Book review: "The Scar" by China Miéville

Few months after finishing "Perdido Street Station", I tried the next book set in the same setting, "The Scar". I was wondering will Miéville be able to pull it again.

"The Scar" is, as "Perdido Street Station", set in setting of Bas-Lag, but this time we are far from New Crobuzon. In the book we follow a New Crobuzon refuge Bellis Coldwine. After some problems back at home (connected to Isaac Dan der Grimnebulin and the events in PSS), she is running away, traveling by ship, with destination of New Esperium, a colony established by New Crobuzon. But during the voyage, her ship is taken by mysterious Armada, a floating city made of connected ships, whose existence was kept a secret for more than a thousand years. Struggling to find some way to escape, she is dragged into experiment whose goal is to summon an avanc, a gigantic otherworldly being. But as things go further, she realizes that the avanc in only a first step in plan made my one of Armada's rulers, the Lovers.

So, we are back to Miéville's imagination. I must admit that he did very well - he managed to expand the setting of PSS, introduce a bunch of new elements, one more bizarre than another, and without being inconsistent. As before, I noticed again a wink at "The Dying Earth", with seawyrms used for pulling and some other examples. Maybe I'm wrong, but "Perdido Street Station" felt much more technologically advanced than the "The Scar" - even though they have analytical engines and guns here, but too much swords, pistols and muskets. But I presume that Miéville wanted to go this book more piratical feel, which he certainly did. This pseudo-science he writes about is very interesting. Although , some of his descriptions are a bit too grotesque and too-much-information, especially about the Remade.

PSS was also full of implied places and organizations, but here, the setting feels much more expanded through time and space: The Gengris, High Cromlech, The Ghosthead Empire, The Malarial Queendom... Even the names are great.

The main character is Bellis Coldwine, but she is more an observer that doer. Oh, she does some important deeds, but she is mostly manipulated into doing them: by Sillas Fenec and by Uther Doul. I liked how all our misconceptions about the both of them were broken till the end of the book. The second main character was Tanner Sack. Even though he was well written and his sections were interesting, I just didn't felt any respect for him - he started and ended as victim.

The plot was very good but not as strange as were the setting and the characters. It had enough small surprises to feel interested the whole way, but neither is this the book written for the plot. Then ending will some consider a cheating, but I kind of liked it: it is one of those uncertain endings with ability to modify the whole book, depending on will you believe it or not.

As I hoped, "The Scar" ended being a similar book to "Perdido Street Station" in style, but with completely new elements that enabled it to feel fresh and original. I would recommend it to anybody who liked "Perdido Street Station".

Anime review: "Monogatari Series: Second Season"

I've been eagerly waiting for next season of "Monogatari" series since first seeing early announcement for it. I like a lot of anime and genre, but if I had to pick, this kind of weird-humor series would be my first choice (like "Durarara!!", "Baccano!", "Tatami Galaxy", "Sayonara Zetsubou Sensei"). So I felt unreasonable joy and expectation before watching the last season!

I first waited for all episodes to come out - I didn't want to be forced to wait. And before watching "Monogatari Series: Second Season", I did a rewatch of all previous shows, in order they came out: "Bakemonogatari", "Nisemonogatari", "Nekomonogatari (Kuro)". First, it was a good thing I did it, because I really did miss two episodes in first season, because they were released as specials. And second, it really put me in the mood for fresh season.

The new season, "Monogatari Series: Second Season" consist of five arcs. Surprisingly, all these arcs deal with previous girls, while I expected introduction of new characters. But don't take me wrong - this is a superb show and there is no feel of recycling old themes. It's hard to write a one-paragraph blurb since all arcs are very different, but if you liked old seasons (especially if you like original "Bakemonogatari") you will love this one!

First arc came as a surprise. First, there is no Araragi - he is absent and is only mentioned. This means that we see story first time from other people's eyes and it give us a different perspective, especially on Senjougahara and Hanekawa. And Senjougahara is very funny here.

I was again reminded how this show greatly uses nonlinear storytelling. We see (or they are mentioned) a bunch of new characters and previous events that we know nothing about, but everybody talks about them as they were shown. And later when they really are displayed, they came out completely different that we expected. Like constant mentions of first meeting between Araragi and Shinobi (which should be shown in announced movie "Kizumonogatari"). Also, a lots of stories remain unresolved (I hope they are saving it for later). This first arc uses another dirty trick by those missing Black Hanekawa scenes - you will know what I am talking about, believe me.

Another trait of this season is that it the show lost much of it cuteness and became more morbid, serious and violent. It always did have these elements, but they were not so evident mixed with playfulness and fanservice. This is so evident that even the faces changed - Tsukihi is much more rugged than in "Nisemonogatari".

Second arc is good, but not as epic as other ones. I didn't expect a time-travel/zombies story - it didn't really fit in my idea of "Monogatari". But it was quite good in the end. I especially liked Oshino's letter to Araragi.

Next comes the third arc, with introduction of that ominous Oshino Ougi and with Sengoku Nadeko. I never liked her in previous shows, but I really didn't expect what happened here. It is another arc that is not told from Araragi's POV and where he is almost nonexistent.

Fourth arc is similar to second one - not so epic, but good in its own way. We learn much about Shinobu's past, which was a surprise to me. We also spent more time with two new characters. Well, Ononogi Yotsugi was introduced before, but only shortly. She was a great character in this season, especially with her strange ways of talking. The other one was Gaen Izuko - very mysterious characters who adds several layer of confusion to all that has happened. We will see more of the in the future, mark me. Also, this arc is a pretty sad one.

And then came the last arc, the masterpiece! It is told from point of view of Kaiki Deishuu! Yes, him. The one man I would never expect to told a story, especially concerning how he lies to everybody including himself. Add to that the fact that this arc is told in by-the-book noir style (including the raincoat), it is really something. I was swept with last two episodes (especially the cliffhanger in penultimate one).

It reveals some unexpected facts, about relationship between Senjougahara and Kaiki. I was surprised how Araragi was made to look like a child in last episode - let an adult resolve the situation! I later realized that this arc had not one ecchi or fanservice scene. Anyway, now they have to make a sequel, they can't be so cruel not to reveal further story.

Now, little bit about technical side. There are 26 episodes in this season, but episodes 6, 11 and 16 are just recaps, so feel free to skip them. The visual side of anime is on the standard level for this series, maybe somewhat darker and rugged. There are several OPs and EDs, of which I really liked only one. Be careful, because there is sometimes more story after ED and sometimes there isn't. Oh, and I didn't like the short haircuts.

Well, in the end, there is not much to say that I consider "Monogatari Series: Second Season" the best anime of 2013 (with "Shingeki no Kyojin" on second place). Even better than the original "Bakemonogatari"!

Anime review: "Shingeki no Kyojin"

Well, this hasn't happened in a long time: that I finished an anime season in a day. I watched first two episodes at Friday evening, and spent whole Saturday watching until I finished all 25 episodes!

"Shingeki no Kyojin" (or officially "Attack on Titan", which doesn't make sense) is a shounen action anime. The story places as in future, where humanity has been reduced to medieval level by appearance of non-sentient, human-eating humanoid giants called Titans (imagine giant nude zombies). Humanity is currently behind tall walls place in several concentric rings, enjoying relative safety for last hundred years. It all changes with appearance of a Colossal Titan and an Armored Titan, that together are able to penetrate the walls at one place and release other Titans at people. During this fatal defeat, we are focused Eren, Mikasa and Armin, three kids living in town where the breach happens. After managing to stay alive, but witnessing Eren's mother being eaten alive, Eren vows to slay all the Titans. This brings the three of them to join the training for the Survey Corps, only people that still fight against Titans on their own territory...

