Book review: "The Scar" by China Miéville

Few months after finishing "Perdido Street Station", I tried the next book set in the same setting, "The Scar". I was wondering will Miéville be able to pull it again.

"The Scar" is, as "Perdido Street Station", set in setting of Bas-Lag, but this time we are far from New Crobuzon. In the book we follow a New Crobuzon refuge Bellis Coldwine. After some problems back at home (connected to Isaac Dan der Grimnebulin and the events in PSS), she is running away, traveling by ship, with destination of New Esperium, a colony established by New Crobuzon. But during the voyage, her ship is taken by mysterious Armada, a floating city made of connected ships, whose existence was kept a secret for more than a thousand years. Struggling to find some way to escape, she is dragged into experiment whose goal is to summon an avanc, a gigantic otherworldly being. But as things go further, she realizes that the avanc in only a first step in plan made my one of Armada's rulers, the Lovers.

So, we are back to Miéville's imagination. I must admit that he did very well - he managed to expand the setting of PSS, introduce a bunch of new elements, one more bizarre than another, and without being inconsistent. As before, I noticed again a wink at "The Dying Earth", with seawyrms used for pulling and some other examples. Maybe I'm wrong, but "Perdido Street Station" felt much more technologically advanced than the "The Scar" - even though they have analytical engines and guns here, but too much swords, pistols and muskets. But I presume that Miéville wanted to go this book more piratical feel, which he certainly did. This pseudo-science he writes about is very interesting. Although , some of his descriptions are a bit too grotesque and too-much-information, especially about the Remade.

PSS was also full of implied places and organizations, but here, the setting feels much more expanded through time and space: The Gengris, High Cromlech, The Ghosthead Empire, The Malarial Queendom... Even the names are great.

The main character is Bellis Coldwine, but she is more an observer that doer. Oh, she does some important deeds, but she is mostly manipulated into doing them: by Sillas Fenec and by Uther Doul. I liked how all our misconceptions about the both of them were broken till the end of the book. The second main character was Tanner Sack. Even though he was well written and his sections were interesting, I just didn't felt any respect for him - he started and ended as victim.

The plot was very good but not as strange as were the setting and the characters. It had enough small surprises to feel interested the whole way, but neither is this the book written for the plot. Then ending will some consider a cheating, but I kind of liked it: it is one of those uncertain endings with ability to modify the whole book, depending on will you believe it or not.

As I hoped, "The Scar" ended being a similar book to "Perdido Street Station" in style, but with completely new elements that enabled it to feel fresh and original. I would recommend it to anybody who liked "Perdido Street Station".

"Vorkosigan Saga" reread: "Cetaganda" by Lois McMaster Bujold

As I planned, I continue with my "Vorkosigan Saga" reread, inserted occasionally between other books. This time it was "Cetaganda" - as I said I was reading the books in internal chronology order, starting from "The Warrior's Apprentice".

In "Cetaganda", Miles and Ivan are sent on a diplomatic "mission" - as high nobles of Barrayar they are to attend the funeral of Cetagandan Empress. Cetaganda, as in Barrayar's greatest enemy. And they are told to behave. This changes even before they set a foot on Cetagandan territory. The two of them are victims on random assault, during which Miles come into a possession of some Cetagandan trinket. A trinket that everybody wants back and that can decide the future of Cetaganda...

"Cetaganda" is a book little off the tracks. By that, I mean that even it fits in internal chronology, it is more of a side book. You won't miss anything if you skip it (well, nothing except much fun). Events here don't affect later books, except in small details (like the medal, or as old love). So I was a bit in doubt to read it or skip it, since I remember it quite well and know that it is not very important in larger scheme. But as I also knew it was a very fun read, I decided to reread it.

Miles is here between big roles. He is not a young inexperienced leader as in past books, nor is he hyperactive professional megalomaniac as in next few following books. He continues his habit of manipulating his superiors when they (potentially) bother him. He also continues to "bully" his cousin Ivan, even though Ivan more or less lets him do it. All other characters are pretty well written, even those that only appear once or twice. Bujold can make them feel three-dimensional just in few sentences.

As for plot, it is combination between action, detective investigation and a little bit of comedy.

Bujold continues to do well with setting. It is imaginative so much it would not pass any tests, but it is written so unobtrusively that everybody just accepts it as it is.

One of my favorite parts of this book is in the end, when Miles receives his medal. And I like the scene where this same medal appears in few books later!

As I said, "Cetaganda" is not an important book in this series, but if you skip it, you will miss all the fun. A great book for all fans of the series.

Anime review: "Monogatari Series: Second Season"

I've been eagerly waiting for next season of "Monogatari" series since first seeing early announcement for it. I like a lot of anime and genre, but if I had to pick, this kind of weird-humor series would be my first choice (like "Durarara!!", "Baccano!", "Tatami Galaxy", "Sayonara Zetsubou Sensei"). So I felt unreasonable joy and expectation before watching the last season!

I first waited for all episodes to come out - I didn't want to be forced to wait. And before watching "Monogatari Series: Second Season", I did a rewatch of all previous shows, in order they came out: "Bakemonogatari", "Nisemonogatari", "Nekomonogatari (Kuro)". First, it was a good thing I did it, because I really did miss two episodes in first season, because they were released as specials. And second, it really put me in the mood for fresh season.

The new season, "Monogatari Series: Second Season" consist of five arcs. Surprisingly, all these arcs deal with previous girls, while I expected introduction of new characters. But don't take me wrong - this is a superb show and there is no feel of recycling old themes. It's hard to write a one-paragraph blurb since all arcs are very different, but if you liked old seasons (especially if you like original "Bakemonogatari") you will love this one!

First arc came as a surprise. First, there is no Araragi - he is absent and is only mentioned. This means that we see story first time from other people's eyes and it give us a different perspective, especially on Senjougahara and Hanekawa. And Senjougahara is very funny here.

I was again reminded how this show greatly uses nonlinear storytelling. We see (or they are mentioned) a bunch of new characters and previous events that we know nothing about, but everybody talks about them as they were shown. And later when they really are displayed, they came out completely different that we expected. Like constant mentions of first meeting between Araragi and Shinobi (which should be shown in announced movie "Kizumonogatari"). Also, a lots of stories remain unresolved (I hope they are saving it for later). This first arc uses another dirty trick by those missing Black Hanekawa scenes - you will know what I am talking about, believe me.

Another trait of this season is that it the show lost much of it cuteness and became more morbid, serious and violent. It always did have these elements, but they were not so evident mixed with playfulness and fanservice. This is so evident that even the faces changed - Tsukihi is much more rugged than in "Nisemonogatari".

Second arc is good, but not as epic as other ones. I didn't expect a time-travel/zombies story - it didn't really fit in my idea of "Monogatari". But it was quite good in the end. I especially liked Oshino's letter to Araragi.

Next comes the third arc, with introduction of that ominous Oshino Ougi and with Sengoku Nadeko. I never liked her in previous shows, but I really didn't expect what happened here. It is another arc that is not told from Araragi's POV and where he is almost nonexistent.

