hour. After that, I just couldn't stop trying to guess what will happen next... Let's just say that this is a movie about the personal and professional rivalry between to magicians, with several unexpected turns.

The movie some great characters and actors that play them succeed in giving them credit. We have Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johansson and David Bowie, to name the most famous. Effects are not flashy, but the atmosphere of the movie is superb. This is a dark and violent movie, and surprisingly, without happy end or a moral lecture.

So, to keep things short, just treat yourself with "The Prestige"!

Book review: "Hawkwood and the Kings" by Paul Kearney

I have encountered "Monarchies of God" series by Paul Kearney in a some review at SFsite.com some time ago, although I forgot most of the details. I had some vague impression of Hawkwood being a mercenary leader in Middle-Age based Europe with existence of magic. When Amazon.com started pumping my recommendation with historical fantasy books because I had "Hawkwood and the Kings" in my wish list, my interest somewhat dropped. But the series still had good reviews, there was some recommendation by Steven Erikson (I don't usually care about front-cover generic recommendations) and it was pretty short (only two omnibuses), I decided to give it a try.

I first planned to do two reviews, one for each books in the omnibus ("Hawkwood's Voyage" and "The Heretic Kings"), but when I started reading the second book, I realized that there is no real distinction between them - the plot goes on immediately. This is actually one book split in two (or more probable, five) chunks.

It is pretty hard to comprise the story of "Hawkwood and the Kings" in one paragraph. Even though these books are very short (416 pages for the whole omnibus), there is a lot of going on. These books are clearly based on 15th and 16th century Europe, during the Turkish Invasions and discovery of American continent. We have several unconnected plot lines viewed from different POVs that make a pretty detailed picture of the setting and the plot. But this is not a historical fiction - history is different, geography, mentality... And of course, this is the setting that contains things like magic, Thaumaturgies Guild, werewolves, homonculus... I again have to repeat that there is really much "meat" in plot for such short books.

A titular character of the first book, Richard Hawkwood, is a moderately successful sea-captain in Kingdom of Abrusio (based on Spain). He gets coerced (almost blackmailed) by a nobleman Murado to captain the voyage whose mission is to find the "West Continent" revealed in a sea-log in possession of Murado. But he doesn't know that this log reveals several prior voyages which all ended bad for those involved, and most of them included some connection to magic. To make their situation worse, King Abeley (another POV characters) forces them to pick a special cast of colonist: Dweomer folk (licensed Guild mages, herbal women, shapeshifters, soothsayers...) who recently got in problems when Ramusian Church (depicted upon Catholic Church) started a series of witch-hunts and prosecutions, most of them ending in burnings. Unofficial leader of this contingent of colonist becomes Bardoling, a capable but unassuming mage and ex-soldier, whose main wish is to protect his young associate, werewolf Griella. Young King Abeley is trying to do the most he can to protect his people, remove the yoke of Church from his government and at the same time help his fellow monarchs in the east who are being invaded by Merduks. Other characters include Corfe (deserting offices, flying from fall of Aekir after its capture by Merduks), Heria (his wife, captured by Merduks), Gollophin (mage adviser of King Abeley), Albrect (older librarian in Church capital of Chabrion, in possession of some interesting documents), Merduk Sultan and other... This is just a synopsis of the first book - I could not describe that of the second one without revealing spoilers; and anyway, as I said, these two books can be read as one.

Prime characteristic of this book, connected to its shortness, is its fast pace. There is really much going on; we have short chapters, each with few shifts of POV in between. So these books successfully grip your attention, if you are into this. At the beginning I was reminded much to Guy Gavriel Kay, especially to "The Lions of Al-Rassan" (one of my favorite books). But later differences start kicking in, and this becomes very distinctive book. I had some problems in the very beginning with warming up to this book, because it uses much of "naval talk" (I don't even want to start listing these words), and I am not into this kind of books (especially not in pirates). But as things start shifting to other focuses, I made the necessary adjustment and enjoyed the book. One of the best attributes of this book was its attention to politics - I really like this focus in books. And of course, it was not presented from just one side, so you have to weight your preferences on your own.