My first impression was that good, because I like vivid and strong colors in anime. Next I thought how the anime was a bit over the top with imagination and not very consistent (flesh-eating giants, 100 years of solitude). I was especially off-put with the claim about walls being set in circle with 250km diameter, when you could obviously see the other side of the wall! But then things started to unravel slowly, and I was hooked.

So, even though "Shingeki no Kyojin" is primary an action anime, it has a large dose of mystery. And not the type where character finds solutions which no one would ever realize, they solve them gradually by getting more information. Also, the setting reveals very gradually (there are some info-dumps, but not too clumsy), so almost every episode you learn something new. There was a few surprising reveals (especially the last one!), but they were done nicely and consistently. What I did dislike were too long intros and recaps of last episode at the start of each.

There is really a bunch of characters and you will sometimes have trouble to know who is who. They are typically shounen, so don't expect miracles, but they are pretty solid and interesting. The good thing is that they grow much during the show. I really liked how the author was not afraid to kill them.

And this brings us to the atmosphere of "Shingeki no Kyojin", which is the best part of it. This is a very brutal anime, with lots of tragedy, death and sorrow. I didn't expect so much pain in shounen anime. There are nice changes between fast action pace and slow reminiscence and melancholy. It is compared much to "Claymore" - I agree with this comparison, even though the anime is original enough. Action is pretty good, if you can suspend your sense of mechanic. There is even some comedy, and pretty good one (I really liked Sasha).

I've read some comments about this show having horrible design and animation, but I disagree. I admit that it is simple and not beautiful, but I think it goes great with the atmosphere. I really like the discrepancy between Titan's look and behavior. Voice acting and sound were OK, but OPs were terrible. I didn't even try to listen EDs.

All in all, I really enjoyed "Shingeki no Kyojin". It simple enough for shounen fans, but with enough details for other to enjoy, with great dark and violent atmosphere and lots of mystery. I can't wait for the next season.

Anime review: "Suzumiya Haruhi no Shoushitsu"

I have watched "Suzumiya Haruhi no Shoushitsu" last Sunday, but this was such a busy week for me that I didn't had to time to review it. Now it's finally Saturday and I have time to do it.

I've been planning to watch this movie since when it came out, early in 2010. But first there were no subs available for long time, and after that I never seemed to find time for this two and a half hour long movie. I liked the first "Suzumiya Haruhi no Yuuutsu" very much, but liked the sequel "Suzumiya Haruhi no Yuuutsu (2009)" had some flaws ("The Endless Eight"). Nevertheless, I had good opinion of the franchise. And more, reviews of this movie were always very good - this move is currently rated first on AniDB.

"Suzumiya Haruhi no Shoushitsu" (or "The Disappearance of Suzumiya Haruhi") starts with what is a norm for the show - few days before Christmas Kyon is dragged into another Haruhi's crazy plan, without asking whether he agrees or not. But after he wakes one morning, he finds the world not as it was yesterday - there is no Haruhi or Koizumi, and Nagato and Asahina don't seem to know him. He must find what happened and how to reverse it - but before that, he must decide does he even want to leave this, world where he finally has a normal life...

The movie asks for some knowledge of previous series - the knowledge I unfortunately lacked, because I watched them some time ago. But there is not much of such situations, and they get explained in due course, so it didn't spoil much of my enjoyment. But if you have time, rewatch the first two series before watching the movie.

The movie starts a bit slow, but it gets very interesting later. It has a very convoluted plot and it helps if you are familiar with previous series (e.g. I forgot some of the supporting characters). I really didn't expect the culprit, and I liked the ending quite much. As usual, there is a large portion of comedy: lots of embarrassing situations for viewers, e.g. whenever Kyon embarrasses himself by confessing someone that he is from another world. But at the same time this is the most serious and most dramatic part for now.

As expected, the movie is very nice from visual side - not overly impressive, but with nice colors, characters and animation. Sounds are also good, even though it lacks the great music, such as was in the first season.

In case you are a fan of the series, you will really love "Suzumiya Haruhi no Shoushitsu" movie. I am, and I really couldn't find any flaw to it. And the fact of its highest rating tells that even other people liked this movie. So, this is definitely a movie to recommend to anybody.

New TV-show: "666 Park Avenue"

In last two weeks, my girlfriend and I started watching a new TV-show "666 Park Avenue" and became pretty hooked up on it. I watched first 10 minutes accidentally at my friend's place and we watched the first episode last week. And then at Saturday we watched next 5 episodes in one marathon watch till late in the night. Yesterday we watched 7th episode, which is the last one aired. And series is great.

It is a supernatural mystery, with a touch of horror. A young and perspective couple, Jane and Henry, arrive in New York city and talk themselves in getting an apartment in elite and old hotel called the Drake (on address 999 Park Avenue) - due to Jane's being an architect and skilled in restoration. The hotel is owned and run by Gavin (Terry Q'Quinn/Locke from "Lost") and his wife Olivia. In first episode, Gavin is implied as something of a Devil, giving people what they want in exchange for... something. We got Gavin, we got an old and maybe cursed building, we got a young girl-prophet, and we got main female character deeply connected to all this.

As for now, we still don't know what really is going around, or what exactly Gavin is, but it looks like in next few episodes we will find out. Anyway, the series is great, mysterious and well played. And even better, judging by ending of this last episode, the mystery behind everything is maybe not even magical, but steampunkish (judging by the dragon-mosaic) - which is not usually the case.

Now, the downside: ABC decided to cancel the series, so there will not be a second season! Boooooooooooooooooooooooooooooooooo!! IMDB shows 9 episodes planned, but Wikipedia says there will be thirteen - I am rooting for the second option.

Nevertheless, I strongly recommend "666 Park Avenue" to everybody.

Book review: "The God Engines" by John Scalzi

I've been hearing lots of good things about John Scalzi for some time now, but I haven't read anything by him yet. I know his is famous for over Internet for his opinions and blog, and that he wrote mostly SF. So when I decided to occasionally buy SF, I added one of his books, "The God Engines", on my Amazon wish list. I have some plans for my reading this fall and winter, which I will announce in one of my next posts, so I decided to read something stand-alone last week and I picked this.

I've been surprised how "The God Engines" is similar to "The Hundred Thousand Kingdoms" (which I read not so long ago) in premise. In both books we have gods who are chained by one other god and forced to serve humans as tools and weapons. Here, gods are literally chained, in hulls of space-ships, and used are their primary source of power. As long as the crew maintains its faith, they have nothing to fear and the god can be punished into submission. But when Captain Tephe and his crew is sent on a secret mission, they will find their faith in question, and who can then say what will happen next...

My second surprise was the shortness of this book: with 136 pages this is only a novella. But it is my own fault for not reading more about what I was buying. I am more attracted to longer books, and I was able to finish this book in two days, reading only few hours each.

But the book is pretty good and I can see why Scalzi is famous. It is a type of novellas that I used to read in collection that were published few years ago in Croatia, gathering a lot of older SF hits (Clarke, Haldeman, Hamilton...). The setting is very imaginative, and although we don't see much of it, looks pretty solid. It has a curios mix of high technology and religious dominance (something like in later books of "Hyperion Cantos" by Dan Simmons). The story is also very good, but I was delighted by the ending: I really didn't see it coming.

On the other hand, I am wishing it had a bit more meat, because the last part feels a bit rushed.

"The God Engines" is a very good novella and I would recommend it to everyone, SF fan or not. But I wouldn't recommend buying it: borrow it or buy it in some larger collection.