Fourth arc is similar to second one - not so epic, but good in its own way. We learn much about Shinobu's past, which was a surprise to me. We also spent more time with two new characters. Well, Ononogi Yotsugi was introduced before, but only shortly. She was a great character in this season, especially with her strange ways of talking. The other one was Gaen Izuko - very mysterious characters who adds several layer of confusion to all that has happened. We will see more of the in the future, mark me. Also, this arc is a pretty sad one.

And then came the last arc, the masterpiece! It is told from point of view of Kaiki Deishuu! Yes, him. The one man I would never expect to told a story, especially concerning how he lies to everybody including himself. Add to that the fact that this arc is told in by-the-book noir style (including the raincoat), it is really something. I was swept with last two episodes (especially the cliffhanger in penultimate one).

It reveals some unexpected facts, about relationship between Senjougahara and Kaiki. I was surprised how Araragi was made to look like a child in last episode - let an adult resolve the situation! I later realized that this arc had not one ecchi or fanservice scene. Anyway, now they have to make a sequel, they can't be so cruel not to reveal further story.

Now, little bit about technical side. There are 26 episodes in this season, but episodes 6, 11 and 16 are just recaps, so feel free to skip them. The visual side of anime is on the standard level for this series, maybe somewhat darker and rugged. There are several OPs and EDs, of which I really liked only one. Be careful, because there is sometimes more story after ED and sometimes there isn't. Oh, and I didn't like the short haircuts.

Well, in the end, there is not much to say that I consider "Monogatari Series: Second Season" the best anime of 2013 (with "Shingeki no Kyojin" on second place). Even better than the original "Bakemonogatari"!

Book review: "The Proof House" by K. J. Parker

After "The Belly of the Bow" I was dreading to read its sequel, "The Proof House". But K. J. Parker's writing is so good and he has more books in the same setting, so I just couldn't skip this one.

In "The Proof House" we again meet with Loredan family and their friends. Few years after the events at Scona, Baradas Loredan is currently a sapper in Empire's army, besieging the town of Ap' Escatoy, a siege that has taken some years. He more or less accidentally terminates the siege and becomes a hero of the Empire, which earns him a sinecure at the so-called Proof House - a factory for producing and testing armor. But this position won't last long, because Empire has decided to conquer the Plains, ruled by King Temrai, and who better to lead it than Temrai's old enemy, Baradas...

First, the setting gets another large expansion, with introduction of the Empire. It is a vast, continent spanning empire, where you need weeks to travel over it even by usage of fast carriages at Post Service. It is ruled by Sons of Heaven, tall and aesthetic people based on Arabs (partially). You can get best impression of Empire by the importance it puts on Perimadeia, Shastel, Scona and Island - it dismisses them completely. I read somewhere that Empire will take a much larger role in following books.

One of distinct features for this trilogy was scenes that deal with the Principle. I can't say exactly what, but they are different here than in last two books. More strange, and more abstract. And of course, the explanations actually confuse you more.

Story is typical for Parker, with lots of unexpected twists and side-stories. Temrai's plot is funny at the beginning, but you ask yourself for how long, because this is Parker after all... There are a lot military scenes and parts, which are done with a lot of details and expertise. Politics play a large part, especially with the Island sub-story.

There is no new characters in "The Proof House", except few unnamed Sons of Heaven and one Island trader, so you know what you can expect. They are really a piece of work. I don't want to reveal any spoilers, but you can expect bleak ending for most, or you could say all, characters... There is a place in the book where Iseutz does a great summation of the Loredan family. Baradas is really scary, which I didn't realize before.

But I presume that you are wondering about the feel of this book. After that surprise in "The Belly of the Bow", I was prepared for everything in "The Proof House". It is a very bleak book, mixing fun and revulsion between scenes. Casual storytelling of violence of war reminds me of Erikson, even though with more extreme examples. One important feature: battles are only lost, never won. This is not a sick book like middle one, but the ending... I don't know whether to laugh or cry...

I have to mention that Parker is a great writer - for first two chapters he is focused only on hear, taste, smell and touch - there is not one clue enabling you to visualize the scenes.

All in all, I am satisfied with "The Proof House". It is not for everyone's taste, with its violence and bleakness. But if you like "Colours in the Steel" and survived "The Belly of the Bow", I think you will enjoy this one. For the whole "The Fencer Trilogy", I give it a solid passing mark.

Anime review: "Shingeki no Kyojin"

Well, this hasn't happened in a long time: that I finished an anime season in a day. I watched first two episodes at Friday evening, and spent whole Saturday watching until I finished all 25 episodes!

"Shingeki no Kyojin" (or officially "Attack on Titan", which doesn't make sense) is a shounen action anime. The story places as in future, where humanity has been reduced to medieval level by appearance of non-sentient, human-eating humanoid giants called Titans (imagine giant nude zombies). Humanity is currently behind tall walls place in several concentric rings, enjoying relative safety for last hundred years. It all changes with appearance of a Colossal Titan and an Armored Titan, that together are able to penetrate the walls at one place and release other Titans at people. During this fatal defeat, we are focused Eren, Mikasa and Armin, three kids living in town where the breach happens. After managing to stay alive, but witnessing Eren's mother being eaten alive, Eren vows to slay all the Titans. This brings the three of them to join the training for the Survey Corps, only people that still fight against Titans on their own territory...

My first impression was that good, because I like vivid and strong colors in anime. Next I thought how the anime was a bit over the top with imagination and not very consistent (flesh-eating giants, 100 years of solitude). I was especially off-put with the claim about walls being set in circle with 250km diameter, when you could obviously see the other side of the wall! But then things started to unravel slowly, and I was hooked.

So, even though "Shingeki no Kyojin" is primary an action anime, it has a large dose of mystery. And not the type where character finds solutions which no one would ever realize, they solve them gradually by getting more information. Also, the setting reveals very gradually (there are some info-dumps, but not too clumsy), so almost every episode you learn something new. There was a few surprising reveals (especially the last one!), but they were done nicely and consistently. What I did dislike were too long intros and recaps of last episode at the start of each.

There is really a bunch of characters and you will sometimes have trouble to know who is who. They are typically shounen, so don't expect miracles, but they are pretty solid and interesting. The good thing is that they grow much during the show. I really liked how the author was not afraid to kill them.

And this brings us to the atmosphere of "Shingeki no Kyojin", which is the best part of it. This is a very brutal anime, with lots of tragedy, death and sorrow. I didn't expect so much pain in shounen anime. There are nice changes between fast action pace and slow reminiscence and melancholy. It is compared much to "Claymore" - I agree with this comparison, even though the anime is original enough. Action is pretty good, if you can suspend your sense of mechanic. There is even some comedy, and pretty good one (I really liked Sasha).

I've read some comments about this show having horrible design and animation, but I disagree. I admit that it is simple and not beautiful, but I think it goes great with the atmosphere. I really like the discrepancy between Titan's look and behavior. Voice acting and sound were OK, but OPs were terrible. I didn't even try to listen EDs.

All in all, I really enjoyed "Shingeki no Kyojin". It simple enough for shounen fans, but with enough details for other to enjoy, with great dark and violent atmosphere and lots of mystery. I can't wait for the next season.