There are much characters in these book, too much to describe them in details. But each one is well written, with his/hers own agenda. These characters are sometimes on conflicting sides, and I really like when writer forces us to think about the sided on our own, instead preparing everything for reader by making a clear distinction on good and bad side. They are all complex, possessing multiple sides to their personality and you will not have any problem remembering who is who. But characters are also included in the biggest objection I had with Kearney's writing - and that is the lack of empathy and connection to characters. They are interesting, but hey all stay pretty remote and reader is somehow not included in their suffering. Also, one could complain about the lack of female characters in this book.

Writing is pretty good, except too much sailor-talk in several instances. It sounds like Kearney really looked into details he wrote about: sailing, guns, society... He focuses more on dialog and plot advancing than on descriptions of surrounding - but when he does, it is done properly. There is some humor in these books, arising mostly from the witticism of the characters, but the tone in overall is mostly darker. This is, I think, a book that can be enjoyed be various types of readers - they are short, but full of details; they are fast, but complex.

All in all, "Hawkwood and the Kings" is one very good book, especially if you like history-based books with lots of details and interesting plot. My biggest objection is its shortness, but I definitely plan to read and enjoy the second omnibus "Century of the Soldier".

Anime review: "The Flower We Saw That Day"

Sometime around last weekend I finished watching "The Flower We Saw That Day" (or "Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai"). I really don't know how I missed noticing this anime before, nor do I really remember how I found it - I am usually more organized about this things. Before watching, I had a vague impression of being something similar to "Hachimitsu to Clover".

So, "The Flower We Saw That Day" is a story about a formal group of friends, told mainly from the story of Yadomi Jinta (or Jintan for friends). When they were little, Jintan, Anaru, Jukiatsu, Tsuruko, Poppo and Menma were best friends, a group called "Super Peace Busters". But after an accident where Menma lost her life made the group grow apart. But life got even worse for Jintan: soon after he lost her mother due to illness, which turned him into hikikomori, not going to school and rarely leaving his house. But one hot day of summer, looking as she would look if she was alive, Menma appears in his house visible only to him, and asks him to fulfill her wish. A wish that will need him to reform the former group - which will not prove easy...


In basis, this anime is a melodramatic story about group of young people, mixed with daily life and romance categories. So yes, it is pretty much similar to "Hachimitsu to Clover", probably the top-most reference in such type of anime. I was hooked up from the first episode, which is very dynamic and strange at first. One difference is that it is a bit more focused on male audience - or maybe it would be better to say that it is less focused on women audience - making this a seinen anime. The second difference is much more important - it involves super-natural element, character of Menma. Anime plays pretty well with this concept - is it really Menma's ghost that only Jintan can see, or is it just his stress, as he tends to believe. I really like this this game, so I was very disappointed when they revealed the truth around the middle of the show. There is a lot of drama and revelations, which are mostly not easily predictable.


Anime jumps regularly between the present and the past, a time of childhood of "Super Peace Busters". All characters are pretty well developed, the main six and few supportive. I really like when they invest in making characters wear different sets of clothes!! Also, it is obvious that they have a life out of scope of plot - they have part-time jobs, hobbies...  


Animation is pretty good and detailed, and I once again compliment of design of characters, and especially their clothes. Voices were also good, but I can't say I remembered much of OP and ED songs. There are 11 episodes, which is perfect - they would probably become over-dramatic if they stretched it to more episodes. This way episodes stay very intense. Also, ending is left somewhat undecided, which makes you wish for another episode telling what happened after - but I don't think there is a room for sequel.


"The Flower We Saw That Day" is an anime for the fans of "Hachimitsu to Clover" or for those who liked "Clannad" or "Ef - a Tale of Memories" and now want something more serious. It has a nice plot, interesting and deep characters, a bit of supernatural and tragedy. It is not the best in genre, but I don't think it will disappoint anybody who is a fan of such anime - at the contrary!

Book review: "The King's Blood" by Daniel Abraham

Last week I finished reading "The King's Blood" by Daniel Abraham. I found "The Dragon's Path", first book in "The Dagger and the Coin" series, great and interesting, so I had big expectations from its sequel. Even more so after reading few praising reviews. I expected a broadening of setting, start of over-all series' plot, maybe new characters... But in the end, I was left disappointed.