Book review: "The Hundred Thousand Kingdoms" by N. K. Jemisin

Last weekend I started (and finished) reading "The Hundred Thousand Kingdoms" by N. K. Jemisin. I've had this book in my wish list for quite some time - ever since it was published in 2010. It got several award and nominations for best newcomer and etc., and its premise sounded very interesting. I was looking for something new to read after finishing "School Rumble" manga, and decided to finally give it a go.

(a very good front cover!)

"The Hundred Thousand Kingdoms" is told from a first-person point of view, with voice of Yeine. Yeine is a granddaughter of Dekarta Arameri, a supreme ruler of the world. Now it is important to introduce the setting a bit. Several hundred years ago, a war started between Nahadoth, god of chaos and dark, and Itempas, god of order and light. Itempas was and punished Nahadoth, with some of his offspring, to server as slaves to his highest servant, priestess Arameri, and her successors. The Arameri, using gods as formidable weapons, managed to conquer the whole world set a government with them at the top - and becoming decadent and eccentric (as in polite word for crazy) in the process. Now let's get back to Yeine. Some twenty years ago her mother Kinneth, a designated heir and very proper Arameri (cruel and manipulative), abdicated and left court to live with her lover from backyard and barbaric land of Darre. After her sudden death, Yeine is called to court by her grandfather where she is suddenly pronounced as one of three potential heirs, together with two her cousins. To become a real heir, one of them must defeat and force another of them to accept them as heir - which usually includes the death of third one. So Yeine is left to learn fast about gods, history, her family and manipulation, because the last hour of her grandfather Dekarta is coming fast.

I must admit that Jemisin came up with some really great concept and setting. The gods-part is based partially on Hinduism (light-dark-shadow; order-chaos-balance), but also on old Greek myths, where gods have human personalities, are petty and vengeful, mingle with humans and so on. But on the other hand, she finely succeeds in making Nahadoth and others strange, inhuman and magnetic. This is also true for the Arameri and the whole court - they are not someone you would want as a family, but they are intriguing. I did have a filling that she maybe should have made them even stranger - being a member of family whose word is absolute law on whole world should result in some strange personalities. Also, is this Arameri having access to ultimate weapons some pun/metaphor with Americans and nuclear bombs?

Plot is an interesting mix of power struggle, detective story and exploration about Yeine's family and history. Much appeal of it comes from the narrator-type storytelling. Yeine is not exactly an unreliable narrator, but she is prone to wandering and skipping. The pace is fast and intense - Yeine is not really a passive person. Expect some big turn-overs at the end - not something you will expect when you start reading.

Other characters are also interesting, although I could appreciate more development, but since this is a first-person POV, it can be expected that all focus will be but on Yeine and her interests. Sieh's character seems quite familiar, but I can't remember from where. I am intentionally skimming on descriptions because this would result in spoilers.

Jemisin's writing was fast and good. There are some violent and some sexual scenes, but nothing over the board. I liked the Nahadoth/Naha thing. There was some humor, streaming from Yeine's observations, but this is in general a dark book, I think.

Although I had some great time with this book, there are some small surprises. When I bought the book, I expected a first part of epic-fantasy trilogy. But this is not really a trilogy. "Hundred Thousand Kingdoms" is a self-contained book with definite ending. Two sequels, "The Broken Kingdoms" and "The Kingdom of Gods", are taking place in the same setting and after these events, but there is nothing in this book that asks for sequel. And second thing, the book was really short: I finished it in two afternoons and one evening.

But these are not serious objections, just misplaced expectations. "The Hundred Thousand Kingdoms" is a very good and unique book. I would recommend it to everybody - it has unique setting, clever and interesting narrator/main character and some fast and surprising plot.

Book review: "Aristoi" by Walter Jon Williams

As I mentioned few times already, I used to read both fantasy and SF, especially throughout high-school and first years of college. But as I was closing to receiving my college degree, I also started working. Sick of rereading same books all the time (I've read first three books of aSoIaF more than 5 times, LotR more than 10, whole Vorkosian series couple maybe 5 times... You get the picture) and finally with some stable income, I decided to order books from Amazon, but I also realized that I have neither time nor money to indulge in books too much. So I restricted myself on buying one book monthly (mass market paperback, at first), with rereads the rest of time and anime in between. And I also oriented myself purely on fantasy, since I really like, and there was a shortage of fantasy books in Croatia. But since I bought Kindle, the price of books halved for me. Also, there was a shortage of anime that attract me for the last few seasons, so I don't have any big plans on that side. And additionally, currently there is only two unfinished series with published books out there, "Deepgate Codex" and "Shadows of the Apt", while all others are on waiting for next installment (WoT, aSoIaF, "The Kingkiller Chronicle", "The Stormlight Archive"...)...


After this lengthy introduction, let me get to the point, which is that I plan to occasionally indulge myself with some SF hits once in a while. First of such books was "Aristoi" by Walter Jon Williams. I found the first mention of it in a post by Jo Walton, on Tor.com blog. I usually (but not always) respect her opinion on books quite much, so I put it on my wis-hlist. And last week, while I was looking for what book to buy, I decided for it: less than 400 pages (I was looking for some quick read), a single work (didn't want to start a new series), and only 5$. Now, after finish it, I can only say that I fortified my decision to read SF occasionally.

"Aristoi" takes place in far future. After losing Earth in nano-technology induced accident, humanity has spread between the starts. They have AI, relatively safe nano-technology, Faster-Than-Light travel, perfect virtual reality and direct connection between mind and computer. They also conquered majority of diseases, live in largely free societies and don't lack much. And also very important, they reached a major advance in psychology by understanding and waking up hidden parts of their unconscious mind. All this progress is led by Aristoi. After successfully passing long and extensive exams, Aristos or Arista are given a solar system, and complete freedom in it (adhering to some common rules), with goal of benevolently ruling and advancing humanity in it (important to understand: common people can freely move to wherever they chose). So, in this blissful utopia we are introduced to Gabriel, moderately young Ariostos, talented, sensitive, especially oriented on architecture, art and design. One day, after having an unexpected and worrying conversation with not-particularly friendly Arista, he suddenly realizes that not everything is as certain as he believes - after this Arista dies in accident. Is this really and accident, or masterfully devised plot?


Let's first mention setting. I was looking for something leaning toward hard science fiction, but this was even better. Maybe some would say that "Aristoi" fundamentally is not hard-SF because it doesn't stress enough on how things work, but it has enough high-tech terms which sound plausible and believable to mask as one. For example, nano-technology: it is used, there are some brief mentions on technical details, and much on (realistic) dangers of it, but there are no extensive technical description of it. Or Hyperlogos (virtual reality/super-Internet): there is mention how it needs large (moon-large) data banks, some mentions of programming and algorithms but that's it. But every mentioned technology (including psychology) was consistent and believable - and impressive and though-provoking.


So, instead on exhaustive descriptions of setting (which is nonetheless), this book instead concentrates on plot and characters. It is thriller SF, I would say (hidden plot, investigation, trial...), but I changes to quasi-fantasy adventure in one part. This was the only turn-down of this book for me - not that it was boring or weak, but I expected something grander (epic) from it. It does have some clever and funny tricks. Plot is a bit predictable, although not much - it stays intriguing and interesting, but it lets you feel smart when you guess some detail in advance. There is a lot of humor, some sex, some art... a pleasant mix, all considered.  I must confess that I didn't like first few pages, until all clicked in its place and things got going.