Book review: "War Master's Gate" by Adrian Tchaikovsky

Well, I am going onward with "Shadows of the Apt" series by Adrian Tchaikovsky. I finished the ninth and so-far last book in series, "War Master's Gate", which means that for the first time I have to wait for sequel to come out. This is too bad, because the series became great in last few books!

"War Master's Gate" is the first book in series that breaks the usual pattern, but the things have come to a level where everything is epic and you can't separate magic and technology storylines. It continues the events immediately after last book, "The Air War". This means that the war for Lowlands and Collegium continues where it stopped, minus the focus on air duels - even though they still play a large role in this book. General Tynan tries for the second time to conquer the Collegium, but Warmaster Stenwold Maker has his own trick to throw at them, and this time, the air supremacy in on Bettles' side. Up north, General Roder was on a way to attack Sarn, but he is stopped by direct order and appearance of Empress Seda, who has personal interest in the forest that hides the Mantis holds Etheryon and Nethyon. Sarn also has a new Tactician, who will prove a menace for both Sarnesh enemies and allies. And in the forest itself, Cheerwell and Seda confront directly, in race to conquer the old and dark power, not suspecting that this power is there to guard something even more terrifying...

It's good thing that I read the previous book not so long ago, because the series has progressed so far that you really need to be familiar with rich setting and large cast of characters. Even so, some references to past events were blurry to me. As I said, the book continues immediately after the events in the last one, and it feels very much like it. Again we have a big focus on military, sieges, defense, air machines and so on. There are no much new inventions, but Tchaikovsky uses marvelously what he brought so far, and makes a very consistent and unique setting. On the side of magic, here we have as large upgrade as we had with technology in "The Air War". We learn much about history, see some direct uses of Moth and other magic, and see first evidences of a new player to come.

Plot is very complex, mostly because it is shown from so many POVs. Constant jumps are maybe a bit tiring, combined with short chapters - but at the same time it forces one to read on. There were lots of surprises throughout the book, especially because they came as surprises to the characters themselves (the Hornets, for example; or Empress' orders for Spiders). The book ends in several cliffhangers, like the fate of Che and Seda. Similar is with Stenwold Maker - his part look a bit obvious, but maybe it is the exact opposite. The ending is very strong and emotive; especially between Tynan and Mycella, and Eujen and Straessa. A great part of the book is the epilogue, with afterlife in Collegium, and first appearance of the Worm.

Characters are also phenomenal, both old and new. We actually don't spend much time with most of them, but because of fast POV changes it feels like we do. The number of character in series has grown much, even the important characters. At the beginning of the book we have a superb scene with Che, her first impact on the Ants, Mantids and rest. Tchaikovsky became great in presenting all sides of the conflict without playing favorites. When the fight is told form Wasp's POV, you are rooting for Waps; but when the same battle is told from Collegium's POV, then they are your favorite. Also, he is not afraid to really kill the characters. The fate of Mantis race was a very sad and powerful scene, and it was masterfully told from several side: the sadness, the anger, the fear! Also, again a nice moral ambiguity with Collegium and Sarn turning themselves to Wasps to defend from Wasps.

I can honestly said that with last few books, and especially with "War Master's Gate", this series became one of my favorites. Great battle scenes, both technological and magical; powerful and emotive scenes from both sides of conflict; and revelation that will shake the plot so far. An excellent book.

Anime review: "Genshiken Nidaime"

I have watched the original first few seasons of "Genshiken" six years ago. I forgot much of it, but I remember it was one of my favorite anime in that time. When I saw a new season is coming up, I was of course very interested and watched it as soon as I got the opportunity.

"Genshiken Nidaime" takes a year after the last part. All original cast has a role in this one, but more focus is those still in college and formally in Genshiken (Ogiue, Ohno, Sue, Kuchiki) and three new characters Hato, Yajima and Yoshitake. In the first episode it turns out that all member of the new Genshiken, except Kuchiki, are girls in love it BL (boy love), or "rotten girls"...

There is no point in going deeply in the plot of "Genshiken Nidaime" because it is not a series with real plot. "Genshiken" was always focused more on daily or school life of characters and their relationship. The difference between the previous seasons and this one is that here there is a big focus on subjects like boy love, cross-dressing and similar. "Genshiken" always touched similar topics, but not in such way. It didn't bothered me, but nor did I find it very compelling. There was a lot of talk about bullying and accepting different people.

A big focus is put on relationship between the new character Hato and Madarame, and his obsession with Kasukabe. There is a good scene and resolution between her and Madarame that I think all the old fans will like. I am sidestepping talking much about the character because there are few surprises and I don't want to reveal any spoilers.

As I said, I don't remember much about the original, but I think that visually it was even better than this one. "Genshiken Nidaime" has unattractive design and animation. Voice acting was good, but there was no other attractive music. I think the production was poor. Also, I don't remember the original having so much fanservice.

For conclusion... If you haven't watched the original "Genhiken" and you like daily life and otaku anime, you definitely need to watch it. As for "Genshiken Nidaime", it is for the fans who wants the continuity and they will find it good. But I think that even the most avid fans will find it poorer that the original.

Book review: "Perdido Street Station" by China Miéville

I have finished reading China Miéville's "Perdido Street Station" almost two weeks ago, but I had so hectic last two week that I didn't have time to blog about it. I actually read this book a long time ago once, borrowing from the library. I had a notion that I remember this book quite well so I was reluctant to buy it, but I wanted to reread it before going to next two books ("The Scar" and "Iron Council"). So I decided to buy it after all - and ended quite surprised how much actually I have forgotten!

(for great fan-art, Google images for "Perdido Street Station")

"Perdido Street Station" is one of those books that are really hard to describe, especially their plot. Whatever I write, I will miss the point. But here is a try... "Perdido Street Station" tells a story set in very imaginative setting, the City of New Crobuzon, which includes magic, alchemy, science, science fiction, insect races, magical races, demons, spider-gods, cyborgs, artificial intelligence, flying people, oppression, horror, religion and education, among a bunch of other things. In the midst of it is Isaac, a underground scientist who, working on another project, happens to free a strange breed of gigantic moths that feed on people's conscience. Moths start to terrorize the whole City and Isaac becomes target to both the totalitarian regime the rules the City and by a drug-lord that was making money by moths, which forces him to try to catch the moths on his own...

I haven't read much books by Chine Miéville (only this one and "The City and The City"), but even I know that he is famous by his imaginativeness. And this is quite obvious here, especially in the first part. First part of the book especially, but also the book in whole is written in "look at my beautiful garden" form (I borrowed this from Jo Walton and her review of "Aristoi"), where Miéville plays and shows off his imagination. But this is a good thing because he builds a great setting - the list I mention in previous paragraph is only a part of it, notions I could describe in one word. He sometimes goes quite deep in details, like with descriptions of khepri's society, or with the handlingers. But here is also the problem of this book. Even to me, who like this kind of stuff, this wild and weird setting managed to become too tiresome on occasions. Imagination is good, but there has to be some boundaries. Luckily, this happened only few times while reading the book, so it can be forgiven.