"The King's Blood" follows pretty much immediately after TDP, maybe few months between them but nothing important happening. Cithrin was left in charge of her branch of Medean bank, but only at the front - she is now just a figure-head, while everything is decided by her "notary" sent here by central branch. She of course, doesn't like it, but there is not much she can do... Marcus, on the other hand, is pretty satisfied with his life: he has a purpose, steady work, friends around. But as his second, Yardem, tells him, his soul's shape is circle: when he is at the bottom, he can only go up. But when he is at the top, he will inevitably go down.

In Antea, the crisis has been thwarted and conspiracy originating in Asterilhold voided, but those responsible were left unpunished. And now, when King Simeon's is starting to fade and he finally dies, who will be chosen as Regent is not Geder, the Hero of Antea. And although Dawson is starting to become suspicious of Geder's real motivations, what can he do to a man who rely on him so much that he even him the control of the army...

Well, this is the plot in general, and this is the main reason I didn't like the book. Plot is weak, straightforward and completely predictable. Oh sure, there are much that will prove as a surprise, but that are just details, while the big stuff goes where it is expected. I believe that a pretty detailed and accurate synopsis of this book could be fit in several sentences. OK, somewhere around the middle, plot gets intense and interesting, but the end fails to deliver. One good thing to say: small chapters make the pace look much faster.

The setting expansion proved even a bigger disappointment. We didn't see almost anything new of the world except one new city, and that briefly. I also didn't like the fact that this is actually very small world, or part of the world (maybe this means we will be surprised later?): the biggest Empire around can field an Imperial Army numbering six thousand soldiers!!! Maybe it's just me, but I like my armies more numerous and my cities more populated... At least there is one thing to look forward: "sleeping dragons", "dragons turning to stone to sleep", "hidden dragon lairs" are mentioned so many times that there has to be a dragon sometime in the future (look for Chekhov's gun).

The characters remain the brightest part of this book, and still a notch over lots of other books. But even this was weaker that in the first book. In my post about TDP, I was full of praise for such multifaceted characters, being at the same time likable but disgusting, combining so many traits. This stays the same in TKB also, but unfortunately, there are no more surprises and characters don't grow much. The best point is emergence of the new character Clara. I found somewhat funny Dawson's doing all the right way, but for the wrong reasons.

So, in the end I wasn't very satisfied with "The King's Blood". It is not a bad book, but it doesn't jump the bar set by "The Dragon's Path", not even close so. Even so, I will give this series another chance, hoping that the second book was only a preparation for things to come and that the third will be a book more appropriate for Daniel Abraham.

Just started a re-read of "A Song of Ice and Fire" by George R. R. Martin

I finally decided to read "A Dance with Dragons", fifth book in what is probably currently most famous fantasy series around: "A Song of Ice and Fire". My initial plan was to wait for the paper-back edition to come out, since I didn't want to buy a hard-cover. I was also in process of buying first four books, and bought "A Game of Thrones" and "A Clash of Kings". But as I recently bought Amazon Kindle, this made me change it since now I don't have to wait for anything.

Anyway, before reading "A Dance with Dragons", I will be doing a reread of whole series so far, to refresh my memory. ASoIaF is one of my favorite series, and I have read first few books many times. But I haven't read them since I stopped going to library (some 4-5 years, now) and this will be the first time to read them in English.

I plan to make a post for each book.

Movie review: "Tinker Taylor Soldier Spy"

Last week my girlfriend and I decided to go to movies and "Tinker Taylor Soldier Spy" was the only movie with good enough description and playing at acceptable time. Garry Oldman was also one of the reasons I wanted to watch it.

The premise of the movie is very simple and straightforward: Cold War England, head-quarters of intelligence service, retired famous spy, a traitor.

This straightforwardness is at the same time the best and worst part of it. This is really a hard-core Cold War spy movie: there is not much action; characters take much time revisiting past and thinking why someone acted as he has. There is some stealing of documents, pretending that you are somebody else... If you like such movies, you will be very satisfied. But on the other hand, this is not anything more than a spy movie. In first few minutes you learn that there is a traitor, and in last few minutes you learn who it was - everything between is one curvy, but single line.