Gabriel is clearly main character and we follow everything from his point of view, except some encyclopedic passages. He is a very complex and realized characters - and our view of him changes throughout the book. At first, he is very impressing person, fully in control of himself and his surroundings. But as the plot progress, we realize that all this self-confidence is only in his head and he looks quite naive. An in the end.... well, let's just say that he is not so tough any more, but he gets even more impressive despite of it. Other characters are not so deep, and some even few more like symbols than real characters. But this is OK, our focus is on Gabriel, after all. 

A quick thought: I just realized that this book reminds me much to Zelazny's "Lord of Light". It has a combination of high technology with religion, war between advanced humans that to non-advanced people look like fight between gods, air of mystery, influence by East...

In the end, I was very satisfied after reading "Aristoi" - it was a great read, interesting, fun and full of new ideas. I did expect more epic story, but it was great nevertheless. I would recommend this book to everybody who doesn't have aversion to science-fiction.

Anime review: "Nisemonogatari"

Huh, I just checked, it was more than two years since I have watched "Bakemonogatari". I thought I was last year... Anyway, "Bakemonogatari" - one of my favorite anime. I was, of course, thrilled when I read that a sequel, "Nisemonogatari", is coming out. But, recently, just few weeks ago, I read a discussion on AniDB where people compared BMG and NMG, and many complained that the latter was too much ecchi?!?! I didn't like this, but I hoped for the best.

Now, after finally watching "Nisemonogatari", I must say I that this is one strange anime, even stranger that "Bakemonogatari", and I am not sure I can express my opinion of it coherently. Actually, I am not really sure even what my full opinion is. But on the other hand, let it be noted that I enjoyed it very much and I gave it 9 out of 10 on AniDB.

Anyway, in topic there are no much differences between BMG and NMG. We still follow Araragi Koyomi helping different people (well, girls), overcome their problems connected to supernatural creatures from Japanese and other mythology. As before, this anime consist 95% of talking, whether in dialog or monolog. It is like BMG just took a hiatus from airing and now continued. It has two cases/stories, both involving Koyomi's sisters, Karen and Tsukihi. And this time, difference between real and fake makes a large deal. Thus the name: Bakemonogatari = Ghost Story; Nisemonogatari = Story about pretending (or something close).

As with BMG, where we were plunged into setting without much explanation who is who and what happened previously (and some things obviously did happen before), some events have happened between BMG and NBM that are often referenced but not really explained. Oshino is gone somewhere and Shinobu plays a much, much larger role (and a great one). From one side, I hate not knowing what is going on here, but on the other hand, I really like this way of delivering information - here are the references and you pick what you can. It really entices me to watch new sequels just to find more references, although I will probably end up with more questions than answers (kind of like "Malazan Book of the Fallen"). What I should have done was to watch BMG again before I started watching this sequel, although this is not guarantee that my sense of confusion would me weaker.

So, you are now probably wondering where the strange part is. Well, I am pretty much sure that "Bakemonogatari" didn't revolve around sex as much as "Nisemonogatari". And while my memory regarding this can be somewhat faulty, I am positive that it didn't include any incest. Well, this is not hentai and there is no real incest, but innuendo is quite strong. And not only incest, anime plays with other fetishes like lolicon and harem. There is also lots of fanservice. But all this doesn't feel like ecchi anime, but more like the anime mock it. I am not really sure how to explain this. Also, I presume that this all would sound strange to someone not into anime, so don't even try to tackle this anime if you are a beginner.

There are few things I would like to highlight. First, I would like to see more of Senjougahara. I found her character fascinating in first season - this time she felt much subdued. On the other hand, Shinobu, who played a marginal role in BMG, was the top character for me this time. And I especially liked the ending...

There is not really much I can say in conclusion. Even if you loved "Bakemonogatari", there is no guarantee that you will like "Nisemonogatari" (contrary is true - if you hated BMG, you will hate NMG, too). High quality is still here, just that it have taken some new, strange routes - only for those with acquired taste.

Some time later...

Well, it turns out I was wrong: there are people who hated BMG, and liked NMG. I just read the recommendations on AniDB page of "Nisemonogatari" and there are no two opinions alike. Some hate it because it's too much like BMG; others love it because of it. Some love it because it's not like BMG; others hate it because of it?! To some it's too ecchi, to other it's not enough... As I said, a strange anime.

Anime review: "Steins Gate"

I noticed "Steins Gate" several times while searching for anime I could watch, but I didn't like the the fact that it was adapted from dating-sim, and I thought the premise too goofy (something about micro-wave and time-machines). Also, I wrongly understood that there was no overall story, but that it was episodic anime. But few weeks ago I didn't have anything else to watch and somewhere on AnimeNewsNetwork read something about "Steins Gate being the best anime of the season", so I decided to give it a try after all. And it was bingo!

Main character, one Okabe Rintarou, is an idiot, plainly said. He is an almost grown man, constantly wearing a lab-coat and hangs in some room he calls his laboratory with two his friends (male hacker Daru and female childhood friend Mayuri) where they "invent" useless and usually not-working gadgets. More so, he calls himself Houin Kyoma, a mad scientist and next evil overlord. When he is in public, he constantly talks to his turned-off mobile phone, pretending he is chased by some Organization and fantasying improbable scenarios. But what happens when one of his crazy theories turns out to be the truth, and a fixed-up microwave in their apartment is really a time-machine?

"Steins Gate" starts quite slow and nothing much happens in first couple of episodes, but after that it turns in one of the best time-travelling works I ever watched. Sure, if you are a moderate science-fan, you will be able to find holes and inconsistencies in their theories. But if you are able to go with the flow, you will find this a great anime about consequences implications of time travel. I really liked how they used modern and popular references, like CERN and LHC. What differentiates this anime from similar is that they really explore the implications of time traveling, not just as a instrument of plot, but from psychological and philosophical side - what happens to time-lines he travels from, how many times can someone watch the same bad thing happens, how lonely is to meet persons again and again when they have no recollections of you, and so on. This is a kind of animated mix of "Groundhog Day" and "Conspiracy Theory"

Story is quite good, fast and it changes several times. After initial slow start, you get several fun episodes where they discover abilities of their time-machine and here start the twists. Surprisingly, episodes after 10th become quite dark and serious, not something what I would expect at the start. My worst part of the anime was three or four episodes toward the end (where Okabe has to cancel the effects of his actions) - they are too much like dating-sim and not much happens. But ending itself, two last episodes, is simply great.

Of course, all characters are good, but Okabe is quite something. You just have to love his way of speaking - pretentious rambling, making up funny names for others (and usually guessing the right spot), his "mad scientist" laugh... On the other hand, during the course of anime he proves himself surprisingly grown up, serious and caring. But fear not, he doesn't lose his goofiness. He is the primary generator of humor and are quite many funny scenes. Most of the other characters (except Daru and one other guy) are of course young girls - this was made after dating-sim after all. They are not so much developed as Okabe and they are typical characters you would expect from such anime, but this doesn't mean they are bad - on the contrary.

Visual side of the anime is good, but nothing impressive. I did like the voices of characters, especially Okabe's.

In the end, I just want to say that you must not think less of "Steins Gate" for being adapted from dating-sim - it is one full-blooded seinen anime, with great plot and character development, suitable for anybody. Consider it especially if you like harder sci-fi.

Movie review: "The Girl with the Dragon Tattoo"

I have been quite busy for the last two weeks, so wasn't able to find a free afternoon to write this post, even though I watched "The Girl with the Dragon Tattoo" the weekend before last. I have seen the trailer for it when I went to movies to watch "Contagion" (I think), so I talked my girlfriend into watching it.