It would take too much time to mention all great ides Miéville shows, but I have to note the Weaver and the daemons. I am really curious what more can he think of in the next two books with same setting to keep this level of freshness...

As with the setting, there is a bunch of characters in the book, but only two of them can be said to be main characters. Isaac is one, of course. He is an eccentric, a genius dropping out of college, hanging out with artist and working for the criminals. On the other hand, he is fat, clumsy, and not really someone you could look upon to. This is what makes him such a lovable and aspiring main characters. The other one is Yagharek. We don't get much from him, and I don't want to reveal spoilers, but those short intrusions with his POVs were really impressing. Miéville succeeded in giving him a very powerful voice, for all his tacitness. As I said, there is bunch of other characters, but with the exception of maybe Lin and Derkhan, they are not too important. But you can be sure that they are written in detail and flamboyant as the rest of this book.

His writing is very good. Although he can become tedious with the details, it can be forgiven. The book is violent, dark and graphic. And after finishing it, I realized that it is maybe a bit too depressing, with no happy end too much pain. Also, the book has a lot of morally questionable or rightly unfair decisions. A big example is with the sick old man in the end. The government, who is in the beginning described as comically evil, turns out to be the real villain.

Another thing I wanted to mention is my surprise with how much of this book I have forgot. When I started reading it, I had a misconception that I know it from the beginning to end, especially the plot. First I was surprised by the quantity of details I really had no recollection about. But the real surprise came when I finished two thirds of the book and realized that I have no idea how the book ends! The moth-hunting, I had no idea about it. I felt like I was reading a different version of the book, with the same beginning but a different ending. And to thing how much pride I put on my memory...

So, if you like weird books, a lot of details and imagination large as an ocean, "Perdido Street Station" is a book for you. You can think about China Miéville as a dark and gritty version of Terry Prachet, having fun on the tropes. Not a book I would recommend to exclusive fans of classical fantasy a la Tolkien.

"Vorkosigan Saga" reread: "The Vor Game" by Lois McMaster Bujold

I am going forward with my reread of the "Vorkosigan Saga" by Lois McMaster Bujold, so last week I finished "The Vor Game", the second book featuring adventures of Miles Vorkosigan.

"The Vor Game" takes place few years after "The Warrior's Apprentice". Miles has spent last three years in the Imperial Academy, training to become a normal (as he can be) Barrayaran officer. After finishing it successfully, he gets another test before being let to proceed with his career - a 6-month post on Kyril Island, one of most extreme and stressful bases on Barrarayar. After almost managing to avoid any troubles, he is forced to choose between his career and his conscience, which again lands him in political troubles. All this is just a prelude into his new adventures that will once again join him with his Dendarian Fleet. Miles will be forced to manipulate both his friends and his enemies. But this time, much more depends on Miles - life of his Emperor, and fate of several planets.

Even though "The Vor Game" was written after several other books in the same setting, it is not such a smooth read as was "The Warrior's Apprentice", at least in the beginning. Bujold introduces a lot of expansions on the setting and throws in a lot of unfamiliar terms (fast-penta, galactic history and relationships, and so on...). Nevertheless, this doesn't damage the enjoyment of reading this book. Again, Bujold was able to make a SF setting far in the future without disclosing the technology behind it - instead focusing on characters and the plot. Again, the book is darker than I remembered it.

There are lot of similarities between plots of "The Vor Game" and its prequel, but as I said before, this one is for bigger stakes. First part of the book (one third, maybe) is focused more on Barrayar, and it brings it much closer that the first part had. But as the book goes forward, so the plots becomes much faster and risks bigger. My favorite part of it is the head-to-head negotiation between Miles and Commander Cavilo near the end - some really good fast-talk. It is funny and thrilling at the same time.

Characters are Bujold's forte, starting with Miles. You can see he has grown, but he became more solid and thicker in the frames that were set in "The Warrior's Apprentice". Other characters are also great. In this book we are first time really introduced to Simon Illyan who will have a large role in series, as one of most important reference points for Miles. If I have to point one thing that I didn't like, that was the easy shortcut that Bujold took with Admiral Oser.

"The Vor Game" continues and expands the formula Bujold wrote with "The Warrior's Apprentice" - a thrilling and rushing military SF. Except if you are a really hard-core hard SF fan, this is a book and series I would recommend to anybody

Book review: "Feast of Souls" by C. S. Friedman

I haven't read anything by C. S. Friedman before, but I had one or two of her series in my wish-list, since I encountered her name on several top-lists and reviews. I was choosing between "The Magister Trilogy" and "The Coldfire Trilogy", and finally picked the former, for no special reason, and bought "The Feast of Souls", the first part.

"The Feast of Souls" takes place in imaginary medieval world. Among regular people, there also exist witches and Magisters. Witches (both male and female) are able to do magic (witchery), but it costs them their life-force - the bigger the spell, the larger the price. Usually witches die in the middle years, except they are miserly with their power. On the other hand, Magisters, who are all males, have unlimited power, and they guard their secret hard. Magisters usually act as advisers to kings and rulers, but in truth they are the secret power behind thrones. In such world a young witch Kamala comes to a hermit-Magister Ethanus to teach her how to become the first female Magister... Several years later, Prince Andovan, one of sons of the most powerful King Danton Aurelius, become sick with the mysterious illness called Wasting. His search for the cause will set him on a course to Kamala, and both of them toward their destiny as ancient enemy of humanity begins to appear again - the soul-eaters!

As it is, such setting as in "The Feast of Souls" is a pretty much typical for fantasy. Medieval society, magic, Princes and Queens. I admit that the witches/Magisters thing is clever, but you are able to guess most of the details pretty soon and accurate. Even after first quarter of the book I was hoping for something to come and surprise me. I did get my satisfaction in second part of the book when Northlands and the Ancient Evil come into play. I must admit that the ikati come as nice villains and looking forward to learn more details. I also liked focus on Magister's society and rules in later stages, which are pretty detailed.

The plot is also typical, but it has its strong points. There are several players that are left unknown, so we have enough reveals to expect in second and third book. Again, the ikati storyline is the most interesting part of the plot. The big part of suspension is curiosity how Kamala and Andovan will be able to sort out their differences, because it is obvious from the start that they will be forced to do so. And we are not left disappointing - their (or better say, his) resolution is very surprising and interesting - and leaves her consistent.

There are lots of characters and again, lots of to discover in further books. Kamala doesn't really become a character until the second half of the book. Friedman writes her well, giving her much and important doubts to dwell upon. Andovan is pretty much common characters, but that doesn't mean he is boring. I especially liked Colivar's characters - and hope to learn more of his history. Queen Gwynofar is a very interesting character. Although this is not the rule, female writers usually create very good female characters (or at least more complex) and so is the case with Friedman.

Again, I liked the second half of "The Feast of Souls" more that the first. I really have to admit the book had a good ending - surprising and clever. And opening space for the next book.

Of Friedman's writing I can't say much. She has interesting characters, and gives some exciting chapters, but doesn't insert many original and unique fantasy elements.

All in all, "The Feast of Souls" is a solid fantasy book - not the best I have read, but far from worst. I have enough interesting parts to justify continuing with the trilogy. I think readers who focus on characters more than on plot or setting will be more than satisfied with this book. Also the fans of Robin Hobb.