Performance of this movie is really on the top level. Member of the secret service are all a bit eccentric, so there is much humor, but it is of that quiet and intelligent type. On the other side, there are also few hard and cruel scenes, because life of a professional spy is such. Beginning of the movie is somewhat slow, where nothing happens. Gary Oldman is a main actor, but in first half hour, I don't think he says a word (although he is on screen). There are also few other famous British actor, so this part is good.

All in all, "Tinker Taylor Soldier Spy" is not a movie to be excited about (except if you are a fan), but a good enough movie for anyone.

Movie review: "The Girl with the Dragon Tattoo"

I have been quite busy for the last two weeks, so wasn't able to find a free afternoon to write this post, even though I watched "The Girl with the Dragon Tattoo" the weekend before last. I have seen the trailer for it when I went to movies to watch "Contagion" (I think), so I talked my girlfriend into watching it.

I knew few facts about the movie before watching it, and few of my friends watched the Swedish version of the movies and judged them good. Curiously, I have had a page-marker with praises for the Croatian translation of the "Millennium" trilogy by Stieg Larsson for couple of years now, but I didn't make the connection with the movie because they kept the original names in translation (the original name of the book is "Men who hate Women"). More so, the marker contained praises for the books, but they were written by one "famous" Croatian poet which I don't like (don't like his taste in books), so I stupidly dismissed the books. But now, after watching the movie, I think I will read them in future.

"The Girl with the Dragon Tattoo" is a thriller dealing with some old murders in Swedish aristocratic family. Plot is quite good. Movie lasts more than two and a half hours so they took their time and used it good - main action doesn't start immediately, but it takes some time to introduce characters. There are two main characters: Mikael Blomkvist and Lisbeth Salander; their plots start separately and run in parallel, but are connected somewhere in the middle of the movie. Mikael is a middle-aged famous journalist in the magazine called "Millennium" who targets a rich industrialist and writes an article depicting him as a criminal - but after some of his claims are proved false, his whole article is the taken as nothing more than slander and he loses credibility. Since he wants to move from public eye for some time, he accepts an assignation by another rich old man, Henrig Vanger. He task up front is writing Henrik's biography, but in truth he is trying to solve the disappearance of his niece some forty years ago. Another complication is that someone from his family is probably to blame - even worse, Henrik's whole family lives on isolated island so Mikael is maybe living next door the possible murdered. On the other side of Sweden, Lisbeth, a 23 year old is trying to sort her life. She was a problematic child, always different from others - abused by her father and blessed/cursed with photographic memory. She is officially under care of decent social-worker who treats her well; without his knowledge she does some investigation work for highly-expensive detective company. But after her caretaker suffers a stroke, she is put under care of sadistic Bjurman...

As I said, plot is quite good and also done pretty well. Two independent plots are not very usual, but this worked very well because this was you never know what is coming up next. Another good point of the movie is that induces the audience to participate in the movie. Claim that the culprit is someone from Vanger family is given quite early in the movie, so you just have to try to guess who of them could be the one.

Characters are also interesting. Mikael is played by Daniel Craig, and he is very convincing in the role of intelligent journalist who is at first dismissive of this case, but later gets sucked in by its curiousness. Lisbeth is played by mostly unknown (at least to me) Rooney Mara, but she also does a great job with this demanding role.

Demanding, because without the character of Lisbeth, this movie would still be a very good thriller, but it would lose much of its impact. And this impact is acquired by unusual amount of brutality and violence, both physical and psychological. So, although "all the rape" is not strictly necessary for the plot, it is what separates this movie from others. So, be warned, this movie contains quite few shocking scenes, and they are done very visual and explicit. This is not your usual Hollywood movie, which probably didn't return much in money, but it paid off in respect.

"The Girl with the Dragon Tattoo" is one of the best movies I watched in last couple of years. It contains much violence, and its dark atmosphere will not be suitable for anyone; but if you like high-budget thrillers and don't have aversion to explicit scenes, this could be a movie for you.

Anime review: "Bakuman"

Today I finished watching "Bakuman". Most of the time I give myself a few days of rest before posting a review, but since I am still on vacation and have some free time on my hands, I decided to do it today.

"Bakuman" has been on my wish-list for some time now, based on its high marks, but only on moderate importance. I was feeling a kind of dread whenever I thought about watching it - just look at that image! Especially on the upper-left corner! Include to this words like "middle-school", "marriage", "becoming a mangaka" - how could this be a good anime? Well, it turned out that I was pretty much wrong and this is a great anime!