I knew few facts about the movie before watching it, and few of my friends watched the Swedish version of the movies and judged them good. Curiously, I have had a page-marker with praises for the Croatian translation of the "Millennium" trilogy by Stieg Larsson for couple of years now, but I didn't make the connection with the movie because they kept the original names in translation (the original name of the book is "Men who hate Women"). More so, the marker contained praises for the books, but they were written by one "famous" Croatian poet which I don't like (don't like his taste in books), so I stupidly dismissed the books. But now, after watching the movie, I think I will read them in future.

"The Girl with the Dragon Tattoo" is a thriller dealing with some old murders in Swedish aristocratic family. Plot is quite good. Movie lasts more than two and a half hours so they took their time and used it good - main action doesn't start immediately, but it takes some time to introduce characters. There are two main characters: Mikael Blomkvist and Lisbeth Salander; their plots start separately and run in parallel, but are connected somewhere in the middle of the movie. Mikael is a middle-aged famous journalist in the magazine called "Millennium" who targets a rich industrialist and writes an article depicting him as a criminal - but after some of his claims are proved false, his whole article is the taken as nothing more than slander and he loses credibility. Since he wants to move from public eye for some time, he accepts an assignation by another rich old man, Henrig Vanger. He task up front is writing Henrik's biography, but in truth he is trying to solve the disappearance of his niece some forty years ago. Another complication is that someone from his family is probably to blame - even worse, Henrik's whole family lives on isolated island so Mikael is maybe living next door the possible murdered. On the other side of Sweden, Lisbeth, a 23 year old is trying to sort her life. She was a problematic child, always different from others - abused by her father and blessed/cursed with photographic memory. She is officially under care of decent social-worker who treats her well; without his knowledge she does some investigation work for highly-expensive detective company. But after her caretaker suffers a stroke, she is put under care of sadistic Bjurman...

As I said, plot is quite good and also done pretty well. Two independent plots are not very usual, but this worked very well because this was you never know what is coming up next. Another good point of the movie is that induces the audience to participate in the movie. Claim that the culprit is someone from Vanger family is given quite early in the movie, so you just have to try to guess who of them could be the one.

Characters are also interesting. Mikael is played by Daniel Craig, and he is very convincing in the role of intelligent journalist who is at first dismissive of this case, but later gets sucked in by its curiousness. Lisbeth is played by mostly unknown (at least to me) Rooney Mara, but she also does a great job with this demanding role.

Demanding, because without the character of Lisbeth, this movie would still be a very good thriller, but it would lose much of its impact. And this impact is acquired by unusual amount of brutality and violence, both physical and psychological. So, although "all the rape" is not strictly necessary for the plot, it is what separates this movie from others. So, be warned, this movie contains quite few shocking scenes, and they are done very visual and explicit. This is not your usual Hollywood movie, which probably didn't return much in money, but it paid off in respect.

"The Girl with the Dragon Tattoo" is one of the best movies I watched in last couple of years. It contains much violence, and its dark atmosphere will not be suitable for anyone; but if you like high-budget thrillers and don't have aversion to explicit scenes, this could be a movie for you.

Book review: "The City and the City" by China Miéville

I was recently visiting a local bookstore, and they have been having this 3-for-2 action for some time which I wanted to take advantage of. I had two books picked and planned to pick the third in spur of the moment. It turned out there wasn't any books I had considered before (and had on my wishlist) so I (somewhat unwillingly) bought "The City and the City" by China Miéville.

So far I have read only one his book, "Perdido Street Station", which I liked immensely. It is some mix of urban fantasy, science fiction and steam punk, happening in a fictional world of Bas-Lag and a city of New Crobuzon. There are two more books set in this same setting. Anyway, my point is that although I liked this book so much and had heard some really good things about Miéville (reviews of his books are continuously great), I decided not to buy his books because they are not long epic fantasy series (which is my preferred genre). My money and, much more important, my time are limited; and although I would like to read more, 3-5 books a month is currently my standard. Sadly, I don't see it becoming higher in future.

Back to the book in question. This is a very unique book and revealing much about the plot or setting would unquestionably spoil it. You will just have to believe me and multitude of other reviewers that Miéville's books are worth reading.

Basically, this is a regular thriller. It starts and ends with an investigation of a murder. Its main character is a police inspector; we have some hard-core police investigation, which later in a book grows an international conspiracy and acquires cooperation with not-so-friendly neighboring country. I am sure everybody read such books and seen movies with this generic description.

What makes this book so special is the setting. At first, it is a common one: fictional country and its capital city, somewhere in middle-east Europe (not exactly in Central Europe, but not under Russian influence either). As you start reading, everything will first look normal. But since this is a book by Chine Miéville, you expect that things will be anything but normal. So you continue and find nothing amiss, except some descriptions and names that you can't really grasp, but that don't look really unexplainable. And then, somewhere close to page 100 (and keep in mind this is a 400 pages book), it hits you in all its uniqueness and strangeness!!! And your only option then is to continue reading until you finish it...

As I said, the story is quite commonplace and so is the main character, inspector Borlú. A middle year's police inspector, smart and experienced. Somewhat smarter and more dignified that his peers, but not so much to make him a loner. The story is in first-person view and Borlú is a very good narrator. I would say he is also a common-place main character, except his compassion hidden behind a strong facade. This is especially seen in a scene later in the book, when he participates in more-brutal-than-usual police interrogation.

I liked how Miéville incorporated real-world references and details here: slow internet, movie references, real companies... Sometimes the city in the book looked quite similar to the capital of my own country, Zagreb. Although I don't think of Zagreb as romantic as the city in the book is seen - but that is probably because I am used to it.

Although I found this book great, it is not flawless. Setting is very well imagined and quite shocking at first, but the sense of shock gradually fades as you get used to it. This becomes more present as you close toward the end of the book, when all is explained and some more mysterious elements disappear. Maybe if few things were lest unexplained, a sense of wonder would remain stronger. But the story itself has enough twists to keep you interested.

Never minding this small objection, "The City and the City" is one of the best books I have read in several years, really intriguing and original. It is relatively short and it definitely doesn't belong solely to fantasy genre, so I would recommend it to everybody. As for myself, I plan to read Miéville's other works.

Movie review: "Knowing"

This Saturday I watched the 2009 movie "Knowing", with Nicholas Cage. I don't usually like Cage's movies, but I got this movie accidentally and the IMDB description looked good, so I watched it with my girlfriend. While watching it, I remembered that actually a friend recently recommended it to me, but I forgot the name.

The movie starts a bit like a horror. During the 1950s, kids in some US school are tasked with drawing a picture that will be put in a time-capsule which will be opened 50 years from then. One kid, Lucinda, instead writes a full page of numbers and places it in the capsule. Later she is found in some store-room, scratching doors with her bloody fingernails and screaming "Make them stop whispering!!" (or something like that)...

In present time, John (Nicholas Cage), a university professor of astrophysics, obtain this paper after his son receives it from the time capsule. Intrigued be the number, he discovers that numbers are dates of big accidents, with number of deaths in them. Worse, he founds that there are three more accidents in future!

Story is pretty good. Later it takes an unexpected turn toward SF, but this works very well. The suspense is done quite good, although you will probably be able to guess the ending.

I didn't like John's character very much (as usually, Cage's characters are always tragic, heroic or something else exceptional - he is a smug person, in my opinion), but neither was he annoying. Other characters are also OK, but nothing special. Whole movie is moderate in general, except the story and the sense of suspense which elevates it from the mass.

In short, "Knowing" is quite a good movie for an evening-watch, except if you for some reason hate SF. A bit of action, drama and lots of mystery, that can leave you a bit pondering.