"Vorkosigan Saga" reread: "The Warrior's Apprentice" by Lois McMaster Bujold

When I was in high-school and library was my only source of books, and very limited one, "Vorkosigan Saga" by Lois McMaster Bujold was one of the series that I would read every year or so, including also ASoIaF, "The Lord of the Rings", "Hyperion Cantos" and few others. Since I refocused myself on buying new books I haven't reread these books, which means some 10 years. But Bujold has published two new books in series recently and before reading them, I decided to reread all previous books. This is not going to be a classical reread when I read all books in one go, but instead an occasional reread, one book every few months. Also, I mean to include only the main books in sequence

• "The Warrior's Apprentice"
• "The Vor Game"
• "Cetaganda"
• "Brothers in Arms"
• "Mirror Dance"
• "Memory"
• "Komarr"
• "A Civil Campaign"
• "Diplomatic Immunity"

In "The Warrior's Apprentice" we start the story of Miles Vorkosigan, the main protagonist of the series. A victim of unsuccessful assassination attempt on his parents, Miles was left physically deformed and undeveloped, which is considered a great shame and disadvantage on his planet Barrayar. Barrayar is very strict society, based I would say partly on Soviet Russia and partly on Medieval Europe, and quite militaristic. They have a feudal system and until few dozen years they lived as in medieval times (consequence of prolonged isolation from other human cultures), but recently they again acquired means to interact with other planets. This, of course, caused many changes on their culture which is now a mix a feudal society and high technology democracy (swords and spaceships). It is understandable that as a freak and invalid Miles is feeling awkward in his surrounding, especially as heir of famous noble family, distinguished by its past victories. Additionally, Miles' father is former Regent of Barrayar Empire and current Prime-Minister. After failing to join the Imperial military academy (both his and his father's and grandfather's dream), Miles is feeling like having no reasons for life anymore. To past the time and to help his childhood friend to see some of the world (universe), they travel to Beta Colony, his mother's home-planet, where they will more or less blindly wander into an adventure including space mercenaries and civil war on another planet...

Books in this series always have interesting plots, even though they are driven primarily by Miles' characters. Such is this one: after using his cunning and intelligence to pull himself and his followers from one trouble, Miles usually manages to entangle to another, more dangerous one. Add to this his basically chivalrous nature (especially toward women and weak) and the fact that his family is one of the crucial members of his culture, you can surmise that these plots are pretty vivid. Nevertheless, Bujold's writing makes all this feel natural and consistent. 

Point of view is third-person, but it reveals much of Miles inner working, which is probably one of the biggest appeals of the series. It relies very much on his hyperactive behavior and his byzantine plots. Other character will get more (much more) place in further books, but in this one we focus mostly on Miles and more-or-less only superficially get to know other characters. Miles presents a very interesting plot, with his physical deformities but great mind. His motivations are also very intriguing - even though his society hates or dismisses him, all his life he tried to become a part of it. This will prove even more the focal point of series in later books.

As I mentioned, setting is SF, with advanced military technology, worm-holes for space traveling and other wonders. On the other hand, we have Barrayar, which is such an antique society (it is considered almost barbaric by others). Later we will get to know other, even more quaint places. Bujold made a very successful mix, drawing both fans of SF for the setting, and fans of fantasy for the plots and characters. Because, in essence, replace technology with magic and you get a classical fantasy book. Technology never gets much background explanation and this makes it still feel fresh (even though some of the books were written 20 years ago).

I remember these books as very easy and fun read. So I was left a bit surprised how dark this first book actually is - and further books are even darker. Sure, we get a happy end (or a kind) in every book, but main characters do die or suffer irreparable damage. And they deal with it. Innocent and weak also suffer and our protagonist is not always able to save everybody. So, a pretty realistic books - not gritty but not sunny also.

So, as a start of the series, "The Warrior's Apprentice" is a very good book. Interesting, with flamboyant main character but also with a dose of realism, with solid setting, it is a book I would recommend to anybody, not just fans of specific genre. One of my favorites...

Book review: "Emperor of Thorns" by Mark Lawrence

I don't usually read sequelling books immediately one after another, but like to spread them over some time, maybe insert a reread now or then. But after reading "Prince of Thorns", I just couldn't resist reading "King of Thorns", as I also couldn't resist reading "Emperor of Thorns" immediately it was published last week. With this, I finished "The Broken Empire" trilogy by Mark Lawrence.

"Emperor of Thorns", similarly to KoT, has three plots-lines. The main one, the present, is happening two years after Jorg Ancrath's defeat of Prince of Arrow and becoming a King of seven nations, instead of just one. As the book starts, Jorg is just preparing for a journey to the Congression, a meeting of rulers that happens every four years and on which the Emperor can be chosen. Jorg is going there pretty sure he will be selected Emperor, because if he is not, he will pretty upset... Second plot continues immediately his adventures at Horse Coast, expanding them eventually to continent of Afrique. And while in KoT we had Katherine's story, here we have Chella's story, a POV by character opposite to Jorg from the first book.

If you have read first two books in "The Broken Empire" trilogy, you know what to expect: blood and violence. In my review of "King of Thorns", I said one or twice that Jorg felt softer than in "Prince of Thorns", not killing or maiming people randomly. This is also true here; as Jorg says, he has overgrown killing people on whim, but it doesn't mean that he will balk of anything necessary to protect those he cares about. And people, Jorg actually openly cares for somebody in this book. This makes him at the same time softer and harder than before. Softer, as I said, because he is not a loose cannon anymore; but harder, because he will not stop at anything defending what is his.

I really have to congratulate Mark Lawrence for making Jorg develop so much, but making it feel so natural. And also for successfully making such brutal and unique character, more evil than villains in some books, a protagonist and a person to root for. Because, it is quite impossible not to root for Jorg. And if you have any liking for anti-heroes, gray-morality or for gritty literature, you will just adore this book.

I see that I am not lonely in this sentiment, because my e-book edition had more highlights than last 10 books I read together. And consider that the book was out only few days when I have read it... This will be one of the top books of this year.

The plot is pretty interesting, especially the main one. As the book was coming to close, I kept wondering how Lawrence will be able to resolve all the started threads, but I have to admit that he did it magnificently. This book and trilogy has just a great ending - it leaves just enough questions unanswered, but gives a decent resolution of the story. Jorg keeps pulling rabbits out of his hat, but rarely it feels like something forced - Lawrence makes him pretty believable and consistent. The pace if constantly intense and there is not time for leisure. There are just so many powerful and memorable scenes in the book.

A small objection could be raised that the identity of the main villain is revealed pretty early in the book. Not openly revealed, but there are enough clues to guess it almost at the start. But this doesn't hurt the story much. Also, the plotline dealing with events in Afrique belittles the events in "King of Thorns" a bit, revealing Jorg knew about future more than enough to fix a score...

Setting was vastly expended in KoT, compared to PoT, and in "Emperor of Thorns" it gets filled decently. As I said, enough questions are with no answers to keep us waiting for more, but there are no inconsistencies. When I started reading this series, I would never be able to guess how perfect blend of SF and fantasy it would turn out to be in the end.