Mashiro Moritaka is a typical middle-school kid, moderately good student, but without any particular dream or purpose. One day he loses a notebook where has was secretly making drawings of Azuki Miho, a girl who he likes. After coming to school to retrieve it he is confronted by another kid from his class, Takagi Akito, who has found his notebook. On the basis of drawings from there, Takagi tries to force Mashiro to become his partner in drawing manga. Since Mashiro has some bad experience regarding manga (his uncle was an unsuccessful one and died from overexertion), he initially declines. But Takagi tries again, this time in front of Miho (who incidentally, aspires to become a voice-actor), and this time Mashiro accepts - but even more surprising, Mashiro proposes to Miho. Even more surprising, Miho accepts - to become married after they realize they dreams and she plays a role in anime made after his manga.

This anime combines some realistic approach and themes with ridiculous stuff typical for shounen anime - but in perfect combination. For example, the plot: basically, this is a show about two kids who aspire to become mangaka. I obviously can't know what really happens on a road to becoming one, and I presume there is much more than showed in here, but everything that was presented sounded logical and realistic. Our protagonists have troubles in coordinating school, working on manga and private lives; they have to fight prejudice for being too young for this enterprise; they have to deliver their mangas to editors, have to discuss it and remade it; these editors have their bosses to respond to, have to take care of things like pools, formats and schedules; and myriad other small things that make this (in my humble opinion) a realistic representation of young manga authors' life. On the other side, we have a such plot elements that can be found only in shounen anime: the reason why all this is happening is because a 15 year old kid wants to marry when he is 18 (!!); they have friendly rivals who will give everything they have to become mangaka; there is even a genius high-school mangaka who draws them like a machine... But even with all this simplifications and jokes, this anime's first and foremost subject is about what it takes to become a mangaka.

Characters are great, simply said. Mashiro and Takagi are obviously mostly developed, but most of other got a pretty good realization. Mashiro gets a bit more coverage, especially his inner thoughts, than Takagi, which is little unfair because they are both equally good characters. On the other hand, Takagi has an actual girlfriend, Miyoshi (Miho's best friend) - very normal and realistic relationship for a shounen anime. Mahsiro's and Miho's relationship is anything but normal and realistic - they exchange maybe three sentences in whole season - but this IS a shounen anime so there is no room for complaining - actually they move toward normal at the end. Niizuma Eiji (guy from the upper left part of the picture) is the before mentioned "high-school genius", but he is also very good characters - he grows, realizes mistakes, accept advice and so on. Hattori is another character that fooled me - considering his design I thought he will be one-shot character - is another good and fully-realized character - a grown-up editor in manga-magazine. There is another 10-15 named characters. Interesting and laudable is the fact that some characters come and go - for example Iwase has some importance in first part of the show when they are still in middle-school, but disappears later when they enter high-school.

All characters do a lot of growing up: they learn from their mistake, don't always act rashly, and think about past and future. This is to be expected, since show takes almost two years of their time. Another their property worth mentioning is that they are not frustrating, which is often occurring, especially in shounen romance anime.

Jokes are pretty good and I chuckled at loud at least once in every episode. Kudos for jokes where they make fun of themselves ("Doesn't anyone have a fiancée?")! Also there are lots of references to real-life manga and anime: "Dragon Ball", "Naruto", "Bleach", "One Piece"... Actually, a magazine where they are submitting their works is called "Weekly Shounen Jack", which is an obvious reference to "Weekly Shounen Jump".

One thing that got me confused was Miho's anime. If she works only as voice-actor, why does the character she gives voice to looks like her? I can't get it whether this is a mistake or only simplification...

From technical side, anime has 25 episodes, all original, no fillers or recaps. Animation and design is good, but nothing over-the-top. Characters wear different clothes (although restricted number of sets) - I always notice this and find it laudable where it is so. Music I didn't like much, but voice-acting was very good. I especially liked Takagi's voice (done by Hino Satoshi).

I am happy to say that "Bakuman" was a very pleasant surprise. It doesn't belong to the best anime ever, but it is very good and especially enjoyable. Recommendation too all, except to those who watch exclusively action anime. I just hope that next two seasons will be good as this one.