TV show review: "Game of Thrones"

Few days ago I finally finished watching first season of "Game of Thrones". Finally, because this 10 one-hour episodes stretched over more than a month. If someone read my post about it when I started watching it, it could be noticed that I liked the show very much. After finishing it, I can say I still like it very much, but with one reservation.

For those who don't know (if there is someone who doesn't), "Game of Thrones" is based on the first book of "A Song of Ice and Fire" by George R. R. Martin, similarly called "A Game of Thrones". It deals with events in Medieval-based fictional kingdom (and around it) called Seven Kingdoms. It involves dynastic struggles, court politics, fates of big royal families and individuals, and introduces few overall plots that will be dealt more in future seasons. The series is renowned for its complex plot and especially its realistic and numerous characters. It is also famous for its grittiness and gradual introduction of magic: setting includes dragons, blood magic and some unknown creatures, but they are more present in later books. This first season deals mostly with Stark family and presents them as main characters. They are one of more rural noble families, residing in distant and sparse North. Events starts with King Robert Baratheon arriving to invite Eddard Stark, his best childhood friend, to became the new Hand of the King (prime-minister) and come to King's Landing to help him rule. This will not sit well with House Lannisters, probably the most powerful family, whose member is Queen Cersei. Eddards coming to the capital will force revelation of some plans and hidden secrets with potential to throw the Seven Kingdoms in turmoil. Other major plot involve Eddard bastard son Jon Snow, who will join the Night's Watch, organization trusted with holding the Wall (gigantic ice structure on edge of the North) and defending the Kingdoms from savages and maybe other, worst things. Another plot features Daenerys Targaryen, daughter of previous King Aerys II ("the Mad King") and her older brother Viserys. Targaryens were dynasty before Usurper Baratheon and they establish rule over Seven Kingdoms by use of dragons (now long gone). At the start of the series, Daenery is being married to Khal Drogo, leader of nomadic Dothraki, which will allow Viserys power and an army to reconquer the Seven Kingdoms. These are only the starting plots which will expand much in later seasons (or books).

For those previously unfamiliar with the books, or those who don't read at all and like fantasy, this show is a premium. High production, good cast, sex and violence, great plot and characters. All this is bound to catch wide audience - which was evident from the popularity of the show. I don't have many friends who read, but everybody who watched this show found it at least good or better. Many people expected some cheap Hollywood show with simple plot and shallow characters and were delighted to find the complete opposition. As I mention, the show is sparse with magic and classical fantasy elements in this first season and this probably helped to attract viewers who would in other case dismiss it as to fantastic and unrealistic (which is what one of my friend said for "Lord of the Rings" trilogy). First season focuses much more on court politics and it can be almost mistaken for some quasi-historical series based on alternative Medieval Europe.

Much of the GoT forte is in its characters. They are very numerous and feel like real people, which is always appreciated. Although this season features Starks as main characters and therefore "good guys", it nevertheless makes no assumption to picture them as saints, smarter or better than other people. They are presented as more naive, but this is more from their remoteness from the capital and court games. Sole exception to this is Ned Stark, who is (with maybe addition of Bran) who can be said to be "better" than others - although his honor doesn't make him more than most tragic character.

As I said, plot deals mostly with mundane elements like court, wars and power, while fantastic parts are only implied or briefly touched. I wouldn't go deep into explaining, because I would hate to spoil new viewers the greatness of this story, but believe me that it is great.

All in all, "Game of Thrones" is a terrific show for all kind of audience and probably one of best this year. I look forward to the next season, which is expected at spring.

As I said, there is one reservation, but it involves only the fans of books. Contrary to let's say "Lord of the Rings", for which I complained that they made too much changes and simplifications to attract more viewers, "Game of Thrones" show follows "A Game of Thrones" book closely and truthfully, as much is possible for this medium. Not all plot details and characters facets could have been revealed and presented, but show provides the basic spirit and feel of the book. Sure, there are some small changes, and even some additions, but this was kept as minimal as possible. But at the same time, this is a catch. As someone who has read the books several times (especially the first one), I quickly realized that I knew what will happen next in even the small details. So after initial thrill, I found that I don't have much more reasons to watch this series left, except to look for mistakes and complain at them. Since I watched it with my girlfriend who is not familiar with ASoIaF, I also found great temptation in not revealing any spoiler to her. But for those who read the books maybe once, or long time ago, or just want a quick reminder before going to next books, this is still a great catch.

Book review: "A Darkness at Sethanon" by Raymond E. Feist

With this book I finished my little re-read of Feist's books I have home. I actually have "Krondor: The Betrayal" also, but I have issues with this internal mini-series. Raymond E. Feist started to write this five-book cycle featuring Jimmy the Hand's rise and I remember that I really liked it. He finished three books and then got in some quarrel with publisher of video-game based on these books and never finished it. Anyway, I plan to get some more books before re-reading this one. Things also get a bit confusing about the order books should be read. "Krondor: The Betrayal" is happening shortly after "Riftwar Saga", but it was actually written much later; next book published after "Riftwar Saga" was "Prince of the Blood", which is something of a stand-alone novel. If you now include in this "The Empire Trilogy", which was actually written by Janny Wurts and is taking place on Kellewan in this same time, you get a pretty good mess. I resolved it by skipping "The Empire Trilogy" and reading "The Riftwar Legacy" (Krondor books) before "Prince of the Blood".

I tangled myself in description of reading order while I should be talking about the book... As in last post, there are some minor spoilers for previous books.

Events in "A Darkness at Sethanon" start off a year after those in its prequel, "Silverthorn". There were no new attacks by Murmandus or the Enemy for the past year, but now things are stirring up again. Nighthawks are again active in Krondor, so after some trouble with them, Prince Arutha and his old retinue is again joined by Martin and Baru and they start their travel to the North, looking for final confrontation with Murmandus. There they will find friends and enemies they never expected to see again. In the same time, Pug has finished his education with allies found at the end of previous book and is joined with Tomas, his oldest friend. Two of them will start a journey with ultimate goal of finding the one person who understands all this mess: Macros the Black.

This sounds like very simple plot; and believe me, it is. As before, plot is simple, straightforward and fast. This doesn't mean it's dull; Feist provides us with enough surprises and twists that it stays interesting. Also, considering pace with which events happen, reader doesn't have the time to stop and think much how plot is "easy".

Biggest complain can be directed to characters. While interesting and funny, they are just too shallow and already-seen. At times, I was feeling like I was reading some cheap love-novel, especially when Martin meets his love-interest (love at first sight, duty before love and all other clichés...). But as with plot, speed can cover a lot of mistakes. Also, this is where he really starts with recycling of characters.

On the other hand, world-building (or better said setting-expansion) works great. Feist is able to twist elements he introduced in "Magician" completely around and still sound plausible. This will happen continuously with his books, but he still has one of largest and interesting settings, which he can always return to and work the details.

The book ending was a bit too much "happy-end", but this is nothing that it shouldn't be expected. This book is quite larger than "Silverthorn", but it doesn't feel so; it is very easy to read.

All in all, "A Darkness at Sethanon" is a solid continuation in same tone as his previous book. Not a great achievement in fantasy genre, but a simple book with likable characters that is a great fun to read. Who was able to enjoy "Silverthorn" is certain to have fun with this one.

Anime review: "Baccano!"

I usually don't do rewatches of anime, but it's been a very long time since I watched it, and I read something about additional episodes, so I decided to give a go. Additionally, it is relatively short (13 episodes without additions) so it was perfect to do something while waiting for my copy of "The Wise Man's Fear" to arrive. I was satisfied with the rewatch, but definitely not these three extra episodes I watched. I will first give a review of original anime, while these "new" episodes will be in separately paragraph.