Again, I have to repeat my opinion that "Emperor of Thorns" will be one of the top books of this year: thrilling plot, superb main character, with unique and gritty way of presenting the story. A big recommendation for this book and the trilogy to anybody who likes dark stories!

Book review: "Colours in the Steel" by K. J. Parker

This is the first book I have read by K. J. Parker, and my reaction is: why haven't I found about him before? I can't say I was familiar with him prior to this book, but I noticed this name here and there, mostly good references and comparisons.

"Colours in the Steel" is the first book in "The Fencer Trilogy" by K. J. Parker. The story introduces as to the wondrous City of Perimadeia, a commercial and technological center of the world. Except these two things, another thing differentiates this city from the others: its unique legal systems, based on fencers (advocates) who duel to death to resolve the cases. Bardas Loredan is an advocate with quite a few years in the profession (over 10, which is very long for this kind of job), but not especially successful or known for it. A routine case of commercial law and fight with a newcomer will lead to unexpected turn of events: a deadly curse from newcomer's cousin, friendship with highest leader of magicians, and responsibility for defense of so-far-undefeated City against savage (at least until now) barbarian hordes led by young new chief Temrai...

First, I knew I was going to like Parker after reading first few pages. The writing was superb, full of light humor throughout all narration, subtle instead of forceful. I like this very much in books. It is a great fun to read "Colours in the Steel", even though the theme of it is not - imagine style of Erikson's short stories about Bauchelain and Korbal Broach, expanded to a real, serious book. As I said, there is nothing evidently extraordinary, but writing is actually superb and makes you expect more and more of this book. Another thing that reminded me on Erikson is how Parker uses the same trick of introducing a totally unimportant character, focusing on in for few pages and then discarding it. The book is not grimdark, but it isn't exactly shy of grittiness.

Setting is unique. I understand that all Parker's books are set in this same setting, only different parts of it. This book focuses exclusively on City of Perimadeia, with only few mentions of neighboring countries. But you get the feel that setting is competently imagined and consistent. It is based on classical medieval setting, but a lot of focus is put on commerce, technology and society. Actually, Parker even sometimes gets too technical with descriptions of technology. It's not boring, and you can see that he understands what he is talking about, but it can be tedious to read through. Setting is also humorous - like the Holy Pirates, and so on. I will enjoy discovering other part of the setting in next books.

There is no widespread use of magic in the setting, even though already-mentioned Order and its Patriarch Alexius play a great role. Instead of magic, you have (at least for now, we'll see in next books) only the Principle, which encompasses the nature and everything, and sometimes can be used to work wonders... Like the curse over Bardas.

Plot is good, but it is secondary to this book. It is used mostly as a mean to introduce the setting and the characters. And the characters are simply great. Bardas Loredan is perfect anti-hero: not young any more, prone to wine, lazy, not really honorable, cynic. It is really a pleasure to read about him and see the world through his eyes. Other POV characters, Alexius, Temrai, others... are all also great. Especially Temrai, who constantly wonders about his choices - which are sometimes morally questionable, so it is good that he wonders. The plot is pretty simple and predictable, but this didn't damage my joy in reading this book. If you are expecting a happy end and laugh after it, don't - this is not that kind of book. I appreciate how sometimes we skip weeks or months and characters have their own life in the meantime. Also, even though the book finishes the started plot, there is lot to discover behind it - and I wonder where this will take us to.

As I said, I am somewhat disappointed in myself for not discovering Parker before. But if sequels of "Colours in the Steel" prove as half as good as this one, it means that I have a dozen good books to read in future. I recommend this book to all fans of darker and anti-heroic fantasy.

Book review: "King of Thorns" by Mark Lawrence

Since I was at vacation the Monday I finished "Prince of Thorns" by Mark Lawrence, Tuesday next day, I continued with reading its sequel "King of Thorns". I must say that it's been long since I have read with such enthusiasm, leaving everything else besides! I was able to finish it at Tuesday after noon.

After getting his revenge in "Prince of Thorns" and becoming a King of Renar Highlands (one of the smaller and poorer regions in the neighborhood), Jorg is still not peaceful because there is another his unfulfilled ambition: becoming the Emperor (of the World, just to mention it).Four years after and he is sitting in his (only) castle, waiting for his future bride (whom he never met) and slowly becoming surrounded by army ten times bigger than the one he has. And to his greater chagrin, this army is led by Prince Orrin of Arrow, favorite by people and nations (for being good and caring ruler), descendant of last Emperor (while Jorg's line descends only from his Steward), and most important, favorite of all magicians and soothsayer (the real power behind thrones). So, what does a person in Jorg's position does? He attacks, of course...

"King of Thorns" is a different book from its prequel. First, it's longer: around 500 pages, where PoT was some 300 pages. While PoT had two timelines (the main one, and one four years ago describing how Jorg becomes what he is), KoT has three. First, there is again the main one, which I described in last paragraph. Curiously, this line of events get only sporadic chapter, at least until the end, when it really hits. Again, there is one happening four years ago, describing what Jorg did after coming to Renar Highlands and what lead to his "quarrel" with Prince Orrin. I was very surprised with this part, because after PoT, I didn't expect to find a classical fantasy quest/journey, where Jorg travels around the country, meeting new and old people, and does some "training". And third, a minor plot-line is a collection of excerpts from private diary of Katherine, who Jorg met in last book and who become his object of... Well, we'll not call it love, so call it obsession. I like it when storytelling is nonlinear and there is lot of wandering during it. So, definitely a plus.

Another thing that differs this book from previous part is that it is much softer. While "Prince of Thorns" was full of raping, murder and torture, "King of Thorns" is much lighter. Jorg is still cynical, dark and "practical", but he doesn't even meaninglessly kill anybody in this book (well, there's maybe that part with the lion...). His band of Brothers is still here, even though much smaller, but they also grew accustomed to some other principles. One could say that this is a complete reversal, but Lawrence wrote it so well that is feels very natural. On the other hand, there are still lots of graphical descriptions and not-so-honorable acts (hello Miana) that we all like so much.

Even so, Jorg is much softer. Not only in his conduct (he in now just a political psychopath, instead of a literal one), but is his skill also. While in PoT there was no task impossible for him, here we see some of his limits. But don't worry, Jorg is a resourceful one. Now he plays for larger scales that just revenge: strength of his country and army, position in game of thrones, even seeking alliances. This book is full of his retrospectives and memories of childhood. Even a happier childhood, in some instances...

As I said, I liked the traveling sequence, especially when he comes in the south - it reminded me to some other, more classical fantasy books when our hero trains to become a hero. If you gave only this few chapters to someone who haven't read "Prince of Thorns", he could have thought this a regular fantasy book... I also liked the part when they met the Circus.

One of strong-points of "Prince of Thorns" was its setting. "King of Thorns" tops it by a good margin. You can see it by map, which is much larger. But you also get more information about its history and present. Magic "system" also gets extended, and some new enemies have their introduction. I have never met Jack Vance's "The Dying Earth" stories, even though I hear much about them. I read some reviews mentioning that post-apocalyptic part of the setting is strongly influenced by this works, so I will definitely read them in future.