Best comparison I could come up was that "Baccano!" is the "Pulp Fiction" of anime, happening in time of Prohibition and being even more complicated to watch. Why complicated, you ask? Because it is happening simultaneously in three years (1930, 1931 and 1932), often without distinct separation between them (there are years showing at change of scene in first episodes, but they got rare later), with a big cast and extravagant characters. Central story (year 1931) is the travel of the "Flying Pussyfoot", a transcontinental train arriving for New York. Second story (year 1930) explaining the meeting of some characters, happening in New York. Third story (year 1932) is just a resolution, showing some consequences of of previous events. Take note, these three stories are shown simultaneously, so we know the ending practically from the beginning. But do not be fooled by this: it is very surprising, unpredictable and exceptional anime. I would hate to spoil the revelation of its story for you. Let's just number who does it involves: several confronted gangster and Mafia groups, newspaper agency with informational network that infiltrates high and low, young girls trying to save his (undeserving) older brother, unbelieving duo of klutzy thieves, immortal alchemists older of that 200 years, homunculus, group of kids that steals from Mafia and make bombs, group of sadistic killers led by a man that wants to violently kill whole world (especially those who think they are untouchable), group of people trying to save their immortal leader from government that wants to do tests on him, a man who "know" that he is center of the world, a Rail Traces (a monster that eats trains)...

Plot will at turns looks completely incomprehensible, especially at first. Even though I watched this anime once before, first two episodes were very confusing. But soon you will realize that everything fits into place perfectly. Of course, you will not be able to understand everything, but that is intentionally. It is one of those shows that leave you with myriad of questions and begging for more. As for characters, they are even more flamboyant than the plot. Most of them are criminals, murders and psychopaths, people you wouldn't like to meet at the dark street, but they are extremely likable. The show doesn't have main character/s; instead, you could found yourself a favorite group and root for them, or just simply hope that everyone will see the end alive.

Word of caution, this anime is extreme in one more aspect: violence. And it is very explicit in it, so expect to see blood and bones in large amount. There is even one scene where one of the characters bites off another one's fingers...

About three additional episodes: DO NOT WATCH THEM! Especially if this is your first time watching, because it will ruin the feeling of "Baccano!" for you. Plot is left unfinished with original 13 episodes, but this is how it was intended and it works great that way. Adding these few episodes that explain what happened later and why only badly tries to explain things that are better left to one's imagination. It feels totally cheap: cheap storytelling, cheap animation, cheap design, cheap ending. True, there are few interesting facts to learn here, but I would survive without them. I was especially offended with the way the mauled Vino; they completely ruined my picture of him. New characters are generic and only a cheap imitations of original. So again, do no watch any episodes after 13!

When I was reviewing "Durarara!!", I mentioned that it was written by the same author as "Baccano!", meaning it as a compliment. So the reverse is also true. If you liked "Durarara!!", you should will PROBABLY like "Baccano!", too. It is darker, more violent and more complicated, but the two share the same spirit. "Baccano!" is not anime for everybody, but if you like noir, complicated plots, extravagance and seinen, and don't mind violence for violence's sake, you could like it. But it's definitely worth of try.

Book review: "The Darkness That Comes Before" by R. Scott Bakker

First I have to say I already read "The Darkness That Comes Before" and its sequel "The Warrior-Prophet" once. The books were published in Croatian and I was a member of public library at that time, so this wasn't something that I, a fantasy-fan, could miss. When third book, "The Thousandfold Thought" arrived, I wasn't a library-member anymore. Once a friend tried to borrow a book for me, but it was out at that time. And I wasn't really into buying English version of books I have already read when there are already dozes of book on my wish-list that I haven't read. But some time ago I stumbled on Wikipedia article about R. Scot Bakker and read that what I though was only a trilogy was actually a big series with some eight or nine books planned. This of course piqued my interests since these were some of the finest fantasy-books I ever read, so I decided to buy them, one at time, as time allows me.

As I said, I read this book few years ago, but only once, so this was something between read and re-read. I recognized character and events, but I didn't remember them in advance, except in most general terms.

This is a book of multiple plots, presented from sever points of view, just the kind I like. A main character, or at least the most pivotal character, is Anasûrimbor Kellhus. He is something of a monk, trained in psychology, observance, physical skills... His level of skill is actually such that other people are like children to him and most consider him a more than human: he can read their though by noticing small changes at their faces, pulse rates, etc.; he can learn language only by hearing it for few days; he can catch arrows in flight. But he is not the only one; there is whole order of people like him. Thankfully for the world, they are secluded and never go out of their fortress at North. But that has changed when thirty years ago Anasûrimbor Moënghus, Kellhus' father, got corrupted and left them. But now, he is back, at least in their dreams, commanding them to send his son to him, to Shimeh. Kellhus is now sent to journey to find his father, find him and kill him.

It is important to note that Kellhus' order has been isolated from the world for two thousand years, so he knows nothing about it. Two thousand years ago a First Apocalypse occurred: No-God tried and almost managed to destroy humanity. Not much about this is revealed, only few facts that rise more questions (in best Erikson's style). Whatever did happen, things have changed much since Kellhus' ancestor for ruler of largest human Empire of the time. Humanity is now centered on Three Seas, where they have forgot about No-God and turned to their petty human squabbles. Few of those who remember and who are always vigilant about the Consult, whose focus is the return of No-God, the Second Apocalypse and they are the members of Mandate School of sorcery. But since no one seen or heard about Consult, there are not many who believe them. One of their members is Drusas Achamian, sometimes a teacher to kings, but most often a spy in lowest quarters of Three Seas. He is sent to investigate what will Maithanet, new Shirah of the Thousand Temples (absolute religious leader of larger faith) pronounce as a target of newly proclaimed Holy War: sorceress that Faith sees as blasphemers and rivals in power, or Fanims, southern infidels that have occupied their holy city Shimeh...

It would take me to much too describe every faction, plot and important character in details, so I will just number few of them. We have Emperor Ikurei Xerius III and his nephew Conphas who are trying to restore their Empire to former glory, not shirking even from using Holy War for their purposes. There are Crimison Spires, a most powerful school of sorcery, having their own private war with the infidels. There is Cnaiür, a chieftain of Scylvendy, a warlike human race, who is shunned by other chieftains because of helping a persuasive stranger to kill his own father thirty years ago. Then there are the Fanims and their own powerful school of sorcery, Chishaurim, different from any other. There are rulers of small and large kingdoms of Three Seas, and there are small, regular people. And finally, there is the Consult, who is not so dormant as everybody believes...

In many ways, "The Darkness That Comes Before" presents the very best what fantasy can offer now. It is a beginning of long epic fantasy series, but in doesn't follow the usual tropes. Main characters are not teens or young people with no experience going out in the world for first time; here we have people in their middle years, with much experience and much going on already. We have a great worldbuilding and very imaginative setting. World here has a very rich history and detailed background, but most of it is only suggested, not openly revealed (as I said before, in style of Steven Erikson). Characters are not black-and-white and definitely not shallow: they have their own agenda, own morality, doubts, little flaws. Plot is very complex, with many subplots and small sidetracks, but it is still enjoyable, believable and easy to follow.

There is not one thing I could object about his book. Unfortunately, it lack some small detail that would make it universally loved, like ASoIaF, WoT or MBotF. When I say universally loved, I don't mean that everybody likes it; but there are lots and lots of people who like it, and even those who don't know about it and it can always be a topic of heated discussion between fans and dislikers.

Nevertheless, "The Darkness That Comes Before" (and I hope its sequels) is a great book, with great content and great style. I would recommend it to everybody who likes high and epic fantasy and is not afraid of ambitious books.

Anime review: "Fullmetal Alchemist: Brotherhood"

It turned out this was one more of my false predictions, but I am very satisfied with it, because this version of "Fullmetal Alchemist" is one of the best anime I have stumbled on so . Definitely among first ten, at least!

Original FMA was one of the first anime I watched. It was impossible to avoid it at that time. Wherever I looked for recommendations, it was somewhere at the top. Also, comments were full of people discussing whether it was the best or only good. So I of course had to watch it. I quite liked it but I was one the side of those who deemed it only very good. It had some nice premise, good characters and was quite fun, but at that time I was watching only the greatest hits of that time ("Ghost in the Shell", "Berserk", "Cowboy Bebop", "Elfen Lied", "Claymore"...), it some somehow drowned in the mass of other good or great anime. I watched it, marked it as fine and moved on to another stuff completely releasing it out of my mind.

So, when couple of years ago they started releasing FMA:B, which was some alternate version of the same anime (or better said, different adaptation of the same manga) I wasn't exactly thrilled. My thoughts were somewhere on this track: "Oh no, another attempt to suck money with unoriginal idea. They probably just remastered old episodes, added some fillers and now are trying to sell it to new kids who were too young to watch the original". You know, the arrogant mindset of self-proclaimed connoisseur. Normally, I immediately decided not to watch it, since there are better, original anime for me to "waste" my time on.

But then I saw it won a really big bunch of awards. Also, I noticed it has a quite good rating on AniDB. Information that finally tipped me over was when I read somewhere that what I though was original FMA, was actually made much before original manga ended, so they had to make up the ending. On the other hand, FMA:B was supposed to be much closer to manga, which is always a plus in my book.

After I started watching it I was a bit disappointed because first few episodes are identical in regard to plot. Sure, animation is a bit modern and prettier, and characters looked a bit more serious and deeper, but these are not reasons good enough for me to re-watch 64 episodes. Then, were surfaced few details that confused me and made me unsure of my memory. Then, they introduced a few characters that I was pretty sure weren't present in FMA. And then, they went in completely different direction... Of course, by that time I was already hooked up and JUST COULDN'T STOP WATCHING... I think I watched some 30 episodes in two days; the rest I was forced to schedule more evenly on several more days.

"Fullmetal Alchemist: Brotherhood" features a very nicely setting. It is mostly based on first years of 20th century, somewhere around or after the First World War: guns are predominant, but soldiers still carry and use swords; there are many horses, but there are also cars. There are two distinguishing differences. The important one is the use of alchemy. It is in results similar to magic, but it is also based on science, it has many restrictions and it is not so widespread. The rules are not very strictly said and one could find inconsistencies if one would like, but it is nevertheless imagined so good that you don't feel the need to dismantle it; a perfectly guessed balance. The other thing is the use of automails, artificial metal prosthetic limbs, based on steampunk or something like that. Even though the anime could work perfectly without it, and I believe a reason for introducing it were either author personal preferences or desire to comply to bigger audience, it is also very nicely imagined and fits in plot and characters quite tightly. Setting is concentrated in land of Amestris, remotely based on that time Germany: led by Fuhrer President, militaristic and expansionistic.

The story is centered on two young alchemist, brothers Edward and Alphonse (15 and 13 years old, or something like that). After death of their mother from illness, being already abandoned by their father (who is at the beginning shown only as alchemist) they perform one of the greatest taboos of alchemy (also one of the hardest feats) and try to resurrect their mother. For that, they fail and meet the Truth; they are also punished, Edward with taking of his right arm, and Alphonse by taking of his whole body. Edward manages to bring back his brothers soul and affix to an empty armor suit, but they both suffer tremendously. When army learns about their exploits, it offers Edward to become a State Alchemist. Different to regular ones, they immediately receive a rank in army equal to colonel (I think), and more importantly, they have access to funds and extensive data for research; drawback is that they can be called to duty and forced to become human weapons during the war. Because of this they are called "dogs of military".

We join the Elric brothers during they search for Philosopher stone, a mythical substance that supposedly can help alchemist to ignore the laws of alchemy (like that one against raising of the dead or one that states they you can get something only for equal amount of matter/energy). It is only expected that not everybody would use this only for good purposes. And of course, it is an old maxim that power spoils the people... Through their adventure we are introduced to the army, which plays a bit part in politics of Amestris, to other alchemist, to the big enemy and so on. Plot is not a typical one-level, straightforward shounen story. The main story-line is from Edward's and Alphone's POV, but we have a large portions told from members of the army (Roy Mustang, Armstrong siblings, King Bradley...) and even from the "evil" side. There is of course lots of action and fighting, but this is not primary an action anime. I think that equal or even more importance was given to mystery, strategy and politics. I think that FMA had much more focus on action that it is the case for FMA:B. As I said, alchemy plays a great role, but more so on highest level, as plot device (ultimate ritual, sacrifice, etc.) that in everyday happenings. I think that there are lots of episode where alchemy doesn't even happen, or has no influence. It can be definitely said that I liked the plot: it was complex, consistent and quite surprising. This last statement is especially true if you watched FMA before; FMA:B takes you to a completely different direction and does it so in such a great way.

Third thing why this series is so good (other being the setting and plot) are the characters. There is quite large cast, but you won't have any troubles remembering who is who (although I must admit that I didn't even tried to remember the army ranking). Every character has depth and is very believable. I must especially emphasize the fact that even though the Elric brothers are main characters, not everything revolves around them. Other characters interact with them, but they also have their own agendas and don't wait for them at all. Also, not every other character's action is caused by them. For example, Roy Mustang (who is let's say in charge of Elric Brothers) actually interact with them only minimally in the run of show; he has its own plans and even though is willing to use them when they are available, you get the feeling that he would do thing even without them. All characters grow during the running of the show, which is always great. Especial compliments should go to the bad guys. They are pictured as regular flat bad-guys early at the beginning, but we spend much time with them and realize there is much more to them than only bluster and "evil". The destiny of Envy (one of most important bad guys) was one of the most emotional parts of whole series. They are also quite well and originally designed.

I could continue with complimenting it much longer, but I've been trying to give everything an objective review, so I should always mention flaws. Thankfully, there are no major ones, only a few minor. In my opinion, second part of the anime is a bit rushed. I haven't read manga so I don't know how closely did anime follow it (I read somewhere that it is very close), but I believe that additional 10 episodes would even more increase its quality. This is indirect praise, because it is not often that some anime can keep the same level of intrigue and interest for 64 episodes! Also, although I noticed it only later, in some episodes that ending song didn't mean that episode was finished so I missed some material (not much, but sometimes important). I also noticed that the author made all his female characters pretty and well endowed. It is not a real objection, just a remark that even with such a good anime the author or production staff felt they need additional (cheap) tricks to win audience.

Since I recently watched last episode of Harry Potter, I noticed several similar between these two. They are both pieces intended primary for younger audience, but enjoyable by adults with no problems. Harry Potter has magic, Fullmetal Alchemist has alchemy. Both have a large cast, and so on. Privately, I think that FMA:B is better that HP and I hope it will be at least as successful in anime as HP was in movies and books.

Well, to finish this review, I can only say that you should watch this great anime. Sure, there will be those who won't like it. There was an interesting poll on AniDB page for "Fullmetal Alchemist: Brotherhood" with question "Best anime ever?". Although I don't believe that everybody would say yes (neither would I), but I think that majority of people would answer "No, but should be in top ten!". So watch it!