While "Prince of Thorns" was a great book, "King of Thorns" is even more so. I can sincerely say that it was one of best books I have read lately, in range of R. Scott Bakker, Joe Abercrombie's earlier books, Patrick Rothfuss. If "Emperor of Thorns", which is due for publishing very soon, be a book good as this one, "The Broken Empire" series will be one of the best ever! Definitely a recommendation to fans of first part, but also for all those who like a darker fantasy.

Book review: "Prince of Thorns" by Mark Lawrence

I have noticed "Prince of Thorns" by Mark Lawrence immediately after it came out, even though I don't remember how (I think of Tor.com), and it's been sitting in my Amazon wish-list ever since. My initial enthusiasms dropped after reading few reviews describing it as grimdark and unnecessary gritty. But last Sunday I decided to give it a try - and finished it at Monday's morning...

"Prince of Thorns" is told from first point of view and narrated by Honorous Jorg Ancrath. When the story starts, he is fourteen years old and a leader of brutal and violent bunch of bandits called the Brotherhood. Killing a brother for challenging him as leader is a normal occurrence. Attacking villages, burning people and raping their women is what the Brotherhood do - and Jorg is a scariest of them. But Jorg is a more than a simple bandit: Prince Jorg, the only heir of kingdom of Ancrath. Jorg was always a precocious child and had the best of tutors. But when he was 10 years old, his beloved younger brother and mother will brutally killed in front of his eyes. Thrown in the bush of briars, he accidentally survives, but something has snapped in his mind... After his father the King decides not to seek vengeance against Count Renar and accepting some material amends, Jorg escapes from home in seek of revenge, but as the book progresses, it will turns out that there are more complex game being played around...

First, if you want to enjoy this book, you just have to accept that Jorg is fourteen and leader of bandit gang. We could now discuss psychological and physical problems of a teenager leading bunch of big old men, but this is out of the point - it is fantasy after all. If you can accept it, you are ready for one hell of a ride.

This book is really grimdark - very brutal and graphically violent. Killing and burning people, raping and visiting whorehouses, unstable relationships in families - you have it all. But after you finish the book, you can notice that most (but not all) of this brutal stuff is in first part of book. Like Lawrence wanted to make a state about this being a gritty book and wished to make an impact. He succeeds in both point very well, and I noticed that "Prince of Thorns" is very successful book, so you can presume that people very hungry for it. Hype for "Game of Thrones" and ASoIaF proves it, as it does the success of Joe Abercrombie's "First Law" series and its sequels, and Richard Morgan's "A Land fit for Heroes" series.

This is not just the story of revenge. It first starts as it, but as it goes on, you will notice that Jorg has other goals of just revenging himself against Count Renar. He wants to prove himself to his father (who is maybe even bigger psychopath than Jorg, in class of Tywin Lannister), but more than that he wants to "win the game" and become the Emperor (we will get back to it later). But he is not the only with a larger agenda, especially when you meet Sageous. The story in general becomes much wider after they return to the Tall Castle. Another interesting thing is the parallel story of four years ago, that explains what happened after Jorg's brother and mother were killed, how he escaped and how he met the band. It also gives more background and explains how Jorg became the man (he is definitely no child anymore) he is.

The characters are also very deep. Since it is told from first POV, you get to know Jorg the best. He is just a crazy and violent psychopath at first, but you will soon see that there is more to him... You know that typical young fantasy hero, who is strong and tall good with sword, has natural affinity to magic, and it is also intelligent, outspoken and charming? Well, Jorg is exactly like that, only he is the anti-hero, using all this traits for getting his goals through, never mind who gets killed or injured along the way. He is terrible, but you have to root for him on account of his gutsiness and "never bend" attitude. Nevertheless, Lawrence is smart enough writer and makes him have some weaknesses, not to make him irritating. It reminds me much on Richard Morgan, whose Ringil is also so confident, but you see him afraid and insecure sometimes. Other characters are interesting and have several shades to them, but Jorg is the star of the book. I liked the short descriptions of Brothers before chapters - they were quite funny (in gristly sort of way). There was also a touch of Black Company camaraderie and Croaker's humor in Jorg's descriptions of his fellows.

Another surprise is the setting. In the beginning, Ancrath is just a typical medieval kingdom, and so it the world. Sure, there are some ghosts and some, let's say magicians, but this is typical fantasy at first. But as the book advances, you realize that this is actually a post-apocalyptic world!! The story takes place in Europe, castles are actually skyscrapers, and some of the magic is actually technology. I liked this turn of events very much. There is some really magic here also, but it fits very well.

Lawrence writing was very easy to read, without being too simple, and the book has very fast pace. Unfortunately, it is quite short - only 350 pages. But, at least is very intense read. Another small objection I have is that Jorg is sometimes just too lucky, even for a fantasy-story protagonist.

So, it can definitely be said that "Prince of Thorns" is not just a "gritty-book". It starts very violently and simply, but it expands in every way: story, characters, setting. For fans of Martin, Abercrombie and Richard Morgan...

Anime review: "Hyouka"

Few weeks ago AnimeReactor Community Awards were finally out. Most of the anime I watch I find and pick by myself, but I always check this yearly selection in case I miss some (I usually do). For last year, "Hyouka" won in three categories: Character Development, Male Lead and Slice-of-Life. I noticed "Hyouka" before, but I looked like a typical school comedy, probably based on some dating-sim or video-game, so I decided to skip it. But winning three categories made me change my mind, especially in these few weeks without any expected anime out.

"Hyouka" had a pretty uninformative and general description. Oreki Hotarou has just entered high-school. He is almost typical boy, except for his philosophy - he is an "energy-saving boy" and his motto is: "If I don't have to do something, I won't, but if I have to, I'll do it quickly.". Meaning, he avoid any unnecessary effort and obligation, even though he is not lazy. According to his life-style, he would avoid joining any high-school clubs, because it would ask for additional effort, but he is forced by his older sister to join Classic Literature Club. There he meets Chitanda Eru, also from his year, who is a very curious and dynamic girl - his complete opposite. Later they are joined by Fukube Satoshi, Oreki's best-friend, and Ibara Mayaka, a friend from their junior-high school.

Plot of "Hyouka" stems from Chitanda's curiosity (her phrase is "I can't stop thinking about it") and Oreki's uncanny ability to connect seemingly uncorrelated facts into a theory or explanation. It turns out that Oreki is a natural born detective - when he can be coerced to leave his usual low-energy state. There is no overall plot in this anime, only a bunch of standalone episodes and three mini-arcs made of two or three episode. At the beginning, I was wondering why this anime got an award in Slice-of-Life category when it was clearly a detective anime, but toward end focus shifts more to characters and their daily life than to plot.

Also, a word of advice. This anime has a pretty slow introduction, so give it some time to really start. It you like it when it reaches Seikitani Jun arc, things go only better from that point on.

From my description, you probably understand that I liked this anime, although it doesn't sound like anything extraordinary. And this is true, this anime is not extraordinary - but it is very, very good in every aspect. There is no big story here, but each episode and few arcs are very interesting, even if you don't like detective stories (I don't, really). Characters don't stand out, especially at the beginning, but they grow more complex and life-like whole time during this show. Animation and design also don't look anything special at first glance, but as you watch it, you will realize that a major effort is put in details and that everything fits right. There is also some romance, some comedy and much of light humor. Looking back now, this anime is like normalized (in sense that both high and low extremes are flatted out) "Haruhi Suzumiya" show. And I think that fans of it will also like "Hyouka". Despite slow and unimpressive start, this show ends as one really good anime.

The show doesn't have many characters. Except four main, there are only some recurring supporting characters, but they are all made good. Again, I stress that this anime really deservedly won first place in Character Development category (as both jury and community pick). This is most evident in Oreki, who quite grows in self-confidence and gradually changes his life-style.

There are some unexpected quirks in this anime. First, you rarely see a minor getting drunk in anime (even when it is accidentally). Secondly, it is not common that boy is attracted to girl only psychically (at least at first), except in ecchi anime. It usually involves unrealistic romance (e.g. Harima and Tenma from "School Rumble").

The show has 22 episodes, and there is one OVA which is actually a normal standalone episode. As I said, visually anime doesn't look much, but quality is actually pretty high and it stays that way whole time. There is really much care put into details: clothes, furniture, surroundings... It is obvious that anime had pretty good production.

All in all, even not extraordinary, "Hyouka" is quietly great anime and I would recommend it to anybody who doesn't require action from anime their watch. It is interesting, sometimes mysterious, lively and fun all the way.

Anime review: "Hyouge Mono"

I don't really remember how or when it started, but I know that I have been eagerly waiting for this show to be subbed for months, maybe even more than a year. I always had a liking for historical-based items (be it books, movies or anime) and "Hyouge Mono" looked like one. On the other hand, I had some similar expectations from "Sengoku Basara" (which disappointed me very, very much) and even more so from "Souten Kouro" (which took a completely different direction than I expected). But "Hyouge Mono" fitted those expectations perfectly: a complex and deeply historical anime with a bunch of characters and realistic details.

"Hyouge Mono" is set on the eve of Sengoku period in Japan, starting somewhere in last years of rule of Oda Nobunaga. In the anime we follow the important events in Japan's history for next ten years, including the wars, politics and cultural life. This is seen primary from the eyes of Furuta Sasuke, who starts as a lowly vassal to Oda Nobunaga. What differentiates Furuta from bunch of other warriors and vassals is that he is actually more of an aesthete than a warrior. But to enjoy life of an aesthete, one needs to have money. Luckily for him, aesthetes, especially those interested in the way of tea, are on the rise in this time...

Sengoku period is a very turbulent time for Japan, a time of constant warring before final unification of Japan. Of course, such times gave rise to many popular warriors and leaders, like Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu (to name the most prominent). And as such, it is a ripe pool of ideas for anime.

There are several obvious and important aspects that make this anime different from your usual one. First one is that Furuta is in no way the main character - the show doesn't actually have one. Furuta is only the means through which we follow the events, plot and other characters. He is not even an important man, especially at the beginning of the show, and he has to bend toward the will of others. In the end, he is just a conveniently placed close to important people with small influence on the events. This is a somewhat common occurrence in books (let's only mention Guy Gavriel Kay, who use it all the time), but I don't remember seeing it in anime much (maybe in few josei anime). Actually, there is even less focus of Furuta in later parts of anime.

Secondly, it cannot be said that this anime has a plot in classical sense. We are suddenly immersed in an ongoing world full of events, we follow it for some time (10 years and 39 episodes) and then we leave it without the feel on conclusion you have when some show is finished. At one time, somewhere around 25th episode, I have made a note "totally don't know where the plot is going", because I expected first part to be the introduction and second the real revelation of the story, but I was wrong.

And third, the biggest difference is the level of historical accuracy and details. In my 200+ anime that I have watched, I don't remember ever watching such anime. I can't say that I am a student of Japanese history, since most that I know about it came from common knowledge, anime, Wikipedia and articles on Internet and magazines. There is even a warning at the start of every episode that this is a work of fiction. But on the other hand, every character, important event and even things and concepts can be found on Wikipedia or other online encyclopedia. Yes, a lots of events, or better said, reasons behind events are made more dramatic or romantic (not in sense of love), but nevertheless, the amount of accurate historical details is astounding. Interesting, characters even speak with slightly archaic speech, and subtitles that I had reflected that.

Of course, the theme of anime is strange also: the Japanese tea ceremony. I never encountered this before, and I thought it to be completely fabricated. I was very surprised when I went to Wikipedia and found out that it isn't. This gives the anime a somewhat slow and serious, but at the same time funny aspect. Furuta's tea-obsession looks ridiculous from our perspective, but I see it was a serious business at the time. There is a lot of details about tea ceremonies and talk about elegance and aesthetics. If there is a message that this anime wants to convey, then it is something like: "Always do your best in everything, but never fret about it - be elegant and relaxed". This is evident for Furuta's character that is, as I said, obsessed, pretentious and overeager to become famous as aesthete, even contrary to his sincere liking of the way of tea. Later he grows much and becomes more relaxed and enjoys the tea and beauty for itself.

This brings us to another topic: characters. There is really a bunch of them and it takes time to become familiar with them (especially since lot of them change - this is war, after all). It helps if you are familiar with the Sengoku period. They change appearance, clothes, hairstyles. But more important, they really change during the anime. Furuta, Rikyu, Hashiba - at the end, they are very different people from those who they were when we met them. I even like them more in the second part of the show, when they are more mature and relaxed...

Even though "Hyouge Mono" is a serious and historical anime, there is really a lot of humor. A lots of it steam from Furuta's obsession for art pieces, and the faces he makes (I was delightful to see that Troll-face in episode 16, during the shrimp-mongering dance). Also, it is funny when someone pricks his bubble of self-importance. But it is interesting that there is some humor that is not intended toward viewer (so that we laugh at characters), but it is more the humor between the characters so the viewer can laugh with them (like when Furuta steals the tea-jar lid). On the other hand, it is easily to forget that this funny little man is actually a warrior and veteran but we are reminded of that on few occasions.

The ending was really something. It was a slow rise during few episodes to a glorious culmination - a powerful and emotional ending. It was delighted to see that mange that anime is based upon is still ongoing - which means I can hope for eventual sequel.

I was a bit disappointed by Date Masamune's appearance and mannerism, who looks like he escaped from "Sengoku Basara". On the other hand, he was very funny, and in the end did fit with the rest of characters.

Animation and colors in nothing over the top, but it is very good. Design of characters and care for details (I mention clothes and hairstyles) are on the other hand superb. As is the voice-acting.

It's been a long time since I gave some anime 10 on AniDB (I gave them all around when I was younger), but "Hyouge Mono" definitely deserves it: complex and detailed, historically based with realistic characters, no good guys, no main character, almost a slice-of-life in turbulent times - this really an unique seinen anime. Unfortunately, I don't think it will be deservedly appreciated because it will be too hard for majority of viewers. But if you consider yourself a fan of seinen or historical anime, give this a try.